In 1962 New York City, love blossoms between a playboy journalist and a feminist advice author.In 1962 New York City, love blossoms between a playboy journalist and a feminist advice author.In 1962 New York City, love blossoms between a playboy journalist and a feminist advice author.
- Awards
- 4 wins & 8 nominations
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe extra scene at the end with Ewan McGregor and Renée Zellweger singing a duet was filmed at the insistence of Zellweger and McGregor. They said that with both of them having been in musicals previously (McGregor in Moulin Rouge! (2001) and Zellweger in Chicago (2002)) that it would be a sin not to.
- GoofsWhen Barbara confesses to Catcher in his apartment, they are both standing, but when Gwendolyn enters his apartment and races to Barbara after she over-hears Catcher say "Barbara Novak", Catcher is sitting on the edge of the bed.
- Quotes
Catcher Block: [as Zip Martin] Can you keep a secret?
Barbara Novak: Yes.
Catcher Block: [as Zip Martin] Me too.
- Crazy creditsThe movie opens with the big CinemaScope logo 20th Century Fox used fifty years before.
- Alternate versionsThe TV version distributed in the UK excludes most of the split-screen phone call, presumably for time and due to the potential interpretation of the cinematography.
- ConnectionsEdited from Oh! For a Man! (1957)
- SoundtracksDown with Love
Music by Harold Arlen
Lyrics by E.Y. Harburg
Performed by Michael Bublé and Holly Palmer
Produced by Marc Shaiman
Michael Bublé appears courtesy of 143/Reprise Records
Holly Palmer appears courtesy of Reprise Records
Featured review
DOWN WITH LOVE, director Peyton Reed's homage/spoof of the Doris Day/Rock Hudson sex comedies of the early 60s, is a delightful bit of fluff in a movie season filled with inferior sequels and overwrought epics. Dazzling to watch, with Givenchy-inspired costumes (if Daniel Orlandi does not receive an Oscar for his work, his peers should turn in their Designer cards), wonderfully over-the-top sets (EVERYBODY in those 60s films lived in apartments you could land airplanes in), and a 'More 1963 New York than 1963 New York' look (created on the studio back lot, with ample support from CGI), the film would deserve a viewing even if the cast never uttered a line of dialog!
Fortunately, the script, by Eve Ahlert and Dennis Drake, is wickedly funny, full of the politically incorrect double entendres that were as close as Hollywood could get to actual 'naughtiness', 30 years ago (and, yes, there are more than a few present that WOULD have been censored, even then). The story, of a woman who writes a best-selling 'self-help' book eschewing the necessity of men for any more than 'casual sex', and the 'Hugh Hefner'-like writer who turns his prodigious charms to work, in the guise of a naive astronaut, to win her love, and thus discredit her theories, would have fit Doris Day and Rock Hudson to a 'T'. While Renée Zellweger and Ewan McGregor lack their role models' charisma, they have a pleasant chemistry together, and the 'split-screen' phone call scenes between the pair are even racier than the Day/Hudson 60s versions.
If the leads seem a bit bland, the supporting cast more than makes up for any shortcomings. In a role that SHOULD garner a 'Supporting Actor' Oscar nomination, David Hyde Pierce takes on the part assumed by Tony Randall or Gig Young in those 60s farces, that of the put-upon, neurotic, sometimes prissy friend of the hero. He is superb, even SOUNDING like Tony Randall, and steals every scene he's in. His 'opposite number', friend of the heroine Sarah Paulson, while not quite at Pierce's level, is still quite funny as a chain-smoking career woman who would chuck it all for the right man. And, in a FABULOUS piece of casting, the MAN himself, Tony Randall, appears as the book publisher whose bestseller is RUINING his love life. At 83, the man can still toss off a funny line...
With a very inventive 'twist-within-a-twist' climax, and Marc Shaiman's evocative score punctuating the proceedings, DOWN WITH LOVE is a delight!
Fortunately, the script, by Eve Ahlert and Dennis Drake, is wickedly funny, full of the politically incorrect double entendres that were as close as Hollywood could get to actual 'naughtiness', 30 years ago (and, yes, there are more than a few present that WOULD have been censored, even then). The story, of a woman who writes a best-selling 'self-help' book eschewing the necessity of men for any more than 'casual sex', and the 'Hugh Hefner'-like writer who turns his prodigious charms to work, in the guise of a naive astronaut, to win her love, and thus discredit her theories, would have fit Doris Day and Rock Hudson to a 'T'. While Renée Zellweger and Ewan McGregor lack their role models' charisma, they have a pleasant chemistry together, and the 'split-screen' phone call scenes between the pair are even racier than the Day/Hudson 60s versions.
If the leads seem a bit bland, the supporting cast more than makes up for any shortcomings. In a role that SHOULD garner a 'Supporting Actor' Oscar nomination, David Hyde Pierce takes on the part assumed by Tony Randall or Gig Young in those 60s farces, that of the put-upon, neurotic, sometimes prissy friend of the hero. He is superb, even SOUNDING like Tony Randall, and steals every scene he's in. His 'opposite number', friend of the heroine Sarah Paulson, while not quite at Pierce's level, is still quite funny as a chain-smoking career woman who would chuck it all for the right man. And, in a FABULOUS piece of casting, the MAN himself, Tony Randall, appears as the book publisher whose bestseller is RUINING his love life. At 83, the man can still toss off a funny line...
With a very inventive 'twist-within-a-twist' climax, and Marc Shaiman's evocative score punctuating the proceedings, DOWN WITH LOVE is a delight!
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Hãy ngừng yêu
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $20,305,251
- Opening weekend US & Canada
- $45,029
- May 11, 2003
- Gross worldwide
- $39,468,111
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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