The universe of Minor Threats — actor and comedian Patton Oswalt and TV writer Jordan Blum’s cult hit comic book centered on the travails of underappreciated and overlooked D-list villains — continues to expand and has now attracted the attention of some A-list creators.
Matt Fraction, known for his Eisner Award-winning work on Marvel’s Hawkeye, and Miles Morales co-creator Brian Michael Bendis, along with award-winning artists Michael Allred and Gene Ha, are working on an anthology mini-series that is set in the Minor Threats universe and set to be published by Dark Horse Entertainment next year.
Writers Gail Simone and Gerry Duggan and artists Soo Lee and Mark Torres are also involved in the four-issue project that is titled Welcome to Twilight City and will feature a mix of new and established characters.
The idea of an anthology had been percolating for some time for Oswalt and Blum, who thought...
Matt Fraction, known for his Eisner Award-winning work on Marvel’s Hawkeye, and Miles Morales co-creator Brian Michael Bendis, along with award-winning artists Michael Allred and Gene Ha, are working on an anthology mini-series that is set in the Minor Threats universe and set to be published by Dark Horse Entertainment next year.
Writers Gail Simone and Gerry Duggan and artists Soo Lee and Mark Torres are also involved in the four-issue project that is titled Welcome to Twilight City and will feature a mix of new and established characters.
The idea of an anthology had been percolating for some time for Oswalt and Blum, who thought...
- 11/21/2024
- by Borys Kit
- The Hollywood Reporter - Movie News
With the Multiverse Saga nearing it's end with Avengers: Doomsday and Secret Wars, the next saga is already close. With Disney's acquisition of Fox and it's rights to Marvel characters like the X-Men, it is likely the next Saga will focus on the mutants and be called the The Phoenix Saga. However, the world of the MCU is still occupied by the Avengers and other superheroes. So, here's a look at what the trilogies and appearances of these characters could look like.
1. Spider-Man: The City That Never Sleeps
Although the next Spider-Man movie is set for 2026, the trilogy will expand beyond the current Saga:
Spectacular Spider-Man (2026): follows a street-level Spider-Man fighting Kingpin (and Scorpion as his muscle) with the help of Daredevil. With Mj and Ned off to college, this is a good opportunity to introduce new friends: Harry Osborn for Peter Parker, and Black Cat as foil for Spider-Man.
1. Spider-Man: The City That Never Sleeps
Although the next Spider-Man movie is set for 2026, the trilogy will expand beyond the current Saga:
Spectacular Spider-Man (2026): follows a street-level Spider-Man fighting Kingpin (and Scorpion as his muscle) with the help of Daredevil. With Mj and Ned off to college, this is a good opportunity to introduce new friends: Harry Osborn for Peter Parker, and Black Cat as foil for Spider-Man.
- 11/6/2024
- ComicBookMovie.com
James Gunn is a curious figure in popular culture. As a young man, just rising in the film business, Gunn co-wrote the witty and disgusting Troma epic "Tromeo & Juliet" with Lloyd Kaufman, and it featured kinky sex, a bisexual Juliet, cow monsters, mutant penis creatures, and an opening narration by Lemmy from Motörhead. After that, Gunn took the piss out of the superhero genre with "The Specials," a low-low budget film about what superheroes — petty jerks, mostly — do on their day off. He stayed aloft in Hollywood writing the screenplays for two surreal "Scooby-Doo" movies, and Zack Snyder's remake of "Dawn of the Dead" before making his directorial debut in 2006 with "Slither," another gross movie about body-invading worm monsters and wacko mutants.
Gunn then deconstructed superheroes even further with "Super" in 2010, a film that hypothesizes that superheroes are mentally ill and addicted to extreme violence. "Super" is bleak,...
Gunn then deconstructed superheroes even further with "Super" in 2010, a film that hypothesizes that superheroes are mentally ill and addicted to extreme violence. "Super" is bleak,...
- 11/3/2024
- by Witney Seibold
- Slash Film
Ever wanted to watch so much Cronenberg that your own head explodes? Criterion's got you covered. Tonight, the Criterion Channel will air its live David Cronenberg marathon, with exactly 376 minutes (a little over 6 hours) of the fleshiest, most ungodly horrors the human brain has ever conceived of. "Gooey, splattery,...
- 10/30/2024
- by Emma Keates
- avclub.com
Stars: Kelly Tappan, Richard Colm-Lee, Sylvie Mohr, Vivian Hunter, Ryosuke Sekoguchi, Vas Provatakis, Joshua Morgan, Mateo Taylor, Donna Rae Allen, Madison M. Bowman, David Raizor | Written and Directed by Joshua Morgan
As Children of the Pines begins, a voiceover tells us, “Sadness will ground you in ways that happiness could only dream of doing.” The person telling us this is Riley, who left home to get away from her father John’s drinking and anger issues and hasn’t been back since she left to attend college.
But now he has apparently gotten his act together and quit drinking, so she agrees to come home at break to visit with him and her mother Kathy. Her parents are preparing for this with the help of councillors Lorelei and Leon. The fact that seem not just fake as hell, but distinctly shady, doesn’t seem to bother them at all. This...
As Children of the Pines begins, a voiceover tells us, “Sadness will ground you in ways that happiness could only dream of doing.” The person telling us this is Riley, who left home to get away from her father John’s drinking and anger issues and hasn’t been back since she left to attend college.
But now he has apparently gotten his act together and quit drinking, so she agrees to come home at break to visit with him and her mother Kathy. Her parents are preparing for this with the help of councillors Lorelei and Leon. The fact that seem not just fake as hell, but distinctly shady, doesn’t seem to bother them at all. This...
- 10/28/2024
- by Jim Morazzini
- Nerdly
At The Streamable, we love watching movies and TV for free, especially if we don’t have to sit through ads. Tubi is great, but seeing an ad for car insurance in the middle of your movie tends to kill the vibe. As we race to Halloween, we looked up all the best scary movies and found that a huge number were streaming ad-free on Kanopy, which is free if your library participates. But that’s just the tip of the iceberg. Hoopla is another free streamer that just added a major horror partner.
Your library probably partners with either Kanopy or Hoopla (or both!), giving you an unexpectedly great package of ad-free entertainment.
Use Kanopy for the Best Horror Selection
My jaw dropped when I saw how many A+ horror movies were available ad-free on Kanopy. You can see 48(!) of Metacritic’s best-reviewed horror films.
Kanopy gives you recent horror masterpieces like “Hereditary,...
Your library probably partners with either Kanopy or Hoopla (or both!), giving you an unexpectedly great package of ad-free entertainment.
Use Kanopy for the Best Horror Selection
My jaw dropped when I saw how many A+ horror movies were available ad-free on Kanopy. You can see 48(!) of Metacritic’s best-reviewed horror films.
Kanopy gives you recent horror masterpieces like “Hereditary,...
- 10/15/2024
- by Ben Bowman
- The Streamable
Body horror, a subgenre of horror that delves into the visceral and grotesque violations of the human body, occupies a distinctive and unsettling space in cinema. As a genre that takes pride in showcasing nightmarish transformations, mutilations and mutations, body horror reveals the raw and often uncomfortable truths about the human condition. Films like The Fly, The Brood, Hellraiser, Videodrome and the recent The Substance reflect not only primal anxieties and physical decay but also the fragility of our humanity. In the realm of body horror, few films leave as indelible a mark as Julia Ducournau’s debut movie Raw (2016), who established herself as the protégé of ‘the king of body horror’ David Cronenberg, a reputation she further solidified with her sophomore feature Titane (2021).
It is a French-Belgian horror that juxtaposes cannibalism with the sinister initiation rituals of college hazing, weaving a dark allegory that explores the dichotomies of abstinence and excess,...
It is a French-Belgian horror that juxtaposes cannibalism with the sinister initiation rituals of college hazing, weaving a dark allegory that explores the dichotomies of abstinence and excess,...
- 10/12/2024
- by Anju Devadas
- High on Films
Composer Howard Shore likes to sleep on it.
“I try to get in touch with my inner feelings,” he said at the Zurich Film Festival, explaining his preferred method of working.
“If you think about cinema, you go into a dark room and all this imagery starts appearing. You are in a dream-like state and I like to use that idea when I write music for film. There is some napping involved, you try to be very relaxed and imagine what the piece could be. And then I set to work with my pencil, creating the actual score to what I am dreaming,” he said.
“I don’t study a film: I listen to it. I listen to the rhythm of the actors, the sounds. I kind of imagine the visualization, writing to this more abstract idea in my mind.”
A three-time Oscar winner, Shore received the Career Achievement Award at the Swiss festival,...
“I try to get in touch with my inner feelings,” he said at the Zurich Film Festival, explaining his preferred method of working.
“If you think about cinema, you go into a dark room and all this imagery starts appearing. You are in a dream-like state and I like to use that idea when I write music for film. There is some napping involved, you try to be very relaxed and imagine what the piece could be. And then I set to work with my pencil, creating the actual score to what I am dreaming,” he said.
“I don’t study a film: I listen to it. I listen to the rhythm of the actors, the sounds. I kind of imagine the visualization, writing to this more abstract idea in my mind.”
A three-time Oscar winner, Shore received the Career Achievement Award at the Swiss festival,...
- 10/6/2024
- by Marta Balaga
- Variety Film + TV
It’s that special time of year again, folks. A time when pumpkins come out, ghouls are prone to haunt, and streamers of all variety load their platforms with terrifying selections aimed at attracting horror fans and casual viewers alike. This year, those selections are quite exceptional, with loads of franchises like “Saw” and “The Omen” to keep people glued to their TV all the way up to Halloween. Not interested in violence or gore? Put away your fears, as there are plenty of options for the more tame and easily frightened. From classic Stephen King adaptations like “Salem’s Lot” (1979) to recent theatrical releases that are now streaming, such as “Late Night with the Devil,” if you’re looking for a good scare, you can probably find a few on one or more of the apps you subscribe to.
There are so many terrific terrors that we actually weren’t...
There are so many terrific terrors that we actually weren’t...
- 10/5/2024
- by Harrison Richlin
- Indiewire
The highest-grossing independent film of the year, Longlegs stars Maika Monroe as an FBI agent in pursuit of the titular serial killer, played by Nicolas Cage.
Among the special features on the just-released physical media editions is a refreshingly forthright audio commentary by writer-director Osgood Perkins.
Here are nine things I learned from the Longlegs commentary track.
1. Perkins considers Longlegs a “pop horror movie.”
Perkins refers to the film as a “pop horror movie” several times in the commentary. “By that, I mean that it’s a horror movie that knows it’s a horror movie,” he explains. “There’s supposed to be sort of a modern quality to that.”
Referring to the opening credit sequence, he says “These big, red squares at the beginning of the movie feel ‘pop’ to me. Josef Albers is always an inspiration for things that are visual. Warhol. These big, red squares at the...
Among the special features on the just-released physical media editions is a refreshingly forthright audio commentary by writer-director Osgood Perkins.
Here are nine things I learned from the Longlegs commentary track.
1. Perkins considers Longlegs a “pop horror movie.”
Perkins refers to the film as a “pop horror movie” several times in the commentary. “By that, I mean that it’s a horror movie that knows it’s a horror movie,” he explains. “There’s supposed to be sort of a modern quality to that.”
Referring to the opening credit sequence, he says “These big, red squares at the beginning of the movie feel ‘pop’ to me. Josef Albers is always an inspiration for things that are visual. Warhol. These big, red squares at the...
- 10/3/2024
- by Alex DiVincenzo
- bloody-disgusting.com
Coralie Fargeat’s ‘The Substance’ is a body horror masterpiece that’s as smart as it is gross, but the film’s exploration of vanity, desperation, and the male gaze have coursed through her entire filmography.
“Have you ever dreamt of a better version of yourself? Younger, more beautiful, more perfect.”
This article contains spoilers for The Substance.
There have been sensationalist advertisements for radical, renegade filmmaking as far back as the days of William Castle’s boundary-breaking cinematic experiences. In an age where 20-minute standing ovations at film festivals are the norm and horror film screenings are accompanied by nurses, priests, and barf bags, it’s become increasingly easy to tone out and dismiss buzzy advertisements. It may therefore seem redundant and hollow to praise Coralie Fargeat’s The Substance as a body horror masterpiece that will make the audience scream, squirm, and spew, but it’s a rare...
“Have you ever dreamt of a better version of yourself? Younger, more beautiful, more perfect.”
This article contains spoilers for The Substance.
There have been sensationalist advertisements for radical, renegade filmmaking as far back as the days of William Castle’s boundary-breaking cinematic experiences. In an age where 20-minute standing ovations at film festivals are the norm and horror film screenings are accompanied by nurses, priests, and barf bags, it’s become increasingly easy to tone out and dismiss buzzy advertisements. It may therefore seem redundant and hollow to praise Coralie Fargeat’s The Substance as a body horror masterpiece that will make the audience scream, squirm, and spew, but it’s a rare...
- 9/26/2024
- by Daniel Kurland
- bloody-disgusting.com
David Cronenberg’s “The Shrouds” has finally found a home.
Sideshow and Janus Films have acquired all U.S. rights to “The Shrouds,” written and directed by Cronenberg and starring Vincent Cassel as a tech mogul who invents a technology that allows you to watch your loved one rot in their grave.
The latest freakout from the Canadian auteur premiered at the Cannes Film Festival earlier this year (where it screened in competition) and recently screened at the Toronto International Film Festival as a special presentation. It will have its U.S. premiere next month as part of the main slate of the New York Film Festival. Sideshow and Janus are planning a spring 2025 release.
The deal was negotiated by Sideshow and Janus Films with Sbs International. The producers of the film are Saïd Ben Saïd, Martin Katz and Anthony Vaccarello for Saint Laurent. It is an Sbs, Prospero Pictures and Saint Laurent Productions Film,...
Sideshow and Janus Films have acquired all U.S. rights to “The Shrouds,” written and directed by Cronenberg and starring Vincent Cassel as a tech mogul who invents a technology that allows you to watch your loved one rot in their grave.
The latest freakout from the Canadian auteur premiered at the Cannes Film Festival earlier this year (where it screened in competition) and recently screened at the Toronto International Film Festival as a special presentation. It will have its U.S. premiere next month as part of the main slate of the New York Film Festival. Sideshow and Janus are planning a spring 2025 release.
The deal was negotiated by Sideshow and Janus Films with Sbs International. The producers of the film are Saïd Ben Saïd, Martin Katz and Anthony Vaccarello for Saint Laurent. It is an Sbs, Prospero Pictures and Saint Laurent Productions Film,...
- 9/23/2024
- by Drew Taylor
- The Wrap
David Cronenberg has said that his new film The Shrouds – which has been making the festival rounds lately (you can read what JoBlo’s own Chris Bumbray thought of it Here) – was originally intended to be a Netflix TV series, but the streamer dropped it after paying him to write the pilot episode. So a feature film it is, and Deadline reports that Sideshow and Janus Films have acquired all U.S. distribution rights to the film, with their plan being to give it a theatrical release sometime in the spring of 2025.
In The Shrouds, Vincent Cassel, who previously worked with Cronenberg on Eastern Promises and A Dangerous Method, takes on the role of Karsh, “an innovative businessman and grieving widower, who builds a novel device to connect with the dead inside a burial shroud. This burial tool installed at his own state-of-the-art though controversial cemetery allows him and his...
In The Shrouds, Vincent Cassel, who previously worked with Cronenberg on Eastern Promises and A Dangerous Method, takes on the role of Karsh, “an innovative businessman and grieving widower, who builds a novel device to connect with the dead inside a burial shroud. This burial tool installed at his own state-of-the-art though controversial cemetery allows him and his...
- 9/23/2024
- by Cody Hamman
- JoBlo.com
Fresh off the film’s North American premiere at TIFF, horror master David Cronenberg’s The Shrouds has been acquired for U.S. release by Sideshow and Janus Films.
Deadline notes that they’re planning a Spring 2025 release for the film.
“Building on a long history with David Cronenberg that has included releases of Videodrome, Scanners, The Brood, Crash, Dead Ringers, and Naked Lunch, Janus Films and Criterion are very proud to be working with Sideshow and Saïd Ben Saïd, Martin Katz and Anthony Vaccarello to premiere The Shrouds, a major new work by the Canadian master in the United States,” Sideshow/Janus said in a statement shared by Deadline this morning.
Vincent Cassel (Irreversible, Eastern Promises) stars alongside Diane Kruger (Inglourious Basterds), Guy Pearce (Memento) and Sandrine Holt (“Fear the Walking Dead”).
Variety previews, “The Shrouds centers on Karsh, a prominent businessman. Inconsolable since the death of his wife,...
Deadline notes that they’re planning a Spring 2025 release for the film.
“Building on a long history with David Cronenberg that has included releases of Videodrome, Scanners, The Brood, Crash, Dead Ringers, and Naked Lunch, Janus Films and Criterion are very proud to be working with Sideshow and Saïd Ben Saïd, Martin Katz and Anthony Vaccarello to premiere The Shrouds, a major new work by the Canadian master in the United States,” Sideshow/Janus said in a statement shared by Deadline this morning.
Vincent Cassel (Irreversible, Eastern Promises) stars alongside Diane Kruger (Inglourious Basterds), Guy Pearce (Memento) and Sandrine Holt (“Fear the Walking Dead”).
Variety previews, “The Shrouds centers on Karsh, a prominent businessman. Inconsolable since the death of his wife,...
- 9/23/2024
- by John Squires
- bloody-disgusting.com
Sideshow and Janus Films have acquired all U.S. rights to The Shrouds, written and directed by David Cronenberg and are planning a spring 2025 theatrical release.
The film world premiered at the Cannes Film Festival where it screened In Competition. It played the Toronto International Film Festival as part of the Gala program and is set for its U.S. premiere in the Main Slate at the New York Film Festival next month.
The deal was negotiated by Sideshow and Janus Films with Sbs International. Producers are Saïd Ben Saïd, Martin Katz and Anthony Vaccarello for Saint Laurent. It’s an Sbs, Prospero Pictures & Saint Laurent Productions Film with the participation of Telefilm Canada, Eurimages, Ontario Creates in association with Sphere Films, Crave & CBC Films with the support of Canal +, Ocs & the Centre National du Cinema et de L’image Animée.
“Building on a...
The film world premiered at the Cannes Film Festival where it screened In Competition. It played the Toronto International Film Festival as part of the Gala program and is set for its U.S. premiere in the Main Slate at the New York Film Festival next month.
The deal was negotiated by Sideshow and Janus Films with Sbs International. Producers are Saïd Ben Saïd, Martin Katz and Anthony Vaccarello for Saint Laurent. It’s an Sbs, Prospero Pictures & Saint Laurent Productions Film with the participation of Telefilm Canada, Eurimages, Ontario Creates in association with Sphere Films, Crave & CBC Films with the support of Canal +, Ocs & the Centre National du Cinema et de L’image Animée.
“Building on a...
- 9/23/2024
- by Jill Goldsmith
- Deadline Film + TV
Of all the subgenres of horror, body horror has a way of getting under our skin like no other, figuratively and otherwise. There’s no end to the creative ways body horror violates, mutilates, and mutates basic biology, finding endless ways to test the gag reflex in the process.
Body horror has also long provided fertile ground for filmmakers to explore the psychologically and physically disturbing ways human anatomy can be abused. Case in point? This week brings the theatrical release of The Substance, Coralie Fargeat’s rage-filled and absurdly funny body horror magnum opus. In celebration of one of the year’s best horror offerings so far, this week’s streaming picks are dedicated to body horror movies that’ll make you squirm.
Whether you’re in the mood for gallows humor or squeamish frights, these five body horror movies put the emphasis on repulsive horror filled with abnormal growths,...
Body horror has also long provided fertile ground for filmmakers to explore the psychologically and physically disturbing ways human anatomy can be abused. Case in point? This week brings the theatrical release of The Substance, Coralie Fargeat’s rage-filled and absurdly funny body horror magnum opus. In celebration of one of the year’s best horror offerings so far, this week’s streaming picks are dedicated to body horror movies that’ll make you squirm.
Whether you’re in the mood for gallows humor or squeamish frights, these five body horror movies put the emphasis on repulsive horror filled with abnormal growths,...
- 9/16/2024
- by Meagan Navarro
- bloody-disgusting.com
The exploration of horror through an overcrowded streaming market continues. Since each month brings a plethora of new additions to streaming libraries across all platforms, from Netflix to Tubi, that means an insane selection of all styles and types of horror available at our fingertips. A brand new month means a new Max horror guide.
Max doesn’t just serve as the spot for Warner Bros. titles, but offers hubs to connect you to HBO, Cartoon Network, TCM, and curated selections to find even more pockets of horror. That means a variety of horror from nearly every era, though expect this month’s new additions to be light.
Here are the best Max horror movies you can stream right now.
Aliens
Whereas Ridley Scott’s Alien embraced quiet haunted house-like chills, James Cameron took a drastic detour into action-horror territory for the epic-scaled sequel. Poor Ellen Ripley is forced to...
Max doesn’t just serve as the spot for Warner Bros. titles, but offers hubs to connect you to HBO, Cartoon Network, TCM, and curated selections to find even more pockets of horror. That means a variety of horror from nearly every era, though expect this month’s new additions to be light.
Here are the best Max horror movies you can stream right now.
Aliens
Whereas Ridley Scott’s Alien embraced quiet haunted house-like chills, James Cameron took a drastic detour into action-horror territory for the epic-scaled sequel. Poor Ellen Ripley is forced to...
- 8/7/2024
- by Meagan Navarro
- bloody-disgusting.com
Introducing the Artist David Cronenberg’s classic films, ‘Scanners’, ‘The Brood’, ‘Dead Ringers’, and the Oscar-winning ‘The Fly’, are all cemented in history as some of the most irreverent editions to the body- and psycho-horror subgenre of all time. The horror genre wouldn’t be the same without his gory, daring imagery and ongoing analysis of the human body. As one of the most renowned Canadian filmmakers of all time, and the king of cinematic body-morphing viruses, parasites, and therapies, and with a vision for the physical manifestation of mental neuroses and skill for meaningful, character-centric writing, it’s no wonder that Cronenberg has created a collection of some of the most memorable sci-fi, psychological horror in recent cinema history. Born in Toronto, Canada, and raised by two artists - his mother was a musician, his father a writer - Cronenberg seemed poised for creative greatness from the onset. With a foundationally artistic background,...
- 7/22/2024
- by Grace Smith
- Hollywood Insider - Substance & Meaningful Entertainment
On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: A Meddlesome Producer’s Bloodiest, Briniest Catch of the Day
As titillating as it is atrocious, “Humanoids from the Deep” has everything. Sandy boobs. Practical gore. A woman director undermined by Roger Corman. Garnish with those dead dog scenes, and what more could you ask of a creature feature from the summer of 1980?
Starring Doug McClure as a hero fisherman, Ann Turkel as an inquisitive biologist, and Vic Morrow in a shifty special performance, this sluggish monster invasion imagines a community ravaged by sea creatures (Aka clumsy actors in suits...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: A Meddlesome Producer’s Bloodiest, Briniest Catch of the Day
As titillating as it is atrocious, “Humanoids from the Deep” has everything. Sandy boobs. Practical gore. A woman director undermined by Roger Corman. Garnish with those dead dog scenes, and what more could you ask of a creature feature from the summer of 1980?
Starring Doug McClure as a hero fisherman, Ann Turkel as an inquisitive biologist, and Vic Morrow in a shifty special performance, this sluggish monster invasion imagines a community ravaged by sea creatures (Aka clumsy actors in suits...
- 7/13/2024
- by Alison Foreman and Wilson Chapman
- Indiewire
From The Brood to Crash and new film The Shrouds, the Canadian body horror pioneer has outraged the censors and inspired countless directors
In 2021, French film-maker Julia Ducournau won the Cannes Palme d’Or with her blistering, autoerotic magnum opus Titane. It was a richly deserved victory – a celebration of a bold new voice in cinema. Yet for longstanding fans of body horror – a genre pioneered decades earlier by the Canadian writer-director David Cronenberg – it also felt like karmic payback for the festival’s botched response to Crash, Cronenberg’s controversial 1996 masterpiece, to which Titane is heavily indebted.
During a career spanning six decades and more than 20 feature films, Cronenberg, 81, has inspired everyone from Japanese auteur Shinya Tsukamoto (Tetsuo: The Iron Man) to rising British star Rose Glass. But his brilliant Jg Ballard adaptation was denied its own Palme d’Or win thanks largely to the disdain of Cannes jury president Francis Ford Coppola.
In 2021, French film-maker Julia Ducournau won the Cannes Palme d’Or with her blistering, autoerotic magnum opus Titane. It was a richly deserved victory – a celebration of a bold new voice in cinema. Yet for longstanding fans of body horror – a genre pioneered decades earlier by the Canadian writer-director David Cronenberg – it also felt like karmic payback for the festival’s botched response to Crash, Cronenberg’s controversial 1996 masterpiece, to which Titane is heavily indebted.
During a career spanning six decades and more than 20 feature films, Cronenberg, 81, has inspired everyone from Japanese auteur Shinya Tsukamoto (Tetsuo: The Iron Man) to rising British star Rose Glass. But his brilliant Jg Ballard adaptation was denied its own Palme d’Or win thanks largely to the disdain of Cannes jury president Francis Ford Coppola.
- 6/1/2024
- by Mark Kermode
- The Guardian - Film News
Soon after the New Hollywood generation took over the entertainment industry, they started having children. And more than any filmmakers that came before—they were terrified. Rosemary’s Baby (1968), The Exorcist (1973), The Omen (1976), Eraserhead (1977), The Brood (1979), The Shining (1980), Possession (1981), and many others all deal, at least in part, with the fears of becoming or being a parent. What if my child turns out to be a monster? is corrupted by some evil force? or turns out to be the fucking Antichrist? What if I screw them up somehow, or can’t help them, or even go insane and try to kill them? Horror has always been at its best when exploring relatable fears through extreme circumstances. A prime example of this is Larry Cohen’s 1974 monster-baby movie It’s Alive, which explores the not only the rollercoaster of emotions that any parent experiences when confronted with the difficulties of raising a child,...
- 4/26/2024
- by Brian Keiper
- bloody-disgusting.com
Mike Hughes, Harvey Stevens, Alex Vincent, Paula E. Sheppard, Noah Wiseman, and Milly Shapiro Screenshot: YouTube There’s nothing scarier than childhood. Look no further than the movies (or your very own memory palace) for proof. With the upcoming release of Abigail and the recent child-adjacent scares from The First Omen and Imaginary,...
- 4/17/2024
- by Matt Schimkowitz
- avclub.com
Mike Hughes, Harvey Stevens, Alex Vincent, Paula E. Sheppard, Noah Wiseman, and Milly Shapiro
Screenshot: YouTube
There’s nothing scarier than childhood. Look no further than the movies (or your very own memory palace) for proof. With the upcoming release of Abigail and the recent child-adjacent scares from The First Omen and Imaginary,...
Screenshot: YouTube
There’s nothing scarier than childhood. Look no further than the movies (or your very own memory palace) for proof. With the upcoming release of Abigail and the recent child-adjacent scares from The First Omen and Imaginary,...
- 4/17/2024
- by Matt Schimkowitz, Saloni Gajjar, Tim Lowery, William Hughes, and Jen Lennon
- avclub.com
The exploration of horror through an overcrowded streaming market continues. Since each month brings a plethora of new additions to streaming libraries across all platforms, from Netflix to Tubi, that means an insane selection of all styles and types of horror available at our fingertips.
Max doesn’t just serve as the spot for Warner Bros. titles, but offers hubs to connect you to HBO, Cartoon Network, TCM, and curated selections to find even more pockets of horror.
New additions to Max’s horror library in April include Wes Craven Presents: They and Alex Garland’s Men on April 18. Also look for Metalocalypse: Army of the Doomstar to arrive on the streaming platform on April 6.
Here are the best Max horror movies you can stream right now.
Aliens
Whereas Ridley Scott’s Alien embraced quiet haunted house-like chills for his sci-fi movie, James Cameron took a drastic detour into action-horror territory for the epic-scaled sequel.
Max doesn’t just serve as the spot for Warner Bros. titles, but offers hubs to connect you to HBO, Cartoon Network, TCM, and curated selections to find even more pockets of horror.
New additions to Max’s horror library in April include Wes Craven Presents: They and Alex Garland’s Men on April 18. Also look for Metalocalypse: Army of the Doomstar to arrive on the streaming platform on April 6.
Here are the best Max horror movies you can stream right now.
Aliens
Whereas Ridley Scott’s Alien embraced quiet haunted house-like chills for his sci-fi movie, James Cameron took a drastic detour into action-horror territory for the epic-scaled sequel.
- 4/4/2024
- by Meagan Navarro
- bloody-disgusting.com
“You got involved with a woman who fell in love with you for your sanity and hoped it would rub off.”
What would the horror version of Kramer vs. Kramer look like? What about a murderous version of Marriage Story? While horror fans might enjoy throwing in gory dismemberment or supernatural chaos to these extremely human stories, would we be able to stomach the devastating mix of physical and emotional pain? Divorce is already hard enough! But that’s just what David Cronenberg gives us with The Brood. This 1979 film is a shocking and powerful story about the death of a marriage and the extensive collateral damage that lies in its wake.
Nola (Samantha Eggar) is a young mother taking time for herself. In order to process childhood trauma, she’s enrolled in extensive treatment at the Somafree Institure, a therapeutic retreat run by the illustrious Dr. Raglan (Oliver Reed). His patented modality,...
What would the horror version of Kramer vs. Kramer look like? What about a murderous version of Marriage Story? While horror fans might enjoy throwing in gory dismemberment or supernatural chaos to these extremely human stories, would we be able to stomach the devastating mix of physical and emotional pain? Divorce is already hard enough! But that’s just what David Cronenberg gives us with The Brood. This 1979 film is a shocking and powerful story about the death of a marriage and the extensive collateral damage that lies in its wake.
Nola (Samantha Eggar) is a young mother taking time for herself. In order to process childhood trauma, she’s enrolled in extensive treatment at the Somafree Institure, a therapeutic retreat run by the illustrious Dr. Raglan (Oliver Reed). His patented modality,...
- 3/14/2024
- by Jenn Adams
- bloody-disgusting.com
Oscar Weekend is coming up, and everyone is wondering if Oppenheimer will sustain its Awards push. Or will Lily Gladstone will take the Best Actress statue from clear front-runner Emma Stone after her surprising SAG win? But there’s one thing that comes across my mind every Oscar weekend: which horror movie deserved to make the cut yet didn’t? I’ve chronicled in the past how much the Academy tends to look the other way regarding great horror performances. But what about the films themselves? After the Best Picture nomination pool was expanded to ten films, we’ve seen movies that otherwise wouldn’t, get a place amongst the year’s best. They wanted to recognize those films making a cultural impact.
And while that position has mostly been reserved for comic book movies and summer blockbusters, I think it’s well past time that we give horror its due.
And while that position has mostly been reserved for comic book movies and summer blockbusters, I think it’s well past time that we give horror its due.
- 3/4/2024
- by Tyler Nichols
- JoBlo.com
The exploration of horror through an overcrowded streaming market continues. Since each month brings a plethora of new additions to streaming libraries across all platforms, from Netflix to Tubi, that means an insane selection of all styles and types of horror available at our fingertips.
Max doesn’t just serve as the spot for Warner Bros. titles, but offers hubs to connect you to HBO, Cartoon Network, TCM, and curated selections to find even more pockets of horror.
For starters, Max’s horror selection offers a relatively robust selection of foundational horror titles and franchises, including Paranormal Activity and Friday the 13th.
Here are the best Max horror movies you can stream right now.
Aliens
Whereas Ridley Scott’s Alien embraced quiet haunted house-like chills for his sci-fi movie, James Cameron took a drastic detour into action-horror territory for the epic-scaled sequel. Poor Ellen Ripley is forced to return to Lv-426 along with space Marines,...
Max doesn’t just serve as the spot for Warner Bros. titles, but offers hubs to connect you to HBO, Cartoon Network, TCM, and curated selections to find even more pockets of horror.
For starters, Max’s horror selection offers a relatively robust selection of foundational horror titles and franchises, including Paranormal Activity and Friday the 13th.
Here are the best Max horror movies you can stream right now.
Aliens
Whereas Ridley Scott’s Alien embraced quiet haunted house-like chills for his sci-fi movie, James Cameron took a drastic detour into action-horror territory for the epic-scaled sequel. Poor Ellen Ripley is forced to return to Lv-426 along with space Marines,...
- 2/13/2024
- by Meagan Navarro
- bloody-disgusting.com
The horror genre is one that frequently insists upon sequels and franchises, even when they’re woefully misguided endeavors. There are too many sequels that are set up to fail and seem financially driven and creatively bankrupt, whether it’s Book of Shadows: Blair Witch 2, The Rage: Carrie 2, or American Psycho II: All American Girl. However, it’s always electric when one of these sequels does something special, different, and audiences are left with a Psycho II or The Exorcist III scenario on their hands. The Fly II is a horror sequel that was largely written off the moment that it was announced, sans David Cronenberg, even if its existence makes sense. The Fly II isn’t superior to its predecessor, but it does excel in many areas that are absent in the original. It brings something new to the table and marks a unique voice in body...
- 2/9/2024
- by Daniel Kurland
- bloody-disgusting.com
For those eager to explore the unsettling world of body horror and psychological thrills, there’s no better guide than David Cronenberg. From grotesque metamorphoses to chilling narratives that blur the lines between technology and flesh, Cronenberg’s films hold a mirror up to our deepest fears and fascinations. In this exploration of the macabre and the mind-bending, we delve into the very best of his cinematic library.
This ranking taps into the core of Cronenberg’s genius, piecing together a countdown that encapsulates his most impactful works. Perfect for both novices and seasoned fans, this list is your gateway to understanding why Cronenberg’s contributions stand out in the horror realm. Whether you seek to plunge into his earlier shockers or savor his contemporary experiments, we’ve got you covered with the most thorough David Cronenberg horror movie ranking, for your eerie viewing pleasure.
Prepare to confront the uncanny...
This ranking taps into the core of Cronenberg’s genius, piecing together a countdown that encapsulates his most impactful works. Perfect for both novices and seasoned fans, this list is your gateway to understanding why Cronenberg’s contributions stand out in the horror realm. Whether you seek to plunge into his earlier shockers or savor his contemporary experiments, we’ve got you covered with the most thorough David Cronenberg horror movie ranking, for your eerie viewing pleasure.
Prepare to confront the uncanny...
- 1/4/2024
- by Jonathan Dehaan
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 12/15/2023
- by Cody Hamman
- JoBlo.com
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
’90s Horror, Art-House Horror, and Pre-Code Horror
It’s October, which means you are likely crafting an endless queue of horror films to consume. When it comes to a single streaming service to dedicate your eyes to this month, The Criterion Channel takes the cake with three different series. First up, ’90s horror brings together such films as The Rapture (1991), In the Mouth of Madness (1994), The Addiction (1995), and Ravenous (1999), while Art-House Horror features Häxan (1922), Vampyr (1932), Eyes Without a Face (1960), Carnival of Souls (1962), Onibaba (1964), Night of the Living Dead (1968), Sisters (1973), Eraserhead (1977), House (1977), Suspiria (1977), Arrebato (1979), The Brood (1979), The Vanishing (1988), Cronos (1993), Cure (1997), Donnie Darko (2001), Trouble Every Day (2001), Antichrist (2009), and more. Lastly, Pre-Code horrors brings together ’30s features such as Freaks (1932), Island of Lost Souls (1932), The Old Dark House...
’90s Horror, Art-House Horror, and Pre-Code Horror
It’s October, which means you are likely crafting an endless queue of horror films to consume. When it comes to a single streaming service to dedicate your eyes to this month, The Criterion Channel takes the cake with three different series. First up, ’90s horror brings together such films as The Rapture (1991), In the Mouth of Madness (1994), The Addiction (1995), and Ravenous (1999), while Art-House Horror features Häxan (1922), Vampyr (1932), Eyes Without a Face (1960), Carnival of Souls (1962), Onibaba (1964), Night of the Living Dead (1968), Sisters (1973), Eraserhead (1977), House (1977), Suspiria (1977), Arrebato (1979), The Brood (1979), The Vanishing (1988), Cronos (1993), Cure (1997), Donnie Darko (2001), Trouble Every Day (2001), Antichrist (2009), and more. Lastly, Pre-Code horrors brings together ’30s features such as Freaks (1932), Island of Lost Souls (1932), The Old Dark House...
- 10/6/2023
- by Jordan Raup
- The Film Stage
The 1970s: A time when vinyl wasn’t just a hipster trend, lava lamps lit up rooms with their hypnotic glow, and horror movies? Well, they were in a league of their own, especially the underrated 70s horror movies that have remained hidden gems over the decades. This was a decade that redefined cinema, pushing boundaries and daring to venture into the dark, unexplored corners of the human psyche. While the big names like The Exorcist and The Texas Chain Saw Massacre were making waves and scaring audiences worldwide, there was an undercurrent of films that, though lesser-known, packed just as much punch.
At Nightmare on Film Street, we’re all about digging up those hidden treasures, the unsung heroes of horror that might’ve slipped under the radar but deserve a standing ovation. So, pop on your platform shoes, slap on some groovy tunes, and join us as we...
At Nightmare on Film Street, we’re all about digging up those hidden treasures, the unsung heroes of horror that might’ve slipped under the radar but deserve a standing ovation. So, pop on your platform shoes, slap on some groovy tunes, and join us as we...
- 9/21/2023
- by Kimberley Elizabeth
In this time of geekery and craft reigning supreme, film critics and academics no longer reject horror movies with the knee-jerk certainty some once did. But even now the specter of “elevated horror” (see that concept’s lambasting in Matt Bettinelli-Olpin and Tyler Gillett’s “Scream 5”) looms over discussions of artier explorations of dread and terror — Ari Aster’s “Midsommar,” Luca Guadagnino’s “Suspiria,” Rose Glass’ “Saint Maud” — that are clearly distinguished from, well, non-elevated horror. The general gist is that these exceptions to the “horror is bad” rule engage your brain more than just showing brains: eaten by zombies or splattered against the wall.
How can films that fire your adrenal glands, send shivers down your spine, raise goosebumps, and quicken your breath — that inspire such an intense physical reaction — also be cerebral experiences? The answer is obvious enough. Viewers forget all the time that, as Anna Karina...
How can films that fire your adrenal glands, send shivers down your spine, raise goosebumps, and quicken your breath — that inspire such an intense physical reaction — also be cerebral experiences? The answer is obvious enough. Viewers forget all the time that, as Anna Karina...
- 8/10/2023
- by Alison Foreman
- Indiewire
You know you are watching a David Cronenberg film within the first few minutes. His unique directorial vision and style are instantly recognizable. For over 50 years, Cronenberg has been pushing the boundaries of mainstream cinema with his unflinching explorations of the human body and psyche. His films delve into humanity’s deepest fears and darkest desires, all with his signature clinical precision and intellectual curiosity.
David Cronenberg Depostiphotos
Cronenberg emerged from the “Canuxploitation” era of Canadian B-movies in the 1970s to become one of the most influential auteurs in modern film. His early cult classics like Shivers and Scanners established his fascination with the physicality of human existence and all the ways our flesh and minds can mutate and transform. Cronenberg’s films are known for their disturbing body horror and surreal science fiction concepts, but at their core, they reveal fundamental truths about human nature and our relationship with our own physical being.
David Cronenberg Depostiphotos
Cronenberg emerged from the “Canuxploitation” era of Canadian B-movies in the 1970s to become one of the most influential auteurs in modern film. His early cult classics like Shivers and Scanners established his fascination with the physicality of human existence and all the ways our flesh and minds can mutate and transform. Cronenberg’s films are known for their disturbing body horror and surreal science fiction concepts, but at their core, they reveal fundamental truths about human nature and our relationship with our own physical being.
- 6/23/2023
- by Movies Martin Cid Magazine
- Martin Cid Magazine - Movies
The Dead Ringers episode of Wtf Really Happened to This Horror Movie was Written and Narrated by Andrew Hatfield, Edited by Mike Conway, Produced by Lance Vlcek and John Fallon, and Executive Produced by Berge Garabedian.
“There’s nothing the matter with the instrument, it’s the body. The woman’s body is all wrong!”
We’ve discussed how vulnerable it can be to be under the bright lights of the dentist’s chair but how about the doctor, particularly a specialty doctor that’s job is to deal with our most private of parts. David Cronenberg is the master of turning our bodies into horrible things that seek to hurt us, perfecting the use of the term “body horror”. So, what happens when Cronenberg makes a movie about twin gynecologists that begin to lose their grip on reality, and did you know that this is actually based on true events?...
“There’s nothing the matter with the instrument, it’s the body. The woman’s body is all wrong!”
We’ve discussed how vulnerable it can be to be under the bright lights of the dentist’s chair but how about the doctor, particularly a specialty doctor that’s job is to deal with our most private of parts. David Cronenberg is the master of turning our bodies into horrible things that seek to hurt us, perfecting the use of the term “body horror”. So, what happens when Cronenberg makes a movie about twin gynecologists that begin to lose their grip on reality, and did you know that this is actually based on true events?...
- 5/26/2023
- by Cody Hamman
- JoBlo.com
It's astonishing to consider how quickly "Star Wars" rose to prominence in the pop culture consciousness. George Lucas, the director of the 1977 original, merely wanted to make a high-octane version of classical space opera stories like the ones seen in "Flash Gordon" serials of the 1940s. One could not have predicted the overwhelming response from young audiences, or their thirst for toys and tie-in products, a relative novelty at the time. Fast-forward to 1983, and there had already been one beloved sequel, a TV special, and more toys than the Earth's landfills knew what to do with. When the time came to make "Return of the Jedi," Lucas had become a mere executive producer and story writer, hoping to farm out the directing gig to ... well, to anyone who fit two certain criteria.
Many might know that several soon-to-be-prominent directors were approached to direct "Return of the Jedi." David Cronenberg had...
Many might know that several soon-to-be-prominent directors were approached to direct "Return of the Jedi." David Cronenberg had...
- 5/25/2023
- by Witney Seibold
- Slash Film
Sandor Stern’s ‘Pin’ is an unsung ‘80s classic that tells a traumatic tale of a broken family that turns an unhealthy coping mechanism into a totem of terror.
“Have you heard from Leon?”
“No.”
“I miss him a great deal.”
“So do I.”
Horror’s “evil doll” sub-genre has never been more popular, but it’s been a lively area of terror for many decades now. There’s an instantly identifiable selling point to one of these stories where a mundane toy suddenly becomes a terrifying artifact. One of the more obscure entries in the evil doll sub-genre is 1988’s Pin, a disturbing tale of repressed pain, codependent family dynamics, and displaced identity that bears more in common with Psycho than Child’s Play. Pin, while refusing to limit itself to just one type of horror, delivers a memorable meditation on trauma that makes an even greater impact 35 years later.
“Have you heard from Leon?”
“No.”
“I miss him a great deal.”
“So do I.”
Horror’s “evil doll” sub-genre has never been more popular, but it’s been a lively area of terror for many decades now. There’s an instantly identifiable selling point to one of these stories where a mundane toy suddenly becomes a terrifying artifact. One of the more obscure entries in the evil doll sub-genre is 1988’s Pin, a disturbing tale of repressed pain, codependent family dynamics, and displaced identity that bears more in common with Psycho than Child’s Play. Pin, while refusing to limit itself to just one type of horror, delivers a memorable meditation on trauma that makes an even greater impact 35 years later.
- 5/16/2023
- by Daniel Kurland
- bloody-disgusting.com
This article contains spoilers for various sci-fi movies
“In the end? Nothing ends, Adrian. Nothing ever ends.” If you’re a geek reading Den of Geek, you probably recognize those words as the final ones between Dr. Manhattan and Adrian Veidt in Alan Moore and David Gibbons’s Watchmen. Manhattan’s statement comes as a warning to Veidt, who tried to save humanity from itself by manufacturing an alien invasion at the cost of nearly half of the world’s population. Viedt, of course, wants to know if it’s over, if he did truly save the world. But for Manhattan, who exists at all points on his timeline at once, the answer isn’t so simple. Nothing ends because nothing begins. It all simply is, at least from his perspective.
Get it? Yeah, me neither. But that’s part of the deal with sci-fi stories like Watchmen. Branching timelines,...
“In the end? Nothing ends, Adrian. Nothing ever ends.” If you’re a geek reading Den of Geek, you probably recognize those words as the final ones between Dr. Manhattan and Adrian Veidt in Alan Moore and David Gibbons’s Watchmen. Manhattan’s statement comes as a warning to Veidt, who tried to save humanity from itself by manufacturing an alien invasion at the cost of nearly half of the world’s population. Viedt, of course, wants to know if it’s over, if he did truly save the world. But for Manhattan, who exists at all points on his timeline at once, the answer isn’t so simple. Nothing ends because nothing begins. It all simply is, at least from his perspective.
Get it? Yeah, me neither. But that’s part of the deal with sci-fi stories like Watchmen. Branching timelines,...
- 5/15/2023
- by Kirsten Howard
- Den of Geek
Amazon’s six-episode limited series adaptation of David Cronenberg’s 1988 feature Dead Ringers isn’t a perfect series, but in at least three key ways it’s a perfect piece of intellectual property mining.
First, series creator Alice Birch (Normal People) has a clear reason for wanting to tackle Cronenberg’s twisted tale of identical twin gynecologists, using the added narrative real estate of television and the passing of 35 years as fodder for an examination of reproductive freedom and the fertility industry that’s entirely its own. It’s a spectacular thematic vehicle.
Of equal importance, Dead Ringers is a spectacular acting vehicle, and in Elliot and Beverly Mantle, Rachel Weisz has the best role, or dual roles, of her decorated career, a mixture of uncompromising intensity, bleak humor and extended heartbreak that’s as satisfying to watch as it clearly was to play.
And, finally, and this might be...
First, series creator Alice Birch (Normal People) has a clear reason for wanting to tackle Cronenberg’s twisted tale of identical twin gynecologists, using the added narrative real estate of television and the passing of 35 years as fodder for an examination of reproductive freedom and the fertility industry that’s entirely its own. It’s a spectacular thematic vehicle.
Of equal importance, Dead Ringers is a spectacular acting vehicle, and in Elliot and Beverly Mantle, Rachel Weisz has the best role, or dual roles, of her decorated career, a mixture of uncompromising intensity, bleak humor and extended heartbreak that’s as satisfying to watch as it clearly was to play.
And, finally, and this might be...
- 4/19/2023
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
Killer Collectibles highlights five of the most exciting new horror products announced each and every week, from toys and apparel to artwork, records, and much more.
Here are the coolest horror collectibles unveiled this week!
House of 1000 Corpses Figures from Neca
Neca is celebrating the 20th anniversary of Rob Zombie’s House of 1000 Corpses with a set of Little Big Head stylized figures. Otis Driftwood, Captain Spaulding, and Baby Firefly each measure between 5″ and 6″ tall and come packaged together in a window box. Due out in September, the set can be pre-ordered for $59.99.
David Cronenberg Print from Vanessa McKee
David Cronenberg celebrated his 80th birthday this week, and he’s still churning out provocative and though-provoking movies with no signs of slowing down. From The Brood to Crimes of the Future, Vanessa McKee pays tribute to his legacy with a gorgeous illustration. 9×12 prints come signed by the artist for...
Here are the coolest horror collectibles unveiled this week!
House of 1000 Corpses Figures from Neca
Neca is celebrating the 20th anniversary of Rob Zombie’s House of 1000 Corpses with a set of Little Big Head stylized figures. Otis Driftwood, Captain Spaulding, and Baby Firefly each measure between 5″ and 6″ tall and come packaged together in a window box. Due out in September, the set can be pre-ordered for $59.99.
David Cronenberg Print from Vanessa McKee
David Cronenberg celebrated his 80th birthday this week, and he’s still churning out provocative and though-provoking movies with no signs of slowing down. From The Brood to Crimes of the Future, Vanessa McKee pays tribute to his legacy with a gorgeous illustration. 9×12 prints come signed by the artist for...
- 3/17/2023
- by Alex DiVincenzo
- bloody-disgusting.com
To celebrate David Cronenberg's 80th birthday, check out his underrated adaptation of the controversial novel "Naked Lunch."
David Cronenberg, the undisputed king of cinematic body horror, turns 80 this month, and he shows no signs of slowing down. Last year, with the release of "Crimes of the Future," he heartily reminded audiences that there's no filmmaker greater than he when it comes to piercing dissections (often literally) of the human form's grotesqueries and its relationship with the wider world. He's so distinctive, so unflinching in his portrayal of that which horrifies us most, that we use the adjective Cronenbergian to describe works inspired by him. Every fan of Cronenberg has their favorite moments from his vast filmography, whether it's the exploding head in "Scanners," Jeff Goldblum's disintegration in "The Fly," or the abnormal births in "The Brood." One of his lesser-discussed films, and perhaps his most curious effort as a director,...
David Cronenberg, the undisputed king of cinematic body horror, turns 80 this month, and he shows no signs of slowing down. Last year, with the release of "Crimes of the Future," he heartily reminded audiences that there's no filmmaker greater than he when it comes to piercing dissections (often literally) of the human form's grotesqueries and its relationship with the wider world. He's so distinctive, so unflinching in his portrayal of that which horrifies us most, that we use the adjective Cronenbergian to describe works inspired by him. Every fan of Cronenberg has their favorite moments from his vast filmography, whether it's the exploding head in "Scanners," Jeff Goldblum's disintegration in "The Fly," or the abnormal births in "The Brood." One of his lesser-discussed films, and perhaps his most curious effort as a director,...
- 3/15/2023
- by Kayleigh Donaldson
- Slash Film
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Coppola’s Dracula, The Ring, and The Love Witch all play on 35mm; Spanish Dracula plays with live guitar accompaniment from Gary Lucas on Saturday; Suspiria screens; “City Dudes” returns on Saturday.
Bam
The bold, brilliant, stomach-churning films of Shinya Tsukamoto screen in a new retrospective.
Anthology Film Archives
Shivers, Rabid, and The Brood all play on 35mm this weekend.
Museum of Modern Art
One of our greatest living filmmakers, Tsai Ming-liang, is subject of a career-spanning retrospective that contunes.
Museum of the Moving Image
See It Big: Extended Cuts! offers unique opportunity to see films in their original form, starting with Das Boot and Little Shop of Horrors; Nosferatu and Roger Corman’s Edgar Allan Poe adaptations also screen.
Film Forum
Isabelle Huppert, maybe our greatest actress, is celebrated in a retrospective having its last weekend; Breathless continues,...
Roxy Cinema
Coppola’s Dracula, The Ring, and The Love Witch all play on 35mm; Spanish Dracula plays with live guitar accompaniment from Gary Lucas on Saturday; Suspiria screens; “City Dudes” returns on Saturday.
Bam
The bold, brilliant, stomach-churning films of Shinya Tsukamoto screen in a new retrospective.
Anthology Film Archives
Shivers, Rabid, and The Brood all play on 35mm this weekend.
Museum of Modern Art
One of our greatest living filmmakers, Tsai Ming-liang, is subject of a career-spanning retrospective that contunes.
Museum of the Moving Image
See It Big: Extended Cuts! offers unique opportunity to see films in their original form, starting with Das Boot and Little Shop of Horrors; Nosferatu and Roger Corman’s Edgar Allan Poe adaptations also screen.
Film Forum
Isabelle Huppert, maybe our greatest actress, is celebrated in a retrospective having its last weekend; Breathless continues,...
- 10/28/2022
- by Nick Newman
- The Film Stage
The body horror auteur returns to favourite themes, if not the peak of his powers, as Viggo Mortensen, Léa Seydoux and Kristen Stewart star in this playfully grisly tale of surgery as the new sex
David Cronenberg’s latest feature shares a title with an experimental film he made in 1970. In the wake of the original Crimes of the Future, Cronenberg would effectively invent, refine and then move on from “‘body horror” cinema, leaving a genre-defining canon of fantasy films that used the mutations of the flesh to discuss matters of life and death. Since 1988’s Dead Ringers, the Canadian auteur’s preoccupations have been more psychological (notwithstanding the mugwumps of Naked Lunch and the quirky genre return of eXistenZ); from the sexual pathology of Crash, through the stagey Freud/Jung melodrama of A Dangerous Method to the biting Hollywood satire of Maps to the Stars.
This new Crimes of the Future...
David Cronenberg’s latest feature shares a title with an experimental film he made in 1970. In the wake of the original Crimes of the Future, Cronenberg would effectively invent, refine and then move on from “‘body horror” cinema, leaving a genre-defining canon of fantasy films that used the mutations of the flesh to discuss matters of life and death. Since 1988’s Dead Ringers, the Canadian auteur’s preoccupations have been more psychological (notwithstanding the mugwumps of Naked Lunch and the quirky genre return of eXistenZ); from the sexual pathology of Crash, through the stagey Freud/Jung melodrama of A Dangerous Method to the biting Hollywood satire of Maps to the Stars.
This new Crimes of the Future...
- 9/11/2022
- by Mark Kermode, Observer film critic
- The Guardian - Film News
Esther (Isabelle Fuhrman), the demon child of the 2009 horror thriller “Orphan,” was a 9-year-old psycho freak who dressed like a frumpy Victorian doll and spoke in a Russian accent, which upped the ante on her malevolence by making her seem not just a junior devil but a junior devil from the land of Putin. Movies about monster children go way back, and after “The Omen” and “The Brood” and “Ringu” and so many others, there wasn’t a lot of room left for a pulp horror film like “Orphan” to surprise us. But the movie, in its schlocky blunderbuss way, did have an original twist: Esther was not, in fact, 9 years old — she was a woman in her early 30s named Leena who had a rare hormonal disorder that stunted her physical development. The folly of “Orphan” is that it wasn’t much different from the film it would have...
- 8/18/2022
- by Owen Gleiberman
- Variety Film + TV
Click here to read the full article.
Canadian master of horror David Cronenberg will receive the Donostia Award, a lifetime achievement honor, at this year’s San Sebastian Film Festival.
Cronenberg will receive the award at a gala on September 21 in San Sebastian’s Victoria Eugenia Theatre, followed by the screening of his latest movie, Crimes of the Future.
The dystopian drama, which stars Viggo Mortensen, Léa Seydoux and Kristen Stewart, premiered in competition in Cannes last month, where it was an audience favorite. Critics hailed it as a return to form for Cronenberg, who is considered a pioneer of body horror and auteur sci-fi. From his earliest work, in Shivers (1975), Rabid (1977) and The Brood (1979), the Canadian director subverted B-movie horror tropes to tell disturbing tales of psychological torment Later films, including Scanners (1981), Videodrome (1983), Dead Ringers (1988), Naked Lunch (1991), and eXistenZ (1999), use the science fiction genre to provide a subversive critique of modern,...
Canadian master of horror David Cronenberg will receive the Donostia Award, a lifetime achievement honor, at this year’s San Sebastian Film Festival.
Cronenberg will receive the award at a gala on September 21 in San Sebastian’s Victoria Eugenia Theatre, followed by the screening of his latest movie, Crimes of the Future.
The dystopian drama, which stars Viggo Mortensen, Léa Seydoux and Kristen Stewart, premiered in competition in Cannes last month, where it was an audience favorite. Critics hailed it as a return to form for Cronenberg, who is considered a pioneer of body horror and auteur sci-fi. From his earliest work, in Shivers (1975), Rabid (1977) and The Brood (1979), the Canadian director subverted B-movie horror tropes to tell disturbing tales of psychological torment Later films, including Scanners (1981), Videodrome (1983), Dead Ringers (1988), Naked Lunch (1991), and eXistenZ (1999), use the science fiction genre to provide a subversive critique of modern,...
- 6/24/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Fans of intelligent, thought-provoking, and visionary films that just happen to have strange new appendages growing out of the human body were thrilled when it was revealed David Cronenberg was returning to body horror with Crimes of the Future. Further, the new thriller marks the end of the Canadian director’s eight-year hiatus from filmmaking as well.
They had reason to cheer loud, as the movie really does feature bizarre, unidentifiable organs being removed from the body of pain-wracked performance artist Saul Tenser (Viggo Mortensen) in front of live audience—a clear nod to early films like The Brood, Videodrome, and The Fly that put Cronenberg on the map as a master of the body horror subgenre.
Cronenberg’s career has taken him down a number of other avenues artistically, with many of his films evolving away from the visceral gut-punch of his early work, but he’s never fully left genre material behind.
They had reason to cheer loud, as the movie really does feature bizarre, unidentifiable organs being removed from the body of pain-wracked performance artist Saul Tenser (Viggo Mortensen) in front of live audience—a clear nod to early films like The Brood, Videodrome, and The Fly that put Cronenberg on the map as a master of the body horror subgenre.
Cronenberg’s career has taken him down a number of other avenues artistically, with many of his films evolving away from the visceral gut-punch of his early work, but he’s never fully left genre material behind.
- 6/9/2022
- by Don Kaye
- Den of Geek
Opening today in North American movie theaters, Crimes of the Future is a new film by David "Mr. Canada" Cronenberg. In celebration, we've been looking back at his distinguished career this week. Shelagh Rowan-Legg reviewed the film last week, in connection with its worldwide debut at the Cannes Film Festival: "There's a reason why Cronenberg is the first name in body horror - his, ahem, body of work, spanning several decades, has evolved from arguably the more exploitative, to the more Romantic and deeply rich psychological/body horror of the late 80s and 90s, he's been a (mostly) consistent force, with certain themes developed over his oeuvre. With his latest film, he returns somewhat to what I would call his middle period, which...
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- 6/3/2022
- Screen Anarchy
This review of “Crimes of the Future” was first published May 23, 2022, after its premiere at Cannes Film Festival.
It’s hard to say whether “Crimes of the Future” will be David Cronenberg’s final film — never believe a director who says they’re quitting — but it definitely feels like a closing argument, one that both reaffirms the filmmaker’s favorite themes and stylistic choices while also reflecting a shift in his point of view.
We’ve been here before with Cronenberg; his 1999 “Existenz” also had the feel of a greatest-hits collection. But for audiences starved for brash choices from one of the cinema’s boldest living provocateurs, even a rehash seems fresher than corporate-assembled, focus-group-approved content.
Should this be the Canadian auteur’s final feature, he won’t be leaving on a high note: “Crimes of the Future” won’t be remembered alongside masterpieces like “Dead Ringers,” “The Fly,” “The Brood,...
It’s hard to say whether “Crimes of the Future” will be David Cronenberg’s final film — never believe a director who says they’re quitting — but it definitely feels like a closing argument, one that both reaffirms the filmmaker’s favorite themes and stylistic choices while also reflecting a shift in his point of view.
We’ve been here before with Cronenberg; his 1999 “Existenz” also had the feel of a greatest-hits collection. But for audiences starved for brash choices from one of the cinema’s boldest living provocateurs, even a rehash seems fresher than corporate-assembled, focus-group-approved content.
Should this be the Canadian auteur’s final feature, he won’t be leaving on a high note: “Crimes of the Future” won’t be remembered alongside masterpieces like “Dead Ringers,” “The Fly,” “The Brood,...
- 6/3/2022
- by Alonso Duralde
- The Wrap
With the release of the director’s latest body horror Crimes of the Future, Guardian writers have singled out their most-loved Cronenberg offerings
Cronenberg’s horror films could be described as unnerving and unsettling, or majestically gross, but they’re almost never scary in the traditional sense. The Brood is a blood-curdling exception, unleashing a small army of half-formed dwarf-children with murderous intent. Written in the wake of Cronenberg’s bitter divorce and custody battle, The Brood is a raw expression of anger and psychic distress, which manifests itself in the bodily mutations that often find their way into his work. Only here the little monsters are literally the product of broken marriage, asexual offspring that the mother, Nola (Samantha Eggar), spawns while undergoing an intensive New Age therapy.
Cronenberg’s horror films could be described as unnerving and unsettling, or majestically gross, but they’re almost never scary in the traditional sense. The Brood is a blood-curdling exception, unleashing a small army of half-formed dwarf-children with murderous intent. Written in the wake of Cronenberg’s bitter divorce and custody battle, The Brood is a raw expression of anger and psychic distress, which manifests itself in the bodily mutations that often find their way into his work. Only here the little monsters are literally the product of broken marriage, asexual offspring that the mother, Nola (Samantha Eggar), spawns while undergoing an intensive New Age therapy.
- 6/2/2022
- by Scott Tobias, Jordan Hoffman, Charles Bramesco, AA Dowd, Guy Lodge, Benjamin Lee, Catherine Shoard, Radheyan Simonpillai, Veronica Esposito and Jesse Hassenger
- The Guardian - Film News
There's a reason why Cronenberg is the first name in body horror - his, ahem, body of work, spanning several decades, has evolved from arguably the more explotative, to the more Romantic and deeply rich psychological/body horror of the late 80s and 90s, he's been a (mostly) consistent force, with certain themes developed over his oeuvre. With his latest film, he returns somewhat to what I would call his middle period, which (for me) is the height of his talent. Crimes of the Future is perhaps less of a groundreaking work, and more a further extension of ideas and themes that Cronenberg has found the most fruitful to his vision. Incorporating some examination of our contemporary social media and televisual culture, set...
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- 5/25/2022
- Screen Anarchy
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