A surreal tale of a married couple going on a road trip to visit the wife's parents with the intention of killing them for the inheritance.A surreal tale of a married couple going on a road trip to visit the wife's parents with the intention of killing them for the inheritance.A surreal tale of a married couple going on a road trip to visit the wife's parents with the intention of killing them for the inheritance.
- Awards
- 1 win & 4 nominations
Yves Afonso
- Gros Poucet
- (uncredited)
Yves Beneyton
- Un membre du FLSO
- (uncredited)
Juliet Berto
- Une activiste du FLSO
- (uncredited)
- …
Michèle Breton
- Girl in the woods
- (uncredited)
Michel Cournot
- Man From Farmyard
- (uncredited)
Lex De Bruijn
- Revolutionary
- (uncredited)
Jean Eustache
- L'auto-stoppeur
- (uncredited)
Jean-Claude Guilbert
- Le clochard
- (uncredited)
Paul Gégauff
- Le pianiste
- (uncredited)
Blandine Jeanson
- Emily Bronte
- (uncredited)
Louis Jojot
- Monsieur Jojot
- (uncredited)
Valérie Lagrange
- La femme du chef du FLSO
- (uncredited)
Jean-Pierre Léaud
- Saint-Just
- (uncredited)
- …
Ernest Menzer
- Ernest - le cuisinier
- (uncredited)
- …
Sanvi Panou
- Mon frère africain
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe tracking shot of the traffic jam was the longest tracking shot in the history of cinema at that point in time as it was 300 meters long.
- Alternate versionsFor the original U.S. theatrical release, distributor Grove Press dubbed the monologues (the garbagemen's piece on black revolution and the hippie's "ocean" poem) into English, although the rest of the film was in the original French with subtitles. A short credits sequence was also appended to the end of the film.
- ConnectionsEdited into Bande-annonce de 'Week End' (1967)
Featured review
Wow, such a polarizing film! It seems everyone either detests this work as something less than terrible or conversely praise it to the heavens. I guess I'm sadly somewhere in between. Having read a bit of theory behind the film before I saw it I won't rehash that here, only state my reaction, for if there's anything this picture cries out for it is a reaction. Well here goes. Parts are horrifying. Far more disturbing than slasher film gore (mostly because the imagery being dispensed with aren't human). Parts are boring (and NOT the ten minute tracking shot which was a gem. Has anyone even been in a traffic jam before? Godard merely replicates it and all the while makes you wonder where that couple's car is heading, and what could have caused such a jam). Parts don't make sense, mostly because I don't think they are supposed to. That is their purpose, to disrupt sense. And, surprisingly something that nobody on here has mentioned, parts are very very funny. Okay, so perhaps not everyone will laugh as often as I did, but please, lighten up kids, Godard is making fun of us, its healthy to laugh at oneself once and a while. And some of his film is just fun too. Okay, now go back to the other reviews of how hopelessly miserable you'll feel after watching this, or how much of a religious awakening this will be if your down with the art-house film-erati. Definitely worth seeing.
- How long is Weekend?Powered by Alexa
Details
Box office
- Budget
- $250,000 (estimated)
- Runtime1 hour 45 minutes
- Sound mix
- Aspect ratio
- 1.66 : 1
Contribute to this page
Suggest an edit or add missing content