76
Metascore
30 reviews · Provided by Metacritic.com
- 100Entertainment WeeklyOwen GleibermanEntertainment WeeklyOwen GleibermanOffers terrific interviews with the surviving Funk Brothers, who provide a tasty insider history of 4 a.m. recording sessions inside ''the snake pit'' (as the fabled Studio A was known) as well as a chilling description of their final kiss-off from Berry Gordy, the Motown mogul who treated them like indentured servants.
- 90Wall Street JournalJoe MorgensternWall Street JournalJoe MorgensternA glorious feature-length documentary -- This film will leave an indentment, and a deep one, on anyone who loves great, joyous music and cares about the people who make it.
- 90NewsweekDavid AnsenNewsweekDavid AnsenWhat blasts off the screen like a heat wave, burning in the heart, is the sheer toe-tapping, booty-shaking joy of making music.
- 90The New York TimesA.O. ScottThe New York TimesA.O. ScottSo good because it is one of those rare documentaries that combine information with smashing entertainment.
- 80Washington PostDesson ThomsonWashington PostDesson ThomsonIt's a thrill to listen to the seasoned survivors offering witty, evocative anecdotes about themselves and others.
- 80L.A. WeeklyErnest HardyL.A. WeeklyErnest HardyThe film's energy is primarily due to the rich storytelling skills of the musicians, who trot out anecdotes and memories filled with humor and wry philosophizing.
- 75Boston GlobeTy BurrBoston GlobeTy BurrOne hell of a party, and it doesn't let anything get in the way of that.
- 70Village VoiceJ. HobermanVillage VoiceJ. HobermanJustman's affectionate doc provides the pleasure of hearing one classic pop hook after another performed by a still tight unit, as well as the spectacle of veteran sidemen sitting around talking music. (The movie would have benefited from more period footage and fewer restaged scenes.)
- 60SalonCharles TaylorSalonCharles TaylorIt's a noble undertaking. But why isn't it a better movie? Told in scattered fashion, the movie only intermittently lives up to the stories and faces and music of the men who are its subject. Part of the problem is the narration.
- 50The A.V. ClubScott TobiasThe A.V. ClubScott TobiasWhat should be a momentous occasion instead gets anonymously processed through the Doc-U-Matic, with exhilarating live material cut into a sloppy assemblage of interviews, archival footage, and awkward reenactments.