Semi-biographical film based on the experiences of gonzo journalist Hunter S. Thompson.Semi-biographical film based on the experiences of gonzo journalist Hunter S. Thompson.Semi-biographical film based on the experiences of gonzo journalist Hunter S. Thompson.
Rene Auberjonois
- Harris
- (as René Auberjonois)
Jon Shear
- Billy Kramer
- (as Jon Matthews)
Quinn K. Redeker
- Pilot
- (as Quinn Redeker)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaTo get into character, Bill Murray spent time with Hunter S. Thompson by drinking, shooting and generally having a great time at Thompson's Colorado ranch. After filming ended, Murray continued to act "Gonzo" through the beginning of the next season of Saturday Night Live (1975), to the annoyance and consternation of cast and crew members.
- GoofsDuring the courtroom scene, 21 minutes and 5 seconds into the film, Thompson sets down his glass which is almost full. A second later, a close-up on the glass shows it sitting on the floor, empty. All further scenes in the courtroom show the glass once again almost full.
- Quotes
[Thompson is speaking to a crowd of college students]
Questioner: I was just wondering if you could tell me, um, if you thought drugs and alcohol would make me a better writer.
Dr. Hunter S. Thompson: That's a good question. Let me see...
[the audience cheers as Thompson lights a joint. A few people throw joints onto the stage]
Dr. Hunter S. Thompson: In my case, you know, I hate to advocate drugs or liquor, violence, insanity to anyone. But in my case it's worked.
- Alternate versionsThe 2017 Blu-ray release from Shout! Factory restores the original soundtrack. Making this the first home media release since the original VHS release to feature the original unaltered soundtrack.
- SoundtracksKeep on Chooglin
Written by John Fogerty
Performed by Creedence Clearwater Revival (as Credence Clearwater Revival)
Featured review
Both of the HST films have problems. This film's problem is that it is too "screenwritten" (Lazlo replacing The Brown Buffalo, "Blast" Magazine replacing Rolling Stone, etc.) and lacks the weird surrealism that a drug-fueled observation of American culture at the end of the 1960s deserves, if not requires.
It does play a bit like Caddyshack, as someone else pointed out, and it's hard to get really invested in the characters. And if you love HST as much as I do, you really do want to get into the characters and in to the story, because it's as important as it is funny. Where the Buffalo Roam is, for the most part, silly. It comes off as more a bunch of sketches than anything else. I did like Bill Murray in the part. The problem is the script, more than anything else.
Fear and Loathing in Las Vegas, by contrast, does well with the surrealism and depravity but fails to make the full point I think Thompson was trying to get across - the decadence and over-the-top performances (especially of del Toro) are distracting, and really all of this is supposed to be about the death of the American dream, and the end of what was (to some) the best decade on record, or at least the one where people thought, for a time, they could make something of American life. Both movies hint at this but don't go into it enough, in my opinion.
Where the Buffalo Roam captures a little of the sadness and the creeping hopelessness of the early 70s (along with an indication of the hangover awaiting that generation in the 70s), but both movies fall far short of Thompson's books and writing in my opinion.
I was particularly saddened that both movies left out the "We're looking for the American dream" bit at the taco stand, because I think that was important, and the F&L Vegas story seems decontextualized without it (in terms of having a fairly serious (and sad) point under all of the humor and excess).
In any case, both movies are worth a watch but ultimately unsatisfying. Thompson is still best read. I think a good film about HST can be made, but the right person needs to be at the helm.
Richard Linklater or John Sayles, perhaps...someone who isn't going to miss the deeper substance underlying and buttressing the humor. That being said, there are far worse movies you could be watching than either.
And like Thompson, it still hasn't gotten weird enough for me.
It does play a bit like Caddyshack, as someone else pointed out, and it's hard to get really invested in the characters. And if you love HST as much as I do, you really do want to get into the characters and in to the story, because it's as important as it is funny. Where the Buffalo Roam is, for the most part, silly. It comes off as more a bunch of sketches than anything else. I did like Bill Murray in the part. The problem is the script, more than anything else.
Fear and Loathing in Las Vegas, by contrast, does well with the surrealism and depravity but fails to make the full point I think Thompson was trying to get across - the decadence and over-the-top performances (especially of del Toro) are distracting, and really all of this is supposed to be about the death of the American dream, and the end of what was (to some) the best decade on record, or at least the one where people thought, for a time, they could make something of American life. Both movies hint at this but don't go into it enough, in my opinion.
Where the Buffalo Roam captures a little of the sadness and the creeping hopelessness of the early 70s (along with an indication of the hangover awaiting that generation in the 70s), but both movies fall far short of Thompson's books and writing in my opinion.
I was particularly saddened that both movies left out the "We're looking for the American dream" bit at the taco stand, because I think that was important, and the F&L Vegas story seems decontextualized without it (in terms of having a fairly serious (and sad) point under all of the humor and excess).
In any case, both movies are worth a watch but ultimately unsatisfying. Thompson is still best read. I think a good film about HST can be made, but the right person needs to be at the helm.
Richard Linklater or John Sayles, perhaps...someone who isn't going to miss the deeper substance underlying and buttressing the humor. That being said, there are far worse movies you could be watching than either.
And like Thompson, it still hasn't gotten weird enough for me.
Details
Box office
- Gross US & Canada
- $6,659,377
- Opening weekend US & Canada
- $1,750,593
- Apr 27, 1980
- Gross worldwide
- $6,659,377
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By what name was Where the Buffalo Roam (1980) officially released in India in English?
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