The adventures of the famous sailor man and his friends in the seaside town of Sweethaven.The adventures of the famous sailor man and his friends in the seaside town of Sweethaven.The adventures of the famous sailor man and his friends in the seaside town of Sweethaven.
- Awards
- 3 wins & 4 nominations
Allan F. Nicholls
- Rough House
- (as Allan Nicholls)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMost of Popeye's lines were discovered to be inaudible once filming wrapped. Robin Williams had to re-dub much of the dialogue.
- GoofsAs per the info in the trivia section of this film, the makeup and appliances for Popeye's massive forearms were not ready, so in some scenes, especially the boxing match, it's visible that the insides of his forearms are merely flesh-colored pads tied over Robin Williams' arms; the strings are visible.
- Quotes
Popeye: They've got me Olive Oyl and Swee'Pea.
Poopdeck Pappy: Olive Oyl? Swee'Pea? What are you doing, making a salad? I want me treasure. Do you hear me? I want me treasure!
- Crazy creditsThe film begins in black-and-white, showing a vintage Paramount logo and the opening credits for the 1930s Paramount-Fleischer Studios Popeye cartoons. However, an animated Popeye appears and sees this is the wrong opening. The movie then cuts to full color, and the opening credits continue.
- Alternate versionsA recent television version is altered in at least one way. Bluto's song "I'm Mean" is eliminated from the soundtrack as he trashes the Oyls' family home waiting for Olive Oyl.
- ConnectionsEdited into The Kid Stays in the Picture (2002)
- SoundtracksI'm Popeye The Sailor Man
(1933)
Music and Lyrics by Samuel Lerner (as Sammy Lerner)
Performed by Robin Williams (uncredited) and Chorus
Music often played in the score
Featured review
It is very nice to see a revival of interest in this quirky little film. The art direction of this film is simply amazing, and deserved to win an Oscar for being able to completely capture the homely innocence of the story's setting, in rich detail.
Many have derided the story as unfocused, but there is an epic sweep to the storyline, which requires an episodic approach. This film requires paying attention on multiple levels, and rewards viewers who do so, as few other epic films have.
There are some detractors who can't handle the fact that the film is part Musical, but this is definitely in keeping with original cartoons, which frequently featured music in their storylines. In any event, the half-dozen or so songs come at appropriate intervals, and in some cases are Broadway quality set-piece showstoppers, like the scene in the Rough House Diner, and Pappy's diskgruntlement about Kids!
I will leave it to others to comment on the all-round fine ensemble acting, but I would like to finish by saying, that this is truly a film where the whole is greater than its parts. From the rich tapestry of Elzie Segar's original imaginings, to the lush production values brought to this vision by Robert Altman and company, this is a film that fails on some levels but succeeds on many more.
Many have derided the story as unfocused, but there is an epic sweep to the storyline, which requires an episodic approach. This film requires paying attention on multiple levels, and rewards viewers who do so, as few other epic films have.
There are some detractors who can't handle the fact that the film is part Musical, but this is definitely in keeping with original cartoons, which frequently featured music in their storylines. In any event, the half-dozen or so songs come at appropriate intervals, and in some cases are Broadway quality set-piece showstoppers, like the scene in the Rough House Diner, and Pappy's diskgruntlement about Kids!
I will leave it to others to comment on the all-round fine ensemble acting, but I would like to finish by saying, that this is truly a film where the whole is greater than its parts. From the rich tapestry of Elzie Segar's original imaginings, to the lush production values brought to this vision by Robert Altman and company, this is a film that fails on some levels but succeeds on many more.
- davidtholl1
- Jun 26, 2003
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Popeye - Der Seemann mit dem harten Schlag
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $49,823,037
- Opening weekend US & Canada
- $6,310,520
- Dec 14, 1980
- Gross worldwide
- $49,823,037
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 2.39 : 1
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