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John Drake is a special operative for M9, specializing in security assignments against any subversive element that threatens world peace.John Drake is a special operative for M9, specializing in security assignments against any subversive element that threatens world peace.John Drake is a special operative for M9, specializing in security assignments against any subversive element that threatens world peace.
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Did you know
- TriviaAfter two seasons of black-and-white episodes, it was decided to switch to color. But after only two episodes were completed, McGoohan quit the series to devote his energies to The Prisoner (1967). These two episodes of the third season, Koroshi (1967) and Shinda Shima (1967) were edited together to form the movie Koroshi (1968).
- Crazy creditsThe opening credits for the original British version of the series are only about 10 seconds long -- one of the shortest credit sequences in TV history (among shows with opening credits). The American version of the opening credits is some 3 times as long.
- Alternate versionsTwo color episodes were produced as part of a season that was interrupted when McGoohan quit the series to make "The Prisoner." These two episodes were edited together to form the movie Koroshi (1968). The original unedited episodes were released on video in the UK in the 1980s.
- ConnectionsEdited into Koroshi (1968)
Featured review
Believe it or not, I did not see any of this programme until 1992-93. It was shown one per night on CBC-Windsor at difficult to establish late hours. In spite of the inconvenience, I made it my business to see as many as possible; my first was when Drake had a car crash, blacking out . . . and you will just have to see it.
It was well cast with well-crafted supporting characters. I had no idea it was the progeny of an earlier show about a NATO operative, a few episodes of which I saw in 1961 (and none since). One notes comment that SECRET AGENT was inspired by the 007 films, which is beyond dispute, but I respectfully disagree that it was as "gadgety" as the Bond films, and furthermore it was devoid of the latent camp. Exception: "Would You Like Some Wine" (if memory serves). Perhaps it was the b.&w. presentation that made it more -- pardon the cliche -- gritty.
Most of the episodes were good. It seems some of the later ones (did the series run into 1967?) were the weakest: Far-fetched and in a few cases ridiculous without being tongue-in-cheek. I cannot say whether SECRET AGENT came to an end because it ran out of petrol or because the more ambitious THE PRISONER was on the drawing boards. All said, I agree that one should make every attempt to see the series, and no, being period piece does not distract for those able to make a mature adjustment to such.
It was well cast with well-crafted supporting characters. I had no idea it was the progeny of an earlier show about a NATO operative, a few episodes of which I saw in 1961 (and none since). One notes comment that SECRET AGENT was inspired by the 007 films, which is beyond dispute, but I respectfully disagree that it was as "gadgety" as the Bond films, and furthermore it was devoid of the latent camp. Exception: "Would You Like Some Wine" (if memory serves). Perhaps it was the b.&w. presentation that made it more -- pardon the cliche -- gritty.
Most of the episodes were good. It seems some of the later ones (did the series run into 1967?) were the weakest: Far-fetched and in a few cases ridiculous without being tongue-in-cheek. I cannot say whether SECRET AGENT came to an end because it ran out of petrol or because the more ambitious THE PRISONER was on the drawing boards. All said, I agree that one should make every attempt to see the series, and no, being period piece does not distract for those able to make a mature adjustment to such.
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- Secret Agent
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- See more company credits at IMDbPro
- Runtime49 minutes
- Aspect ratio
- 1.33 : 1
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