User reviews

This is probably the fastest-paced and most action-packed of the German Edgar Wallace "krimi" series, a cross between the Dr. Mabuse films of yore and 60's pop thrillers like Batman and the Man from UNCLE. It reintroduces the outrageous villain from an earlier film who dons a stylish monk's habit and breaks the necks of victims with the curl of a deadly whip. Set at a posh girls' school filled with lecherous middle-aged professors, and with the cops fondling their hot-to-trot secretaries at every opportunity, it certainly is a throwback to those wonderfully politically-incorrect times. There's a definite link to a later Wallace-based film, the excellent giallo "Whatever Happened to Solange?", which also concerns female students being corrupted by (and corrupting?) their elders. Quite appropriate to the monk theme, the master-mind villain uses booby-trapped bibles here to deal some of the death blows, and also maintains a reptile-replete dungeon to amuse his captive audiences.

Alfred Vohrer was always the most playful and visually flamboyant of the series directors, and here the lurid colour cinematography is the real star of the show. The Monk appears in a raving scarlet cowl and robe, tastefully setting off the lustrous white whip, while appearing against purplish-night backgrounds. There's also a voyeur-friendly turquoise swimming pool which looks great both as a glowing milieu for the nubile students and as a shadowy backdrop for one of the murder scenes. The trademark "kicker" of hiding the "Ende" card somewhere in the set of the last scene is also quite memorable here. And there's a fine brassy and twangy score for retro-music fans.

Fans of the series will definitely miss the flippant Eddie Arent character in these later films. Instead, the chief inspector Sir John takes on the role of buffoon, convinced that he has mastered criminal psychology after taking a few night courses. Unfortunately, Klaus Kinski had also gone on to bigger and better things. The krimis had lost some of their offbeat subversive charm by this point, and now worked on a much more blatant pop-culture level, which will make this one quite accessible to uninitiated viewers.

There's a lot going on in The College Girl Murders. A mad scientist creates an almost undetectable poisonous gas. Before he can reap the rewards of his discovery, the scientist is killed by a hooded, whip-welding monk. After a co-ed is killed in a church by the gas, Scotland Yard is called in to investigate, but the killing continues. Who can stop this mad killer who seems to be able to come and go as he pleases in and out of the college?

What Works:

• The Killer. What's not to like about a killer who sneaks around wearing a vivid red KKK looking outfit, complete with red gloves. The white whip he carries and uses very effectively stands out nicely against the bright red gown. Although the idea of a killer in a flaming red, pointy-head outfit sneaking around a girl's school is fairly far-fetched, it's one of the more sinister looking costumes I've seen.

• Groovy 60s Music. I really would like to track down the title music to The College Girl Murders. It's got a jazzy, hip, 60s feel to it that I just loved.

• Bizarre Touches. Beyond the killer's red gown and hood, the movie features a sliding fireplace, a pit of alligators with a cage handing overhead, poison spraying bibles, a strategically placed mannequin, mini-skirts, go-go boots, and mile high hair. I would describe it as a cross between the 60s Batman TV show and an Italian giallo. The College Girl Murders is a real treat for the eye.

• The End. Let's just say that there are more twists than a mountain road. Just when you think the killer has been uncovered, here comes a twist..and another.and anotherand another.

What Doesn't Work:

• Chief Inspector Sir John. I know the guy was meant to be comic relief, but his buffoonish character has way too much screen time.

• Why Have Alligators? Previously, I mentioned the alligators in the pit. And while they are a nice touch, they serve very little purpose. Why go through all the trouble and not use them?

• Plodding Plot. Some of The College Girl Murders has no flow or rhythm to it. There are far too many moments throughout the movie when things come inexplicably to a screeching halt. Better pacing would have made this a much more enjoyable movie.

I haven't seen many of these German krimis but of the few I have seen (Phantom of Soho, Strangler of Blackmoor Castle, Dead Eyes of London) this may be my favorite. This one has a real funky feel to it that I really go into. Had the plot flowed a little better, I could have easily given The College Girl Murders a 7/10.

"The College Girl Murders" is my first acquaintance with the writing work of Edgar Wallace – and generally my first real acquaintance with "Krimi" films in general – and I can say that I'm moderately impressed. This stuff is really entertaining, although I never would have expected it to be so … goofy! The film has an exhilarating and nicely convoluted plot, with a healthy dose of humor, flamboyant twists and pretty inventive killings. There's some James Bond type of evil mastermind – who always sits in the shadow and in front of a large monitor - recruiting prisoners to kill certain girls at a specific college with a new type of poison. There's also a villainous monk with a whip, dressed like a communist KKK member, getting rid of the leftover characters, like overly curious teachers and such, as well as a kooky police commissioner who persists on solving the case with a psychological approach. Seriously, if I had known sooner that these Krimi films were so colorful and crazy, I would have purchased a whole collection of them already. The pretzel plot actually raises more questions than it answers in the end, and the overload of comical gimmicks on the account of Scotland Yard Inspector Higgins are sometimes a bit much to swallow, but I don't care because it was sublime entertainment. Even the funky 60's soundtrack remained stuck in my head for a long time. It's like a variant on the Italian Giallo, but with slapstick elements.

The German "krimis" were kind of a forerunner of the Italian gialli, but they are less famous today because being made mostly in the late 50's and 60's they don't have the graphic violence and sex of the gialli, and they don't feature any name directors like Bava, Argento, Fulci, Lenzi or Sergio Martino. They do have a lot of name actors, most notably Klaus Kinski and Christopher Lee, but also Marisa "Diabolik" Mell, future Jess Franco producer Adrian Hoven, and future giallo starlets Uschi Glass and Karin Baal. Even more so than the gialli, the krimis were connected to English mystery writer and Edgar Wallace, and like his very colorful and entertaining novels they manage to combine mass-murder mysteries, bizarro horror/science fiction plots, and underworld intrigue into fascinating, if often overcooked,stew.

This is the best of the krimis I've seen (with the possible exception of "Dead Eyes of London"). The delightfully ludicrous plot has a mad scientist who has invented a poisonous spray which he conceals in Bibles in order to kill people who open them. In order to deliver booby-trapped Bibles for some reason he needs the help of convicts who he sneaks out out of a nearby prison. As the title suggests the victims are all girls at a nearby college--a very strange college, I might add, where all the students look like voluptuous European fashion models and all the male professors (perhaps understandably)are lecherous perverts trying to get a leg over. Then there's the monk (did I mention the monk?) in a red robe going around breaking various people's necks with a bullwhip.

Obviously, the plot is ridiculous, but it's also a whole lot of fun. And wait until the final revelation where the identity of the hooded monk is revealed and the preposterous motive for the murders is given --like the Italian gialli "Seven Bloodstained Orchids", also based on a Wallace novel, the villain is willing to kill a ridiculous number of innocent people and go through ludicrous Rube Goldburg machinations just to get at his one intended victim. Still, this is a very enjoyable movie if you can suspend your disbelief (you might need a crane).

This is one funky crime-thriller, or Krimi, since it's a German movie after all.

This movie and it's story are both being quite silly. It's really a product of the '60's and it does nothing to conceal this. It's a type of movie Austin Powers used to make fun of. It has silly weapons (a gun that sprays gas, a bible that kills), a stupid evil criminal plot, people who do silly and unlikely things in general, silly James Bond like villains, that live in a lair with crocodiles and other sea animals surrounding the villain, who sits with his back to the camera in a chair and who we can only hear speak. This really seems like the German answer to James Bond's growing popularity. But luckily the movie also doesn't take itself very serious. It has fun, almost quirky like characters and some good comic relief as well, from time to time.

The movie is being based on a Edgar Wallace novel, that were quite popular, not in the very least because Edgar Wallace was also the author of King Kong. A whole series of movies got made of his books. The books were actually a lot older than the movies, so it's hard to say how much of the silliness actually comes from the books themselves. Probably very little and the books in essence were mostly being serious crime-thrillers, with always a mysterious villain, that inspector Higgins had to unmask.

The movie is just basically a whole lot of fun. The villains, the silly plot, all of the other characters, it's funky '60's style and atmosphere, all make this a very likable movie. This really is the movie its strongest point, since if you have to look at this movie deeper and more serious you really can't call this movie a good one at all. The story and storytelling is far from likely or well done, so overall you can really call this movie a bad one, if you look at it very strictly. But luckily nobody will be able to, due to the funky silliness of this movie. Everybody will probably get taken by it and will enjoy this movie because of that.

A great guilty pleasure movie.

7/10

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Good acting, but Fuchsberger could have swallowed the gum. Contentwise and the titel is similar to The Sinister Monk, but it's more excitin and better written.

Another garish "color krimi" from director Alfred Vohrer who splits the action between a girl's school and a men's prison this time. Bumbling Scotland Yard Commissioner Sir John and his flirtatious secretary are back from CREATURE WITH THE BLUE HAND (along with the annoying MANNIX- style soundtrack during the "action" sequences) but the Inspector's been replaced by a smarmy, gum-chewing dick up to his ass in dead bodies.

It's impossible to figure out whodunnit in these Edgar Wallace "inheritence thrillers" since surprise revelations come fast and furious at the end when all the suspects are gathered together a la Agatha Christie. There's usually a Mabuse-like mastermind behind it all and all you have to do is pick out the one least likely to be the madman and there you are. Here, the killer's known as "The Red Monk" and runs around in a red Ku Klux Klan sheet with a pointy hood offing his victims with a bull whip. That's not the only murder weapon, of course, and I quite liked a bible that, when opened, shoots poison gas in a girl's face. Sir John makes mention of a previous adventure, "the case of the sinister monk", which I haven't seen. I must say, however, that this one did have at least a modicum of stye but Germany must have lagged behind the "mod revolution" already in full sway by 1967; there's go go boots and bubble hairdo's, yes, but the mini-skirts are almost knee-length and the girls wear two-piece swimsuits instead of bikinis. Everyone else is strictly squaresville.

Well-made flick with completely outlandish plot including a phantom monk in red KKK get-up murdering coeds while a resident professor develops a poison sought after by a syndicate who send a disguised convict sprung from prison to get it. . The science lab is complete with a convenient peek-a-boo window into the school pool, the better to observe the nubile bodies cavorting there, just one of many. Many instances of objectification and harassment of the female student body, if you will, by male staff and law enforcement on campus, very un-pc by today's standards. Amusing to watch what farfetched turn the plot will take next, while you sit aghast at how bold-faced male chauvinism was quaintly presented as humor to 1967 audiences. Calling Gloria Steinam!..

I'm still new to the Krimi genre and the only one I've seen prior to seeing this one was the earlier and somewhat disappointing 'The Dead Eyes of London', which didn't exactly inspire a great hope for the rest of the genre in me. If I'd seen this one first, however, the feeling would have been different as while The College Girl Murders is a bizarre and rather wacky attempt at a crime flick; it's great fun to watch and it's really hard to hate a film that throws so many weird and wonderful ideas into the script and manages to pull it off with style. The film begins in a lab where a crazy scientist has invented a new and highly toxic poison that kills its victim and makes it look like they died from a heart attack. This poison is used by a mysterious criminal mastermind who breaks common criminals out of jail to carry out his murders using this poison (and then has them put back in jail). As the title suggests, it's a nearby college full of girls that provides most of the victims. There's also a mysterious monk dressed in a red robe who marauds around breaking necks with a bullwhip.

Of course, with a plot like that; this is not exactly a serious affair and the director clearly knows that as there is a very tongue-in-cheek vibe to the film, which does bode well with the plot. The fact that there are so many different sides to the plot does unfortunately mean that everything does not run smoothly; although this isn't a big problem as things are kept ticking over nicely throughout the film and there's always enough going on to keep the audience interested. The atmosphere is superb and the colour scheme on display is great too look at. Of course, the film is based on an Edgar Wallace novel and clearly the man has a great imagination; the locations used are also superb and while a killer's lair decked out with a host of wild and exotic animals might not serve any relevance to the plot, it does help to give the film that extra 'something'. You cant expect a conclusion that fully makes sense after all the stuff that goes on in this film; but the reason for the murders sort of makes sense and is a satisfying way for the film to climax. Overall, College Girl Murders is an excellent little mystery flick and one that comes highly recommended!

Students at a woman's college in England are turning up dead by poisonous gas or acid, which draws the attention of two Scotland Yard detectives. Witnesses tell of a mysterious person with a red monk robe and conical-shaped hood lurking around. What's going on?

A West German production, "The College Girl Murders" (1967) is a colorful Krimi, a crime mystery/thriller based on Edgar Wallace's novel "The Black Abbot." The original name is "The Monk with the Whip" (translated). It's similar to a Giallo, but with stabs of humor revolving around the bald inspector who plays opposite the smooth, handsome one (Joachim Fuchsberger).

I thought this was going to be a precursor to the slashers of the 70s-80s, but it's more multi-dimensional with the likes of mad scientists, a James Bond-ish mastermind & weapons, a quirky 60's score, poisonous Bibles, a red "clansman" brandishing a whip, and so on. To be expected in light of the milieu, there are several fetching females on hand, such as blonde Grit Boettcher as Betty.

While I suppose it's overall meh, it's oddball and entertaining enough for those interested.

The movie runs 1 hour, 27 minutes, and was shot at Spandau Studios and on location in West Berlin.

GRADE: B-

The best way I can think to describe this movie is: suppose a group of German film makers snuck onto the deserted set of a Man From U.N.C.L.E. episode and made a movie there.

The only thing this movie has going for it is the sets. A fireplace where the mantle in front rises up to reveal a hidden doorway, a villain's lair with giant water tank holding large turtles, alligators (or maybe crocodiles) snapping at and eating anything tossed to them and a swimming pool with below surface level viewing windows.

Maybe this thing made sense in it's original language.

Two years after Harald REINL breathed new life into the long-running Edgar Wallace film series of the West German film industry with the black and white production DER UNHEIMLICHE MÖNCH, Alfred VOHRER was allowed to make a color version of the gruesome monk story.

This time, too, it was about confusing inheritance relationships, in which a monk dressed in red this time was involved. From prison, an inmate (Siegfried RAUCH) commits sinister contract killings for a strange client. At the same time, not everything is above board in an exclusive girls' boarding school. The boarding school director (Tilly LAUENSTEIN), the opaque caretaker (Claus HOLM) and, above all, the smart students (Uschi GLAS and Grit BÖTTCHER) are more than alarmed. Inspector Higgins (Joachim FUCHSBERGER was back at Scotland Yard for the first time since DER HEXER), the scatterbrained Sir John (Siegfried SCHÜRENBERG) and the sexy secretary Mabel Finlay (Ilse PAGE) have a lot to do to solve this confusing case.

This film is particularly impressive for its visual appeal. The red robe makes the MONK WITH THE WHIP one of the most memorable villains in the entire Edgar Wallace series. It couldn't be more chic. Uschi GLAS and Grit BÖTTCHER are allowed to wear such brightly colored Sixties clothes that the audience can't stop being amazed. The type of assassination attempts is also very special, so that the first signs of Italian Giallo films can already be seen here. And then there are the unusual locations: The Berlin Aquarium forms the backdrop for the best headquarters a Wallace villain has ever had. And the splashing beauties in the Wedding public pool provide cozy EuroSpy moments. There really is no more sleazyness in a Wallace crime thriller from the West German film industry!

The film was shot at a time when Edgar Wallace films were very popular in Germany.

It was the 24th film adaptation...but nothing of the original story "The Feathered Serpent" remains...which was also a special feature of German films at the time.

The plot can only be described as totally stupid...I mean, a villain who runs around in a red robe with a red KKK hood and a whip was only topped by "Gorilla Gang", which was shot a year later and in which the villain ran around in a gorilla costume.

In addition to the already absurd plot, the already repeatedly used comic character of Scotland Yard boss Sir John had to be added.

One special feature worth mentioning here is that it was one of the first German films in color.

Nevertheless, I would advise anyone not to subject themselves to this piece of work.