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5.5/10
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Fight matches, that end when a man is either unconscious or dead, are fought in Tijuana. 2 naive friends, hoping to make a quick buck, go there. One owes money to a loan shark - giving them ... Read allFight matches, that end when a man is either unconscious or dead, are fought in Tijuana. 2 naive friends, hoping to make a quick buck, go there. One owes money to a loan shark - giving them plenty of practice in no rule fights.Fight matches, that end when a man is either unconscious or dead, are fought in Tijuana. 2 naive friends, hoping to make a quick buck, go there. One owes money to a loan shark - giving them plenty of practice in no rule fights.
Storyline
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- TriviaIn the original cut of the film, James Pax's Teng was the primary villain, having been defeated by Bolo Yeung's Shingo in a previous Shootfighting match, thus leading him to set up his own tournament to lure him back for a rematch. This is also why some international VHS summaries of the film have the line "From the day they were born, Shingo and Teng had been trained and primed like human bombs to explode." However, after internal screenings, additional funding was put towards reshoots, which would bring in Martin Kove as the film's new villain, Lee, and changing Pax's character to a subordinate villain. The reshoots would also add the new "octagon" location for the finals (most likely introduced into the production by Kazja Patschull, who would also play "Skeeter"), and ramp up the violence level in these new fights. The only footage released publicly of the original cut of the film came from a film market trailer/"sizzle reel" (awkwardly set to Giorgio Moroder's "Ivory Tower" from The Neverending Story), showing the original fights with Bolo VS Pax, as well as deleted dialogue segments.
- Goofs(at around 1h 29 mins) In the end fight, Lee fights Shingo. Lee throws several punches to Shingo's head. Shingo dodges them, but you still hear a punch impact sound.
- Alternate versionsWhen this was first released on video, two version were made: A 94-min R-rated version and a 96-min. unrated version. The unrated version contains more blood and gore and uncut mortal kombat type fatalities. Cut scenes include:
- Lee (Kove) tearing out Shingo's friend's throat.
- At the end of the exhibition match between Boa and Buck, Buck picks up Boa by the throat on to the cage and tears his heart out while Boa spits out blood and blood squirts from the heart. In the R version, we just see Buck slam Boa on to the cage and here him punch into Boa's rib cage and about five to eight cuts.
- A fighter gets his throat slashed and blood sprays out of his throat and blood flows out of his mouth. He then falls on the mat and blood starts leaking out of his throat into a puddle of blood on the mat.
- During another fight, a fighter grabs his opponent's arm and bites a piece of his flesh off. He then spits out the chunk of flesh. In the R version, we see him knaw on it from a distance.
- In the fight between Ruben and Hawk, Hawk is about to get back up to fight Ruben. But since Ruben's sword was pointing down, the sword went into Hawk's stomach. In the unrated version, we see blood leaking out of his stomach and at some times start to squirt.
- In the last fight between Shingo and Lee, Shingo grabs Lee's arm and shatters it and the flesh bursts open exposing the bone and blood from the inside. We then see Lee's battered face and him screaming. In the R version, we just hear Shingo break Lee's arm and then we see Shingo jump down on Lee with a falling knee attack to Lee's back. The R-cut is rarely available to rent and has only been seen on HBO and Cinemax. All rental outlets rent only the Uncut version.
- ConnectionsFeatured in Bad Blood (1994)
Featured review
If nothing else is true, there is at least one thing that martial arts flicks rather reliably have in common, especially those developed in the United States (or at least outside Hong Kong). For the most part, plot is light or thin, and little more than a pretense to spotlight honored disciplines. There's absolutely nothing wrong with this; these titles have a clear intention and surely know exactly what they are. 'Shootfighter: Fight to the death' certainly fits into that same category. There's a narrative, yes, but it's broadly unremarkable, and bears definite similarities to those of other pictures - and just as much to the point, the length is filled with scenes that quickly shift into fights, accentuating the thrust of the title. And with that: so long as you have no expectations otherwise, this is pretty decent, if unremarkable in the long run.
It's easy enough to highlight the movie's faults, or at least where it could have used a little more attention. The characters are pretty flat and standard: the hothead, the one with the troubled past who's trying to be better, the wise teacher with A History, the bad guys, the girlfriends. Most of the cast show glimmers of nuance in their performances that would surely sprout under the right circumstances, but a hardnosed fighting movie isn't that, and the restrictions are evident of what acting abilities they may possess. It's also noteworthy that the plot is even lighter than one may assume upon starting to watch, and I'd be lying if I said the climax didn't feel a little forced. Perhaps more substantively - if to a lesser extent than some of its brethren, 'Shootfighter' makes use of overzealous camerawork and editing in depicting some of the action scenes. There are too many times when, instead of plainly showcasing the genuine impact of each blow, the rapidity of the fundamental filmmaking is intended to heighten the thrills instead. In some instances this is important from a very real safety standpoint, especially in the last act, but overuse dampens some of the visceral stimulation that the film might have to offer.
On the other hand, while the presentation of martial arts is imperfect, it's better than not. Between the unmistakable skills of many of those assembled, and excellent choreography, the fight scenes are outstanding - tense, violent, exciting, and highly invigorating. Weirdly, 'Shootfighter' seems to be the only directorial credit for Patrick Alan, but in my mind it appears as though he demonstrates sufficient capability that I'm surprised he didn't make more movies. The action sequences are the chief draw of this title, and they make the viewing experience worthwhile - but there are, actually, other bits that are done well, too. If not terrific and essential, the score composed by Joel Goldsmith is gratifyingly dynamic and grabbing in no few instances, lending to the drama of the matches. The basic arrangement of every scene, including the whole environs of the tournament, feel suitably slimy and real. And while the screenplay at large merely serves its purpose - the utmost potential isn't teased out - we get peeks of character depth, their backgrounds and mentalities, that even unfulfilled is softly enticing.
Of course, one could him and haw about qualities and critiques all day. When all is said and done the only point of inquiry 'Shootfighter' cares about is the value of the fighting, and by that measure, this is pretty swell. Again, the martial arts violence illustrates flaws in action film-making, but is generally tight, fluid, and energizing; the picture is well made overall, and I do like it. It's just that unless one is an utmost fan of someone involved, there's no particular reason to seek out this specific production over another, and others unquestionably stand out more. (Also, despite Bolo Yeung's top billing, and the supporting part of Maryam d'Abo, neither have all that much screen time, so don't get your hopes up on their accounts.) Still, if you've somehow stumbled across 'Fight to the death' in the first place, chances are it's something that's going to be up your alley one way or another. Don't go out of your way to see this, but if you chance upon it, 'Shootfighter' satisfactorily scratches the itch for fighting fun.
It's easy enough to highlight the movie's faults, or at least where it could have used a little more attention. The characters are pretty flat and standard: the hothead, the one with the troubled past who's trying to be better, the wise teacher with A History, the bad guys, the girlfriends. Most of the cast show glimmers of nuance in their performances that would surely sprout under the right circumstances, but a hardnosed fighting movie isn't that, and the restrictions are evident of what acting abilities they may possess. It's also noteworthy that the plot is even lighter than one may assume upon starting to watch, and I'd be lying if I said the climax didn't feel a little forced. Perhaps more substantively - if to a lesser extent than some of its brethren, 'Shootfighter' makes use of overzealous camerawork and editing in depicting some of the action scenes. There are too many times when, instead of plainly showcasing the genuine impact of each blow, the rapidity of the fundamental filmmaking is intended to heighten the thrills instead. In some instances this is important from a very real safety standpoint, especially in the last act, but overuse dampens some of the visceral stimulation that the film might have to offer.
On the other hand, while the presentation of martial arts is imperfect, it's better than not. Between the unmistakable skills of many of those assembled, and excellent choreography, the fight scenes are outstanding - tense, violent, exciting, and highly invigorating. Weirdly, 'Shootfighter' seems to be the only directorial credit for Patrick Alan, but in my mind it appears as though he demonstrates sufficient capability that I'm surprised he didn't make more movies. The action sequences are the chief draw of this title, and they make the viewing experience worthwhile - but there are, actually, other bits that are done well, too. If not terrific and essential, the score composed by Joel Goldsmith is gratifyingly dynamic and grabbing in no few instances, lending to the drama of the matches. The basic arrangement of every scene, including the whole environs of the tournament, feel suitably slimy and real. And while the screenplay at large merely serves its purpose - the utmost potential isn't teased out - we get peeks of character depth, their backgrounds and mentalities, that even unfulfilled is softly enticing.
Of course, one could him and haw about qualities and critiques all day. When all is said and done the only point of inquiry 'Shootfighter' cares about is the value of the fighting, and by that measure, this is pretty swell. Again, the martial arts violence illustrates flaws in action film-making, but is generally tight, fluid, and energizing; the picture is well made overall, and I do like it. It's just that unless one is an utmost fan of someone involved, there's no particular reason to seek out this specific production over another, and others unquestionably stand out more. (Also, despite Bolo Yeung's top billing, and the supporting part of Maryam d'Abo, neither have all that much screen time, so don't get your hopes up on their accounts.) Still, if you've somehow stumbled across 'Fight to the death' in the first place, chances are it's something that's going to be up your alley one way or another. Don't go out of your way to see this, but if you chance upon it, 'Shootfighter' satisfactorily scratches the itch for fighting fun.
- I_Ailurophile
- Jun 29, 2022
- Permalink
Details
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
By what name was Shootfighter: Fight to the Death (1993) officially released in India in English?
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