IMDb RATING
6.1/10
9.2K
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After an unusual meteor shower leaves most of the human population blind, a merchant navy officer must find a way to conquer tall, aggressive plants which are feeding on people and animals.After an unusual meteor shower leaves most of the human population blind, a merchant navy officer must find a way to conquer tall, aggressive plants which are feeding on people and animals.After an unusual meteor shower leaves most of the human population blind, a merchant navy officer must find a way to conquer tall, aggressive plants which are feeding on people and animals.
Carole Ann Ford
- Bettina
- (as Carol Ann Ford)
Colette Wilde
- Nurse Jamieson
- (as Collette Wilde)
Chris Adcock
- Train Passenger
- (uncredited)
Michael Bishop
- Flight 356 Pilot
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaKieron Moore and Janette Scott were only added to the cast when it was discovered upon completion of filming that there was only 57 minutes of good usable footage available. The whole lighthouse sequence, directed by veteran Cinematographer Freddie Francis, was only added to help extend the movie's running time.
- GoofsTom and Karen are on a lighthouse situated on rocks when triffids appear. Tom turns a fire hose on them spraying the with salt water which causes them to melt in which case hoe did they survive the spray from the waves crashing on the rocks. The force of water from the hose Tom and Karen later use to destroy the triffids is much greater than what the triffid would have been subjected to by sea spray; when Karen told Tom about the triffid being on a rocky ledge and they returned to look for it, they were not soaked by the sea spray, so evidently the triffid would not have been either. As seen earlier in the film , the triffids grow incredibly quickly, so would only have been there for a few minutes when Karen saw it. In the short time she was away, the triffid moved away from the danger.
- Quotes
Tom Goodwin: [to Karen] Keep behind me. There's no sense in getting killed by a plant.
- Alternate versionsIn pan & scan versions of this film, there is an extra scene as Bill & Susan depart England for France. They are seen on the small motorboat and Susan asks Bill "Where are we going?". Bill answers "We're going to that meeting in Paris, if we can make it". They then hear an explosion behind them, and we see that the ship they had just left from has exploded. We then see their small boat heading out to sea past an estuary lighthouse. This scene is missing from the letterbox versions.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: The Day of the Triffids (1975)
Featured review
A intensely colourful and bright meteor shower covered the sky one night blinding most of the world's population and making people defenseless to man eating plants called "Triffidus Celestus'' that were grown from meteor-borne spores. Though, there are some people that can see. An American seaman whose eyes were bandaged during the meteor shower is battling his way through triffids and helping out people. While, a couple in a lighthouse are fending off Triffids and trying to find a way to stop them.
John Wyndham's novel was brought to the big screen in this classic Sci-Fi with an A-grade story with b-grade effects, but it holds up fairly well. This is incredibly engaging kitsch with a nice idea that's very imaginative and it gives us a thrilling enough adventure. The film might be rough around the edges, but still it's rather effective because of a riveting story that we don't know what to expect and a solid lead performance by Howard Keel.
It's a film of two halves making it fairly uneven. The opening half creates such a grand apocalyptic feel, becoming quite unsettling at times with good location photography of an eerie London that captures such a mysterious vibe. It's indeed very atmospheric. While the second half slows down a bit and kinda goes berserk with its stars "The Triffids". It's rather amusing when they're moving about and springing out of nowhere, but because of that it drifts away from the edginess of the opening half and becomes rather padded.
Throughout the story we follow an American seaman trying to get to safety and helping blind people on his way and then there's a couple stranded in a lighthouse. While the first of the two is definitely the most interesting, but after a while it starts to fizzle out and leads to anticlimax. While the sequences with the couple (there weren't many) were mostly dull because of the bland dialogue and her constantly screaming and him constantly yelling, but the set-up for them was interesting enough. However, the climax involving the lighthouse couple is tense and exciting.
The special effects were rather ordinary, cheap and shoddy. Visually wise it was quite stunning and vibrant, with the lights in the sky as the meteor shower were fairly hypnotizing. There was good composition with colour and lighting. Though, the plants don't look terribly great and will cause a chuckle, but still they are a sight to see, as they look wicked and rather horrendous in nature or maybe just plain ridiculous. Most of the violence happened off screen/implied. The music score was rather enforcing and good in keeping such downbeat mood. There are some incredibly well staged sequences and there are scenarios in the story that lacked logic and cohesion, but it didn't bother me too much.
Howard Keel was fairly spirited and witty in his role. There are some fair if mundane support roles from Nicole Maurey, Alison Leggatt, Mervyn Jones and Janina Faye. While Kieron Moore and Janette Scott as the couple were rather shallow in their portrayals and that's mostly because they aren't given much screen time.
The mysterious opening 45-minutes is engrossing and builds tension and uneasiness nicely. The pretty routine mid-section gets bogged down and is far less involving. Some interesting sub-plots add some life and another dimension in the slow mid-section. While leading up to the ending it has some bizarre visuals of the triffids and some entertaining moments. Though, when it came to the ending for me it just came across forced and hard to swallow.
It's really nothing fancy, but overall it's an entertaining effort with ordinary special effects and cheesy dialogue that seem to add a lot of charm too it all.
John Wyndham's novel was brought to the big screen in this classic Sci-Fi with an A-grade story with b-grade effects, but it holds up fairly well. This is incredibly engaging kitsch with a nice idea that's very imaginative and it gives us a thrilling enough adventure. The film might be rough around the edges, but still it's rather effective because of a riveting story that we don't know what to expect and a solid lead performance by Howard Keel.
It's a film of two halves making it fairly uneven. The opening half creates such a grand apocalyptic feel, becoming quite unsettling at times with good location photography of an eerie London that captures such a mysterious vibe. It's indeed very atmospheric. While the second half slows down a bit and kinda goes berserk with its stars "The Triffids". It's rather amusing when they're moving about and springing out of nowhere, but because of that it drifts away from the edginess of the opening half and becomes rather padded.
Throughout the story we follow an American seaman trying to get to safety and helping blind people on his way and then there's a couple stranded in a lighthouse. While the first of the two is definitely the most interesting, but after a while it starts to fizzle out and leads to anticlimax. While the sequences with the couple (there weren't many) were mostly dull because of the bland dialogue and her constantly screaming and him constantly yelling, but the set-up for them was interesting enough. However, the climax involving the lighthouse couple is tense and exciting.
The special effects were rather ordinary, cheap and shoddy. Visually wise it was quite stunning and vibrant, with the lights in the sky as the meteor shower were fairly hypnotizing. There was good composition with colour and lighting. Though, the plants don't look terribly great and will cause a chuckle, but still they are a sight to see, as they look wicked and rather horrendous in nature or maybe just plain ridiculous. Most of the violence happened off screen/implied. The music score was rather enforcing and good in keeping such downbeat mood. There are some incredibly well staged sequences and there are scenarios in the story that lacked logic and cohesion, but it didn't bother me too much.
Howard Keel was fairly spirited and witty in his role. There are some fair if mundane support roles from Nicole Maurey, Alison Leggatt, Mervyn Jones and Janina Faye. While Kieron Moore and Janette Scott as the couple were rather shallow in their portrayals and that's mostly because they aren't given much screen time.
The mysterious opening 45-minutes is engrossing and builds tension and uneasiness nicely. The pretty routine mid-section gets bogged down and is far less involving. Some interesting sub-plots add some life and another dimension in the slow mid-section. While leading up to the ending it has some bizarre visuals of the triffids and some entertaining moments. Though, when it came to the ending for me it just came across forced and hard to swallow.
It's really nothing fancy, but overall it's an entertaining effort with ordinary special effects and cheesy dialogue that seem to add a lot of charm too it all.
- lost-in-limbo
- Jun 1, 2005
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- How long is The Day of the Triffids?Powered by Alexa
Details
Box office
- Budget
- $750,000 (estimated)
- Runtime1 hour 33 minutes
- Aspect ratio
- 2.35 : 1
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By what name was The Day of the Triffids (1963) officially released in India in English?
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