IMDb RATING
7.1/10
7.2K
YOUR RATING
A varied group of passengers boarding a ship bound for pre-WWII Germany represents a microcosm of early-1930s society.A varied group of passengers boarding a ship bound for pre-WWII Germany represents a microcosm of early-1930s society.A varied group of passengers boarding a ship bound for pre-WWII Germany represents a microcosm of early-1930s society.
- Won 2 Oscars
- 5 wins & 13 nominations total
José Ferrer
- Siegfried Rieber
- (as Jose Ferrer)
José Greco
- Pepe
- (as Jose Greco)
Heinz Rühmann
- Julius Löwenthal
- (as Heinz Ruehmann)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaVivien Leigh was subject to bouts of depression and alcoholism and was abrasive to fellow actors. There was a rocky start to her relationship with Lee Marvin, complaining about his stale alcohol breath. Eventually, the two became highly unlikely good friends.
- GoofsAlthough set in 1933, the hairstyles and costumes are decidedly mid-1960s.
- ConnectionsEdited into Catalogue of Ships (2008)
Featured review
Vivien Leigh sits opposite redneck Lee Marvin in the ship's upper deck restaurant, Marvin confesses to Leigh he never new what a Jew was until he was 15, "You were too busy lynching blacks" is her replay. I thought to mention it just to give you a hint of the sort of cruise ship we're travelling on. We sail through a sea that goes from the sublime to the ridiculous. Abby Mann is a master at drawing characters with long shadows and Kramer a master at capturing them. Think "Judgement at Neuremberg" Here you'll feel sea sick sometimes but the trip is worth taking. I mean. Vivien Leigh and Lee Marvin in a sad comedy of errors. Simone Signoret as a drug addicted countess and Oskar Werner her kindly, tragic, doctor, pusher. Highly charged, beautifully written moments. The lower decks for the down trodden is full of extras. George Segal and Elizabeth Ashley try both decks and and a deck all their own with melodramatic regularity. Jose Ferrer and Heinz Rhumman have one of my favourite exchanges. Ferrer, the German military tells Rhumman, the German Jew, that he should admit that the Jews are great part of the German problem. Rhumman calmly agrees and ads "true, but not only the Jews, also men who smoke the pipe are great part of the German problem" "Why men who smoke the pipe?" Shouts Ferrer. To what Rhumman replies "Why the Jews?" Michael Dunn addresses us directly, asking us to find ourselves among the passengers. Okay.
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Details
Box office
- Budget
- $4,000,000 (estimated)
- Gross worldwide
- $206
- Runtime2 hours 29 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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