A portrait of the increasingly desperate attempts of a teenage Manhattan girl to find love and kinship, in a world that never reciprocates.A portrait of the increasingly desperate attempts of a teenage Manhattan girl to find love and kinship, in a world that never reciprocates.A portrait of the increasingly desperate attempts of a teenage Manhattan girl to find love and kinship, in a world that never reciprocates.
- Awards
- 1 nomination
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAnna Paquin was originally cast as Cat Storm. She dropped out of the lead role in favor of X-Men.
- Quotes
Cat Storm: [narrating] Just like every year, I prayed that this year was gonna be different. You know, crawl out from under your shadow, get my Mom off my back, and just stop being the freak that nobody wanted. I mean, it was pathetic. I was starting eleventh grade, and I never even *Frenched* a guy. Guys like William Sellers didn't think that I was worth the pennies in his loafers. If he knew that I existed. Why would he? Just *look* at him. All I wanted was to impress him...
[approaches target]
Cat Storm: To get his attention.
[the wind blows up her skirt]
Cat Storm: Not exactly what I had in mind.
- ConnectionsFeatured in Beyond Clueless (2014)
- SoundtracksNICE GIRL
Written & performed by Spottiswoode
Unlike the standard Swain film, "Tart" actually employed a competent and experienced production designer. Good enough to provide two extremely nice shots: the scene of Swain and Barton taking a bubble bath together and the scene of Swain in the park-featuring a nice montage of the "Alice in Wonderland" sculpture. The symbolism incorporated into these elements supports the possibility that Waye (despite the absence of a linear logic or unity of tone) actually has some visionary talent and aspirations for making a quality film.
It is even possible that Waye was trying for a fusion of the somewhat expressionistic "Metropolitan" and the camp classic "Cruel Intentions" which also deal with the Manhattan upper class. There are many camera shots framed by windows and doors yet few tight shots of faces and eyes. The former technique hinting at symbolism and the latter at intentional distancing from the characters and their motivations. "Tart" seemed on the verge of veering into camp territory at least twice and would have been well advised to keep going in that direction. First there was the scene where they try to dump the seemingly deceased Swain into the garbage chute. Then there is the whole bit about her father being Jewish (played to the same extreme as Joel Grey dancing with the Jewish guerrilla in "Cabaret").
In her other films Swain's acting technique is to overwhelm each scene in which she appears (insert scenery chewing here) but in "Tart" she actually shows an ability to restrain herself. This is the best performance of her career. It also provides some clues about her physical deterioration from willowy super cute in "Girl" to hulking lumpy-faced in "Pumpkin". This transformation was about half-complete by the time she made "Tart"; so go the ravages of time.
Mischa Barton ("Sixth Sense's" I feel better girl) and Lacey Chabet are excellent in supporting roles. The rest of the cast is simply horrible, although some of the blame for this should go to Waye's script and direction.
- aimless-46
- Sep 18, 2005
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Details
Box office
- Budget
- $3,300,000 (estimated)
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 1.85 : 1