Mickey, an NBA referee, meets Ellen, an American airline official, in Paris. It develops into a relationship of ups and downs.Mickey, an NBA referee, meets Ellen, an American airline official, in Paris. It develops into a relationship of ups and downs.Mickey, an NBA referee, meets Ellen, an American airline official, in Paris. It develops into a relationship of ups and downs.
- Awards
- 1 win total
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Storyline
Did you know
- TriviaThe film provides a credit for the "lighting of the Eiffel Tower." According to Billy Crystal, Paris officials required the credit in order to allow filming that showed the tower.
- GoofsThis is actually a correction to the last geographical goof. They are all in a restaurant in NYC. They are at Helen's. They even say it several times, and they also make reference to the fact that it was a Nicks game. So they are supposed to be in NYC not LA. They have all flown in to NYC for the wedding.
- Crazy creditsThe mannequin "SafetyMan" is credited as being played by "Himself"
- SoundtracksLove Is Here To Stay
Written by George Gershwin and Ira Gershwin
Performed by Billie Holiday
Courtesy of Verve Records
By arrangment with PloyGram Special Markets
Featured review
I wanted to like this. It does not shirk from showing the real difficulties marriage has - or the anti-climax marriage can prove after the romance of courtship.
I also applaud its realism - many matters don't prove right in the end in real life - nor in this movie - no matter how much they try. Reconciliations fade in light of fundamental issues that exist from the beginning of the marriage.
However, as comedy, the movie usually seemed lame - it had its moments but they were too few. And as drama, there weren't enough moments of real suspense. As a romance, it fails - it's too realistic and I never felt any magic in Debra Winger's character. She was fairly nice, fairly attractive, but rather humdrum in personality. We are taken down a lane familiar to married couples - with all the aggravations real life produces and an occasional chuckle.
The movie is the rather tedious alternative to "happily ever after" - and though the movie rings more truly than "happily ever after",it's not as satisfying. Very little would be needed to darken this movie into "An Unmarried Woman". I preferred Mr. Saturday Night for its dark look at the life of a Milton Berle sort of character - at least it was unfamiliar and interesting territory - this isn't. I do wish I could say otherwise and again think well of Crystal in one respect: he doesn't sugarcoat his tale.
I also applaud its realism - many matters don't prove right in the end in real life - nor in this movie - no matter how much they try. Reconciliations fade in light of fundamental issues that exist from the beginning of the marriage.
However, as comedy, the movie usually seemed lame - it had its moments but they were too few. And as drama, there weren't enough moments of real suspense. As a romance, it fails - it's too realistic and I never felt any magic in Debra Winger's character. She was fairly nice, fairly attractive, but rather humdrum in personality. We are taken down a lane familiar to married couples - with all the aggravations real life produces and an occasional chuckle.
The movie is the rather tedious alternative to "happily ever after" - and though the movie rings more truly than "happily ever after",it's not as satisfying. Very little would be needed to darken this movie into "An Unmarried Woman". I preferred Mr. Saturday Night for its dark look at the life of a Milton Berle sort of character - at least it was unfamiliar and interesting territory - this isn't. I do wish I could say otherwise and again think well of Crystal in one respect: he doesn't sugarcoat his tale.
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Details
Box office
- Gross US & Canada
- $33,177,694
- Opening weekend US & Canada
- $5,812,656
- May 21, 1995
- Gross worldwide
- $33,177,694
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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