A producer's film is endangered when his star walks off, so he decides to digitally create an actress to substitute for the star, becoming an overnight sensation that everyone thinks is a re... Read allA producer's film is endangered when his star walks off, so he decides to digitally create an actress to substitute for the star, becoming an overnight sensation that everyone thinks is a real person.A producer's film is endangered when his star walks off, so he decides to digitally create an actress to substitute for the star, becoming an overnight sensation that everyone thinks is a real person.
- Awards
- 1 nomination
Rachel Roberts
- Simone
- (as Simone)
Carole Androsky
- Premiere Audience Member
- (as Carol Androsky)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAfter seeing the photorealism of the computer generated actors in Final Fantasy: The Spirits Within (2001), the producers started to lean toward the idea of having Simone actually be a computer generated actress. However, after heavy opposition from the Screen Actor's Guild, claiming in so many words that replacement of actors in ALL movies would be the next logical step, the idea was scrapped.
- GoofsUnder present Academy rules a performer can be nominated for only one performance in any acting category. This rule is broken deliberately - Simone is so wonderful that the Academy is prepared to break its own rules for her.
- Crazy creditsDespite the fact he has an important role in the film, Elias Koteas who plays Hank is not credited.
- Alternate versionsIn the initial August 2002 theatrical release, Rachel Roberts, the actress who portrays "most aspects" of Simone, is uncredited. According to an Associated Press interview with Roberts published after the film's release, this will be changed in the video release so that Roberts is credited.
- ConnectionsFeatured in Great Movie Mistakes 2: The Sequel (2011)
- SoundtracksAdagio for Strings
Written by Samuel Barber
Performed by Dale Warland Singers
Courtesy of American Choral Catalogue
Featured review
Ever since I first saw Gattaca, I've been looking for other films directed by Andrew Niccol. This being one of them, and so far, one of the only ones(but I certainly hope he makes more films in the future... he has some very interesting ideas), I simply had to watch. I was not disappointed. Like Gattaca, this is science fiction; however, Gattaca is more of a all-out sci-fi film, and S1m0ne only has some elements of science fiction. Before I comment on the sci-fi, I must comment on the great humor in the film. This is the first of Niccol's films(Truman Show, Gattaca and then this) I've seen that has comedy(in the form of satire, that is). Truly great comedy, as well. You know why? Because it's real. It's stuff that we can recognize, stuff that we know from ourselves, from the people around us. The comedy mostly revolves around how easily everyone is tricked, how quick they are to believe in something without any proof. I believe it was Voltaire who said: "If there were no God, it would be necessary to invent one". We want to be deceived, we want to be tricked, we want to have something to hope for and believe in. I mean, let's be honest; that is the very basis for why religion exists, and why people claim to spot UFOs. People need to believe in something... and they believe in Simone. Despite what her maker has her do, despite no one ever having met her in person, people love her. They need to. They need someone, something to believe in. The many scenes of Viktor covering up Simone not being real, creating the illusion of her in various forms to satisfy other people's urge to see her, meet her, talk to her may be somewhat slapstick in their nature, but they only emphasize how ludicrous and easily bought the everyday man is. They want to believe it so badly, they simply can't accept anything else. This seems to be what most critics of this film are missing. Their refusal to accept it is simply them denying human nature. As Pacino's character realizes near the end: "She's indestructible". It is not possible to remove her, because the public won't accept it. She must exist. I noticed a lot of references to the story of Frankenstein in this film. It is basically the 21st century's version of Frankenstein, with some computer-based science fiction elements and set in Hollywood. I have never seen a film that so openly mocks the superficiality of Hollywood, and for that reason alone, anyone should see it. The plot is very good, though it develops at a somewhat uneven pace... in fact, the pacing seems a tad off. The acting is mostly very good. The special effects are top-notch... they were in 2002, and they still are. This could have been better, but it was still very good. I recommend this to anyone who is interested from reading the plot outline, people who enjoyed Gattaca and fans of science fiction as commentary on real issues. 7/10
- TBJCSKCNRRQTreviews
- Jun 15, 2005
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Details
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $9,688,676
- Opening weekend US & Canada
- $3,813,463
- Aug 25, 2002
- Gross worldwide
- $19,576,023
- Runtime1 hour 57 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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