IMDb RATING
6.5/10
3.8K
YOUR RATING
Luke is a gay hustler. Jon is a movie critic. Both are HIV positive. They go on a hedonistic, dangerous journey, their motto "Fuck the world".Luke is a gay hustler. Jon is a movie critic. Both are HIV positive. They go on a hedonistic, dangerous journey, their motto "Fuck the world".Luke is a gay hustler. Jon is a movie critic. Both are HIV positive. They go on a hedonistic, dangerous journey, their motto "Fuck the world".
- Awards
- 1 nomination
Brett Vail
- Ken
- (as Bretton Vail)
Chris Mabli
- Melrose NeoNazi
- (as Christopher Mabli)
Peter Grame
- Gus
- (as Peter Gramé)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe end credits finish with the following words: "dedicated to craig lee (1954-1991) and the hundreds of thousands who've died and the hundreds of thousands more who will die because of a big white house full of republican fuckheads".
- ConnectionsFeatured in The Celluloid Closet (1995)
- SoundtracksWhere The Pavement Ends
Performed by Braindead Sound Machine
Featured review
By chance, this movie caught my attention late-night and I was lucky enough to watch from start to finish. As much of a docudrama as it is a character study from the early gay nineties, some people may find this flick utter crap, or at the very least, sophomoric. To those people, I suggest sticking to "Eight Below" or anything starring Reese Witherspoon.
As the viewer, I felt transported back to 1992, having been 25 years old at the time this movie was released with no idea it even existed. The somewhat surrealistic, exploratory journey between the two main characters brings back so many memories from a time where such strange pairings and outrageous actions seemed to occur regularly. Whether you grew up in Dallas, LA, or New York makes no difference; chances are you knew any one of the characters from this film in some aspect.
At times overtly philosophical, others completely abstract, the exploration of two peoples' mental struggle with HIV was at least done from an unflinching perspective. This is a case study in human nature, no matter how uncomfortable the subject matter. It also proves that the nature of the beast hasn't changed and that HIV/AIDs still isn't really a priority of the U.S. government...at least, not in any beneficial way to those afflicted. Be sure to stick around for the final message in the film credits and see if you can tell if anything has changed in the last fifteen years.
As a special treat, if you've ever been a fan of industrial/electronica from the Wax Trax! label (among others), you'll recognize some great stuff, from Chris and Cosey, Coil, KMFDM, and even Psychic TV.
As the viewer, I felt transported back to 1992, having been 25 years old at the time this movie was released with no idea it even existed. The somewhat surrealistic, exploratory journey between the two main characters brings back so many memories from a time where such strange pairings and outrageous actions seemed to occur regularly. Whether you grew up in Dallas, LA, or New York makes no difference; chances are you knew any one of the characters from this film in some aspect.
At times overtly philosophical, others completely abstract, the exploration of two peoples' mental struggle with HIV was at least done from an unflinching perspective. This is a case study in human nature, no matter how uncomfortable the subject matter. It also proves that the nature of the beast hasn't changed and that HIV/AIDs still isn't really a priority of the U.S. government...at least, not in any beneficial way to those afflicted. Be sure to stick around for the final message in the film credits and see if you can tell if anything has changed in the last fifteen years.
As a special treat, if you've ever been a fan of industrial/electronica from the Wax Trax! label (among others), you'll recognize some great stuff, from Chris and Cosey, Coil, KMFDM, and even Psychic TV.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Vivir hasta el fin
- Filming locations
- USA(Location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $22,769 (estimated)
- Gross US & Canada
- $692,585
- Opening weekend US & Canada
- $43,715
- Aug 16, 1992
- Gross worldwide
- $692,585
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