IMDb RATING
7.4/10
3.2K
YOUR RATING
A theatre troupe from rural Fenyang struggles under the decline of communism and rise of popular culture in China in the 1980s.A theatre troupe from rural Fenyang struggles under the decline of communism and rise of popular culture in China in the 1980s.A theatre troupe from rural Fenyang struggles under the decline of communism and rise of popular culture in China in the 1980s.
- Awards
- 8 wins & 7 nominations
Liang Jingdong
- Chang Jun
- (as Jing Dong Liang)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe song 'Genghis Khan' by George Lam is a cover of the German European Song Contest 1979 Entry 'Dschinghis Khan'.
- Alternate versionsThe Berlin film festival version (150 minutes) was shortened compared to the Venice film festival version (over 3 hours).
- ConnectionsFeatures Awara (1951)
- SoundtracksHuoche xiangzhe shaoshan pao (Train ran toward the Shaoshan)
Written by 'Zhang Qiusheng'
Featured review
This is Jia's best film ever. I watched it twice. I was deeply touched twice by its poignant delineation of a bleak and still town in the 80's in Shanxi province, China. It seems nothing is changing in that nearly forgotten town. But with the collapse of Maoism and the influence of reforming in the country, the people there, especially those youngsters, are changing. They were like struggling in a very slow-moving turmoil, desires so much to change their lives but yet so helpless and knowing nothing about how to do it. They drifted away from there initial purposes, their friendship, and their love.
The cello appears 3 times during the whole film, which is almost heartbreaking. They were running towards the train, but the train just ran away. And gradually, you forgot what you've been chasing when you were young, you don't care about those inspiring songs like 'In the field of hopes' which is a symbol of those old days. Life always keeps moving on, like the brick of those ancient walls of Fenyang ever exists.
There are so many retrospective 'cultural reminders' in this film, e.g. those old songs, costumes, literal expressions, furniture and behaviors that bring you back to that time. I would say, if a western audience appreciate this film, he will appreciate double if he were Chinese, and even more.
Bravo, Jia Zhangke. The Chinese cinema is now filled with Hollywood-style huge investment martial art shitt and he is among the rare ones who are decent filmmakers.
The cello appears 3 times during the whole film, which is almost heartbreaking. They were running towards the train, but the train just ran away. And gradually, you forgot what you've been chasing when you were young, you don't care about those inspiring songs like 'In the field of hopes' which is a symbol of those old days. Life always keeps moving on, like the brick of those ancient walls of Fenyang ever exists.
There are so many retrospective 'cultural reminders' in this film, e.g. those old songs, costumes, literal expressions, furniture and behaviors that bring you back to that time. I would say, if a western audience appreciate this film, he will appreciate double if he were Chinese, and even more.
Bravo, Jia Zhangke. The Chinese cinema is now filled with Hollywood-style huge investment martial art shitt and he is among the rare ones who are decent filmmakers.
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