Set in the 1930s, a group of pretentious rich and famous get together for a weekend of relaxation at a hunting resort. But when a murder occurs, each one of these interesting characters beco... Read allSet in the 1930s, a group of pretentious rich and famous get together for a weekend of relaxation at a hunting resort. But when a murder occurs, each one of these interesting characters becomes a suspect.Set in the 1930s, a group of pretentious rich and famous get together for a weekend of relaxation at a hunting resort. But when a murder occurs, each one of these interesting characters becomes a suspect.
- Won 1 Oscar
- 36 wins & 74 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe camera is always moving (if only slightly) in every shot as requested by producer and director Robert Altman.
- GoofsThe movie takes place in 1932 but some of the songs Ivor Novello sings for the guests didn't come out until years after, like "Glamorous Night" (1935), "Why It Wasn't You" (1937), "I Can Give You a Starlight" (1939) and "Waltz of My Heart" (1939).
- Quotes
[Morris Weissman is asked about his upcoming movie project]
Lady Sylvia McCordle: Mr Weissman.
Morris Weissman: Yes?
Lady Sylvia McCordle: Tell us about the film you're going to make.
Morris Weissman: Oh, sure. It's called "Charlie Chan In London". It's a detective story.
Mabel Nesbitt: Set in London?
Morris Weissman: Well, not really. Most of it takes place at a shooting party in a country house. Sort of like this one, actually. Murder in the middle of the night, a lot of guests for the weekend, everyone's a suspect. You know, that sort of thing.
Constance: How horrid. And who turns out to have done it?
Morris Weissman: Oh, I couldn't tell you that. It would spoil it for you.
Constance: Oh, but none of us will see it.
- Crazy creditsThe cast credits at the end are separated between above stairs, visitors and below stairs, arguably listed in order of status within the British class system.
- ConnectionsFeatured in Siskel & Ebert & the Movies: The Best Films of 2001 (2001)
- SoundtracksWaltz of My Heart
Performed by Christopher Northam
Composed by Ivor Novello & Christopher Hassall (as Christopher V. Hassall)
© Chappell/Music Limited
By Kind Permission of Warner/Chappell Music Ltd
Altman's preferences for kaleidoscopic social observation has sometimes failed in the past due to the weight of its own ambition: multi-plotted and multi-charactered snapshots of time and place held together by loose ties or a general thematic framework. Sometimes it pays off spectacularly (Nashville); sometimes it flatters to deceive (Short Cuts).
It works well here due to the necessary discipline of the single location and the greater opportunities for interaction among the characters this affords. Add to that an exemplary cast of (mostly) British character actors and a knowing script by Julian Fellowes that gives Altman's keenly observant camera plenty of time to make its own points.
Rightly, Altman is less concerned with the murder mystery, which is almost an aside, than with the opportunity given by a shooting party at a 1930s stately mansion to observe the English aristocracy and their servants in social interaction.
Never happier than when involved in a bit of human anthropology, Altman lightly dissects the complexities and hierarchies which go on both above and below stairs; in which many subtle and unsubtle rituals are played out among groups of people who clearly dislike each other but are forced through circumstance, need or employment to observe the fundamental social practices required.
1932 is also a time of intruding change into the nature of the old English ruling classes, slowly disintegrating in this between-wars period and, in this case, largely reliant on the wealth of one particularly reluctant patron to keep them in furs and flunkies. In on this act comes the (to them) faintly odious whiff of 20th century new money, represented by Hollywood and popular culture. These intruders are kept in their place, but the message is clear - change is coming, and coming fast.
The muted colours and autumnal setting continue this theme of a world in terminal decline and of a group of characters keenly conscious of place and tradition yet also wearied and exhausted by it. Only at the very end, when fundamental change has occurred and many characters are left to face up to very different destinies do we see a bit of sunshine creeping in, heralding the dawn of a new era.
The cast are all excellent, with special mention deserving of Maggie Smith's effortless scene stealing as a bitchy but broke old Countess; the ever reliable Jeremy Northam as matinee idol Ivor Novello, well aware of his place in the great scheme of things and young Kelly Macdonald in the pivotal role of Smith's harassed maid who's inquisitiveness rattles a whole load of family skeletons.
- oldreekie546
- May 22, 2003
- Permalink
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- The Other Side of the Tapestry
- Filming locations
- Syon House, Syon Park, Brentford, Middlesex, England, UK(interiors: upstairs bedrooms)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $19,800,000 (estimated)
- Gross US & Canada
- $41,308,615
- Opening weekend US & Canada
- $241,219
- Dec 30, 2001
- Gross worldwide
- $87,754,044
- Runtime2 hours 17 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1