After a family tragedy, a racist prison guard re-examines his attitudes while falling in love with the African-American wife of the last prisoner he executed.After a family tragedy, a racist prison guard re-examines his attitudes while falling in love with the African-American wife of the last prisoner he executed.After a family tragedy, a racist prison guard re-examines his attitudes while falling in love with the African-American wife of the last prisoner he executed.
- Won 1 Oscar
- 15 wins & 23 nominations total
Yasiin Bey
- Ryrus Cooper
- (as Mos Def)
Sean 'Diddy' Combs
- Lawrence Musgrove
- (as Sean Combs)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBilly Bob Thornton says filming sex scenes made his marriage to Angelina Jolie tough. The actor was wed to Jolie from 2000 to 2003, during which time he filmed this movie - featuring explicit scenes with Halle Berry - which put pressure on them both. He told The Sun newspaper: "If you are an actor, even doing a Disney movie or cartoon voices, you could still be away from each other for six months. Look how it applied to me. I go away and do a film like Monster's Ball with a very explicit sex scene with Halle Berry. She is one of the most beautiful women in the world and I am talking on the phone to my wife, and she says, 'What have you been doing today?' And I say, 'Oh, I did that sex scene with Halle Berry.' You are then asked if you actually touch her. I say, 'I had to - it's in the scene'. Other people's situations are hard, with areas of doubt. But if you are a thousand miles from home on a film set simulating sex with a beautiful woman, it's even tougher."
- GoofsThroughout the movie there are conflicting references to its being set in Louisiana, Mississippi, or Georgia although the movie was filmed entirely in Louisiana.
- Quotes
Sonny Grotowski: You hate me. You hate me, don't you? Answer me! You hate me don't you!
Hank Grotowski: Yes, I hate you. Always have.
Sonny Grotowski: Well I've always loved you.
- Crazy creditsThanks to Sam, Austin, Gabrielle. Scott Lambert is thanked twice.
- Alternate versionsThe initial cut of the picture included more explicit footage during the sex scene between Halle Berry and Billy Bob Thornton, which was trimmed down after the MPAA threatened to give the film a NC-17 rating. The uncut version premiered at the Berlin Film Festival on February 8, 2001. The R-rated US theatrical release is the cut version; the version released theatrically in Canada and most other countries is the uncut version.
- SoundtracksBroken Up and Blue
(1998)
Performed by Red Meat
Written by Jill Olson
Published by Olson Girl Publishing (ASCAP)
Administered by Bug Music, Inc.
Courtesy of Ranchero Records
Featured review
I just finished seeing this movie for the first time. I'll begin by saying that it's been some time since a film got the reaction out of me this one did. For the first 45 minutes, I was convinced this movie was intent on trying to be the most depressing story ever told. For the next 45 minutes, I was still interested, but my overall opinion was hanging on the ending..of which I was very skeptical, as I knew what was left to be revealed. Then, it was over. Boy, they just don't make enough of 'em that good, folks.
When you see a movie for the first time after it's already won mad Oscars, you end up judging performances based on that. Most times, it doesn't help their cause. Kim Basinger in LA Confidential (another movie I love) springs to mind. Up to the last 10 minutes of this movie, my opinion was that Halle had done a real nice job...it was an interesting character, and she certainly hadn't done anything to screw it up. Then, came that moment on the back steps...and that look...and that immediate realization that sometimes we're just along for the damn ride, and there ain't a whole lot anybody can do about it but try and hang on and not get run over. That five seconds defines this movie...if it doesn't work, the whole thing crashes. I applaud her craft--she totally nailed it.
This is definitely Billy Bob's best performance since Sling Blade...a movie so good, it almost becomes cliche in your memory. There are times here when he carries himself with a beaten-down grace that is just brilliantly complex. Who knows where this character would end up in the hands of another actor, but I can't think of one that would have left me feeling the same way.
For those of you who don't get this movie--be it for the lack of attention to certain strings of logic in what appears to be a real small town; or for its refusal to spell out for you what somebody may be thinking from moment to moment, let alone from day to day...well, I'm sure the next Matrix is gonna be real good, too. I'm just glad that there are still folks out there making movies that can totally exist on a back porch with a pint of ice cream.
I give this film a 9.
When you see a movie for the first time after it's already won mad Oscars, you end up judging performances based on that. Most times, it doesn't help their cause. Kim Basinger in LA Confidential (another movie I love) springs to mind. Up to the last 10 minutes of this movie, my opinion was that Halle had done a real nice job...it was an interesting character, and she certainly hadn't done anything to screw it up. Then, came that moment on the back steps...and that look...and that immediate realization that sometimes we're just along for the damn ride, and there ain't a whole lot anybody can do about it but try and hang on and not get run over. That five seconds defines this movie...if it doesn't work, the whole thing crashes. I applaud her craft--she totally nailed it.
This is definitely Billy Bob's best performance since Sling Blade...a movie so good, it almost becomes cliche in your memory. There are times here when he carries himself with a beaten-down grace that is just brilliantly complex. Who knows where this character would end up in the hands of another actor, but I can't think of one that would have left me feeling the same way.
For those of you who don't get this movie--be it for the lack of attention to certain strings of logic in what appears to be a real small town; or for its refusal to spell out for you what somebody may be thinking from moment to moment, let alone from day to day...well, I'm sure the next Matrix is gonna be real good, too. I'm just glad that there are still folks out there making movies that can totally exist on a back porch with a pint of ice cream.
I give this film a 9.
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- El pasado nos condena
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $31,273,922
- Opening weekend US & Canada
- $110,552
- Dec 30, 2001
- Gross worldwide
- $45,011,434
- Runtime1 hour 51 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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