IMDb RATING
7.3/10
9.8K
YOUR RATING
In 1953, a cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.In 1953, a cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.In 1953, a cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.
- Nominated for 1 Oscar
- 1 win & 5 nominations total
Josef Sommer
- Committee Chairman
- (as M. Josef Sommer)
I.W. Klein
- Bank Teller
- (as I. W. Klein)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWoody Allen once said of this film: "From the beginning, I had enormous reservations about doing a film which I had not written and over which I would have no directorial control. The reason I did The Front (1976) was that the subject was worthwhile. Martin Ritt and Walter Bernstein lived through the blacklist and survived it with dignity, so I didn't mind deferring to their judgment."
- GoofsWhen Howard and Florence kiss in the park, the bi-level George Washington Bridge can be seen in the background. In c. 1953 when this movie takes place, the bridge had only one level.
- Quotes
[last lines]
Howard Prince: [in the HUAC hearing] Fellas... I don't recognize the right of this committee to ask me these kind of questions. And furthermore, you can all go fuck yourselves.
- Crazy creditsThe beginning of the end credits lists the people involved with the movie who were blacklisted and the year of their blacklist. They are:
- Producer/Director Martin Ritt (1951)
- Writer Walter Bernstein (1950)
- Actor Zero Mostel (1950)
- Actor Herschel Bernardi (1953)
- Actor Lloyd Gough (1952)
- Actor Joshua Shelley (1952)
- ConnectionsFeatured in The Making of 'The Front' (1976)
- SoundtracksYoung at Heart
Sung by Frank Sinatra
Music by Johnny Richards
Lyrics by Carolyn Leigh
Arranged and Conducted by Nelson Riddle (uncredited)
[Played over both the opening and end credits]
Featured review
Fictionalized look about the 1950s blacklist. Woody Allen (in a rare dramatic role) plays a man who sells the scripts of blacklisted writers under his name. He splits the proceeds with the writers. He's apolitical--he's just doing it to help friends. Then he starts to see how horrible the blacklist is and how it's destroying people and careers. He wants to take a stand--but how can he?
This is often mentioned as being a comedy. In that respect, it fails. There was nothing funny about the blacklist. But, as a drama with light moments, it works. It moves quickly, is well written (by a former blacklisted writer), well-directed (by another blacklisted man) and stars two blacklisted actors! Basically these people know what happened so that actually helps. Allen is surprisingly good in a dramatic role--who knew he had it in him? He tones down all his mannerisms and delivers a very controlled, nicely done job. Andrea Marcovicci (whatever happened to her?) is also good playing his girlfriend. And Michael Murphy is excellent as one of the blacklisted writers. And Zero Mostel is just superb as a blacklisted actor. The pain and confusion shows plainly on his face. This was also one of his last films---he died 2 years later of a heart attack. Also look for Danny Aiello in a small role. The 1950s era is captured beautifully, the film looks great and they have Frank Sinatra singing (ironically) "Young at Heart" at the beginning and end of the film. Great final line too.
But I'm only giving this a 9. The script is good but a little too simplistic and painted in very broad strokes. The bad guys are evil to the core and all the blacklisted people are shown as being victims. That's NOT how it was. They were probably writing down to appeal to a mainstream audience but went too far.
This bombed badly back in 1976--it's easy to see why. The subject matter is too strong for most audiences and the movie company (I heard) was completely at a loss on how to deal with this. Just a year before an entire blacklisting sequence was cut from "The Way We Were". Sadly Hollywood was STILL touchy about this subject in the 1970s.
This should be seen by more people--it really deserves to be discovered. A lot of people don't even KNOW about the blacklist. Well worth seeing.
This is often mentioned as being a comedy. In that respect, it fails. There was nothing funny about the blacklist. But, as a drama with light moments, it works. It moves quickly, is well written (by a former blacklisted writer), well-directed (by another blacklisted man) and stars two blacklisted actors! Basically these people know what happened so that actually helps. Allen is surprisingly good in a dramatic role--who knew he had it in him? He tones down all his mannerisms and delivers a very controlled, nicely done job. Andrea Marcovicci (whatever happened to her?) is also good playing his girlfriend. And Michael Murphy is excellent as one of the blacklisted writers. And Zero Mostel is just superb as a blacklisted actor. The pain and confusion shows plainly on his face. This was also one of his last films---he died 2 years later of a heart attack. Also look for Danny Aiello in a small role. The 1950s era is captured beautifully, the film looks great and they have Frank Sinatra singing (ironically) "Young at Heart" at the beginning and end of the film. Great final line too.
But I'm only giving this a 9. The script is good but a little too simplistic and painted in very broad strokes. The bad guys are evil to the core and all the blacklisted people are shown as being victims. That's NOT how it was. They were probably writing down to appeal to a mainstream audience but went too far.
This bombed badly back in 1976--it's easy to see why. The subject matter is too strong for most audiences and the movie company (I heard) was completely at a loss on how to deal with this. Just a year before an entire blacklisting sequence was cut from "The Way We Were". Sadly Hollywood was STILL touchy about this subject in the 1970s.
This should be seen by more people--it really deserves to be discovered. A lot of people don't even KNOW about the blacklist. Well worth seeing.
- How long is The Front?Powered by Alexa
Details
- Runtime1 hour 35 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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