IMDb RATING
6.8/10
1.1K
YOUR RATING
At the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.At the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.At the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.
Jessica Grayson
- Sarah, Johnson's Maid
- (as Jessie Grayson)
John Albright
- Corpsman
- (uncredited)
Frank Arnold
- Maitre d'Hotel
- (uncredited)
Peggy Badley
- Nurse Betty Simpson
- (uncredited)
Art Baker
- Williams, Reporter on Transport Ship
- (uncredited)
Gregg Barton
- Captain
- (uncredited)
Nanette Bordeaux
- Nurse
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to the AFI catalog entry for this film, for the battle scenes in Italy MGM constructed five 35-foot towers, a full-sized evacuation hospital, and more than 100 Army tents at the Lasky-Mesa movie ranch 35 miles outside of Hollywood. The set took three weeks to build and the scenes used hundreds of extras, five cameras and six assistant directors. This was all for a re-creation of the historic capture of the Anzio beachhead in Italy by U.S. and British forces on January 22, 1944.
- GoofsAt the end, Penny Johnson says she followed her husband's movements on a map. During World War II, people in the military had it drilled into them that they could not say anything about where they were in letters sent back home, and to make sure they kept that rule, the mail from soldiers was heavily censored. This has been mentioned in numerous histories of World War II. Personal experience backs this up. A relative sailed all over the world during the War and the censors made no attempt to mask the fact that they had opened and read his mail. So, the relative's spouse started sending a stick of gum in letters but always included two sticks --- an extra one for the censor. Most times, that second stick was gone. With Clark Gable being an officer, it's even less likely any information about his movements around Europe would have been available to his wife.
- ConnectionsEdited from Waterloo Bridge (1940)
Featured review
What a gem this story is! Here you will find no platitudes; no heroes 10 feet tall; no heels - most of all no heels. This is about the most caring, life-affirming story you are ever going to find, and it is done without any syrup, nor any gratuitous and tiresome acting-out of missteps.
There is a a single scene near the end which implies that a single misstep MAY have been committed, but sorry to tell you, you are going to have to work out for yourself what did or didn't happen, because it's not spelled out. It was brave rather than a cop-out to present a pivotal scene that way.
The film is technically excellent. The scene composition is superb. You have never seen a WW2 field hospital so meticulously and realistically re-created. There is a scene viewed through the door of a tent where someone walks away that is so amazingly technically well done (as well as evocative) as to be amazing. I can't tell you that the snow falling in that scene was real, but it LOOKED absolutely real. The fadeout as the figure walked gradually into the falling snow was perfect. It's a little thing that a film nut notices, because it's hard to do.
The messages are about finding one's humanity, daring to need, and daring to reach out to someone to need you back. By the end, you may find yourself touched so deeply as to be shaking.
There is a a single scene near the end which implies that a single misstep MAY have been committed, but sorry to tell you, you are going to have to work out for yourself what did or didn't happen, because it's not spelled out. It was brave rather than a cop-out to present a pivotal scene that way.
The film is technically excellent. The scene composition is superb. You have never seen a WW2 field hospital so meticulously and realistically re-created. There is a scene viewed through the door of a tent where someone walks away that is so amazingly technically well done (as well as evocative) as to be amazing. I can't tell you that the snow falling in that scene was real, but it LOOKED absolutely real. The fadeout as the figure walked gradually into the falling snow was perfect. It's a little thing that a film nut notices, because it's hard to do.
The messages are about finding one's humanity, daring to need, and daring to reach out to someone to need you back. By the end, you may find yourself touched so deeply as to be shaking.
Details
- Release date
- Country of origin
- Language
- Also known as
- The Homecoming of Ulysses
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,654,000 (estimated)
- Runtime1 hour 53 minutes
- Color
- Aspect ratio
- 1.37 : 1
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