A bored Italian socialite (Kim Basinger) abandons her jet-set lifestyle for the rigors and rewards of rural Kenya in this true story, based on the best-selling memoir by Kuki Gallmann. Direc... Read allA bored Italian socialite (Kim Basinger) abandons her jet-set lifestyle for the rigors and rewards of rural Kenya in this true story, based on the best-selling memoir by Kuki Gallmann. Directed by Hugh Hudson (Chariots of Fire).A bored Italian socialite (Kim Basinger) abandons her jet-set lifestyle for the rigors and rewards of rural Kenya in this true story, based on the best-selling memoir by Kuki Gallmann. Directed by Hugh Hudson (Chariots of Fire).
- Awards
- 3 nominations total
James Ngobese
- Luka
- (as James Ngcobo)
Stephen Jennings
- Vincenzo
- (as Steven Jennings)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFinal score for a theatrical movie by Composer Maurice Jarre.
- GoofsThere is a visible string suspending the airborne plate that Paolo shoots (in the party scene, just after they arrive in Africa).
- Quotes
Kuki Gallmann: We think we control this place, but this place controls us.
- Crazy creditsEnd credits runs entirely over aerial shots from African landscapes.
- ConnectionsFeatured in The Rosie O'Donnell Show: Episode #4.165 (2000)
- SoundtracksVoi che sapete
From 'Le Nozze di Figaro'
Music by Wolfgang Amadeus Mozart
Libretto by Lorenzo da Ponte
Performed by Brigitte Fassbaender with the Wiener Philharmoniker (as Vienna Philharmonic Orchestra)
Conducted by István Kertész
Courtesy of The Decca Record Company Limited/London
Under license from Universal Music Special Markets
Featured review
Boy this movie went to video quickly, and now I understand why. It nearly breaks my heart to have to give a thumbs-down to such a huge effort of making a feature film. However, it can't be denied that this movie fell apart from the beginning. I simply did not care about any of the characters and could not connect with them, no matter how I tried. And it's all due to the writing!
It seemed the actors were trying desperately to make up for that lack of continuity and motivation in the script, and so, often their performances seemed contrived, plastic, and/or over-the-top. I think under the guidance of better writing, these actors would shine like we know they can.
What happened to character development and motivation? Perhaps it died in the car crash at the beginning of the film? Was Kuki an American in Italy, or an Italian? Who was the lady that was with Kuki's mother, when they were trying to convince her to come home? Did Kuki and Paolo really love each other or not? Did the people working at Kuki's house become close with her? Kuki seemed oblivious to them. When did Kuki and Ema start speaking the language? It seemed they suddenly just knew it. Why did Ema want to leave to go to school? Kuki was digging a ditch to help out with the water supply, but then we never see any resolution to that situation. What happened??
One of the sweetest moments in the film for me, was when Ema connects with a little African boy, who obviously has a love for snakes too. He shows the boy around his house and introduces them to the snakes he has, and then we never see the boy again (!).
I also would have liked to see what was in the egg that was mentioned repeatedly within the story. Not having the resolution of that aspect (the egg) in particular, left me angry as the credits rolled.
"I Dreamed of Africa" did have interesting scenery and I believe talented cast and crew, but because the script was so bad, everything else really fell apart.
It seemed the actors were trying desperately to make up for that lack of continuity and motivation in the script, and so, often their performances seemed contrived, plastic, and/or over-the-top. I think under the guidance of better writing, these actors would shine like we know they can.
What happened to character development and motivation? Perhaps it died in the car crash at the beginning of the film? Was Kuki an American in Italy, or an Italian? Who was the lady that was with Kuki's mother, when they were trying to convince her to come home? Did Kuki and Paolo really love each other or not? Did the people working at Kuki's house become close with her? Kuki seemed oblivious to them. When did Kuki and Ema start speaking the language? It seemed they suddenly just knew it. Why did Ema want to leave to go to school? Kuki was digging a ditch to help out with the water supply, but then we never see any resolution to that situation. What happened??
One of the sweetest moments in the film for me, was when Ema connects with a little African boy, who obviously has a love for snakes too. He shows the boy around his house and introduces them to the snakes he has, and then we never see the boy again (!).
I also would have liked to see what was in the egg that was mentioned repeatedly within the story. Not having the resolution of that aspect (the egg) in particular, left me angry as the credits rolled.
"I Dreamed of Africa" did have interesting scenery and I believe talented cast and crew, but because the script was so bad, everything else really fell apart.
- Gritty Kitty
- Sep 9, 2000
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Details
- Release date
- Country of origin
- Language
- Also known as
- Mơ Về Châu Phi
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $50,000,000 (estimated)
- Gross US & Canada
- $6,651,522
- Opening weekend US & Canada
- $2,411,445
- May 7, 2000
- Gross worldwide
- $14,400,327
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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