The Good Shepherd

The Good Shepherd 3.5/4 4/5

The Good Shepherd is an incredibly complex work and one of the finest films of a quality ripe 2006. Oscar winner Eric Roth continues his brilliant work with this original screenplay, named one of the best unproduced scripts in Hollywood in the late 90's. A film about one of the CIA's founding officers isn't a dream project commercially for a studio but thankfully, the quality of the script was too great to ignore.

Shepherd follows the life of Edward Wilson (Damon) through his college years at Yale to his ascension as one of the CIA's founding officers and trusted veterans. His extraordinary dedication to his work comes with an unbearable price as he must sacrifice his family to protect his country. At one point in the film, Wilson faces an enormous choice- does he abandon his ideals for what he believes is right? Would this abandonment render his life, almost solely devoted to his country, meaningless? This, as well as a depiction of the result of Wilson's decision, are just two of the moments of brilliance in The Good Shepherd.

Wilson inhabits a world of betrayal and secrecies only enhancing the irony of the biblical quote inscribed on the CIA's wall- "And ye shall know the truth and the truth shall make you free". While we are given a glimpse into the life of a younger, more vital Wilson, the world he occupies creates the characteristically stolid, humorless man we come to know.

With its vast emotional core, the film seemingly effortlessly navigates one of the most volatile periods in the history of American intelligence while remaining character based. At 165 minutes, it is overlong but remains engaging for the vast majority of its running time. Had a few relatively insignificant scenes been cut, Shepherd could have retained the thrilling and energetic pace it often possesses. However, the length is justifiable as the scope of the film is incredibly large and very few scenes can be deemed unnecessary or dull.

Robert DeNiro's direction far exceeds that in his debut, 1993's "A Bronx Tale". Normally portrayed as a brute, here, DeNiro assuredly handles every moment with an innate tenderness we rarely see in his work. He appropriately treats Shepherd with a precise attention to detail often attributed to some of the greatest directors of our time.

A silently haunting Matt Damon carries the film on his shoulders. Edward Wilson is completely introverted and while Damon internalizes his thoughts, some of the films greatest moments are when emotion unknowingly pours out of Wilson through a mere flicker in his eyes. Angelina Jolie and Michael Gambon deliver very strong turns amidst a one of a kind cast topped off by the return of Joe Pesci, whose last acting stint was 1998's "Lethal Weapon 4".

The Good Shepherd is a film that demands to be seen. It is surprisingly apolitical as Wilson's life and its disintegration are the true story of this epic. While some call it "unsentimental", exactly the opposite is true. It is a testament to Roth's script that a film with such an introverted protagonist provides such a visceral, affecting experience. Shepherd is an intelligent, poignant look at the cost of blind dedication and constant secrecy. The effect this has on Wilson's life is irrevocable as we are taken on a remarkable cinematic journey, one that should be remembered as one of 06's greatest.

I had a huge advantage before watching this on DVD. I was told by a good friend that it was extremely slow, and be prepared to be bored out of "my mind." Well, I wasn't bored, maybe because I now expected a slower, non-action-packed CIA-type film....and I wasn't disappointed. Actually, I liked it, mainly because of the cinematography. This is stunning in its photography. Kudos to Director Robert De Niro and Director of Photography Robert Richardson for their work in here.

I also appreciated the low profanity in here. After watching "The Departed," this far-cleaner film was a treat for the ears, too. Yes, there are a handful of 'f-words," but not much else including no blasphemy.

But, I agree that this is a very slow film and it helps to know that in advance. It's also one you have to follow closely and time periods shift back and forth, mainly from 1961 back to the early 1940s.

The story winds up presenting an interesting question which is posed to Matt Damon's character, "Edward Wilson." He plays an extremely loyal CIA man, a guy who is straight-arrow and one whose priority is country-first. The dilemma occurs at the end when he must choose between what's best for his son or his country.

It's a thought-out, interesting story that takes a few sides to the left of center more than the right, but is not really a movie with any heavy-handed political agenda, mainly pointing out what it takes to be a successful "spy" and that this unemotional detachment can be rough on some people and their families.

Damon heads an all-star cast that includes Angeline Jolie (who looks spectacular as a woman in the early 1940s), Billy Crudup, Alec Baldwin, William Hurt, Timothy Hutton and many others.

This movie, I suspect, will either put you to sleep or fascinate you.

It starts on April 16, 1961. Edward Wilson (Matt Damon) is a top American spy. When the Bay of Pigs don't go well, everybody is suspicious of a leak. Then it flashes back to 1939 Yale University. He is a student and recruited by Bill Sullivan (Robert De Niro) to spy on a professor with German ties. He is forced into a shotgun wedding with Margaret (Angelina Jolie). The war starts and he goes to Britain working for the fledging American spy agency. He would become one of the best at counter-intelligence but his family life suffers tremendously with his wife and son (Eddie Redmayne).

As far as I'm concern, director Robert De Niro is 2 for 2 so far. Matt Damon puts in a deadly quiet performance. This is no Bond movie. There are no flashy gadgets and movie contraptions. This feels like the real thing. A spy would obviously not talk about spy stuff. The internalization and the paranoia seems to hit the right notes. The family dysfunction follows logically. I guess people who want the excitement will have trouble with the quietness. I personally found it intriguing.

Before I go on to praise the good points of THE GOOD SHEPHERD, I should mention at the start that the film badly needed some judicious editing. There are many scenes that go on for too long a time and are badly in need of some artful editing to get the point across just as well.

Aside from length, everything else about the film is on the plus side--the handsome cinematography, the vast amount of settings, the background score that adds to the drama, and the performances of the entire cast which are uniformly good. I'm not a great admirer of ANGELINA JOLIE as an actress, but here I think she demonstrated skill at suggesting the loneliness, frustrations and jealousies of a woman whose life has to remain outside the boundaries of her husband's job with the CIA. Through a series of detailed vignettes, the murky world of an agent's life of deception within the government is sharply observed.

More of a character study of Edward Wilson (played in stolid, very serious fashion by MATT DAMON) than a straightforward spy yarn, it manages to hold the interest even though it uses the flashback method of storytelling that is apt to confuse a viewer if it isn't done well. But here again, there is a flaw--it covers a span of twenty or more years but the aging of the central character is never quite convincing enough. Damon never looks that much older than his grown son--whereas a few gray hairs might have helped considerably. As his grown son, EDDIE REDMAYNE does reasonably well as the man seeking his father's approval.

As for the supporting players in this story about one man's experiences in the newly developing CIA, JOHN TURTURRO does an outstanding job as a tough inquisitor and MICHAEL GAMBON is outstanding as a security risk with homosexual tendencies. ALEC BALDWIN has little to do but is intense enough as one of the agency's top men and others in the cast maintain credibility all the way through.

The story itself is rather problematic in that nothing is what it seems and not all the information is readily given to the viewer in a way that makes sense. This is partly the fault of the script and partly the fault of director Robert De Niro who also assumes a small role effectively.

But still, despite the handicap of being too long (and a bit too involved at certain points), it makes for fascinating viewing and is the kind of film you dare not divert your attention from for a moment. If you do, you are liable to miss an essential plot point.

Summing up: Highly recommended for anyone with a keen interest in espionage dramas.

Excellent.

The good shepherd is an excellent film. The reason this film was dubbed the "Godfather of spy movies" is because ala the "Godfather" De Niro uses real life situations involving the CIA and blends them together creating a story around the lead character played by Matt Damon. In addition,several great performances in character parts complement Damon's performance, notably Michael Gambon and John Turturro were both superb. You shouldn't view this film expecting to be blown out of your seats, it is deep, and requires strict attention to detail. My wife and I viewed this film in a packed movie house and we were very certain that half the people in the audience didn't understand or appreciate what they had just seen. I am not saying you need to be of great intellect to enjoy this film, but one of the things De Niro manages to do is bring back a thinking man's drama that is often not seen in today's attention deficit, shoot them up, bang – bang movies. This film makes it obvious that Directors Bertolucci and Leone have left a huge impression on De Niro and the result is a movie that both would be proud of.