IMDb RATING
6.8/10
1.1K
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At the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.At the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.At the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.
Jessica Grayson
- Sarah, Johnson's Maid
- (as Jessie Grayson)
John Albright
- Corpsman
- (uncredited)
Frank Arnold
- Maitre d'Hotel
- (uncredited)
Peggy Badley
- Nurse Betty Simpson
- (uncredited)
Art Baker
- Williams, Reporter on Transport Ship
- (uncredited)
Gregg Barton
- Captain
- (uncredited)
Nanette Bordeaux
- Nurse
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to the AFI catalog entry for this film, for the battle scenes in Italy MGM constructed five 35-foot towers, a full-sized evacuation hospital, and more than 100 Army tents at the Lasky-Mesa movie ranch 35 miles outside of Hollywood. The set took three weeks to build and the scenes used hundreds of extras, five cameras and six assistant directors. This was all for a re-creation of the historic capture of the Anzio beachhead in Italy by U.S. and British forces on January 22, 1944.
- GoofsAt the end, Penny Johnson says she followed her husband's movements on a map. During World War II, people in the military had it drilled into them that they could not say anything about where they were in letters sent back home, and to make sure they kept that rule, the mail from soldiers was heavily censored. This has been mentioned in numerous histories of World War II. Personal experience backs this up. A relative sailed all over the world during the War and the censors made no attempt to mask the fact that they had opened and read his mail. So, the relative's spouse started sending a stick of gum in letters but always included two sticks --- an extra one for the censor. Most times, that second stick was gone. With Clark Gable being an officer, it's even less likely any information about his movements around Europe would have been available to his wife.
- ConnectionsEdited from Waterloo Bridge (1940)
Featured review
Clark Gable, Lana Turner, Anne Baxter, John Hodiak, and Gladys Cooper star in "Homecoming," a 1948 film about wartime and its aftermath. Gable plays a surgeon, Lee, who falls for a nurse (Turner) with whom he puts together the wounded, endures a life with only the barest of necessities, sits in shelters, and dodges. Back home, his devoted wife (Baxter) realizes by reading his letters that she's losing him.
World War II has been romanticized often in films and in music - somehow, it is perceived by people who lived through Vietnam, Desert Storm, and our current conflicts as being somehow a cleaner war. But no war is clean, and there were some homecomings that were difficult as well. This was touched upon in "The Best Years of Our Lives," and very well here.
The story is brought to life by its players. The role of Snapshot the nurse is a different one for the glamorous and beautiful Turner than what she was normally handed - the curse of the beautiful in Hollywood. She was capable of much more, and she gives a strong performance as an outspoken soldier who finally lets her vulnerability show. The stalwart Gable gives us a man who realizes the detached attitude he had toward his patients at home will no longer work, and he has to rethink himself and his life. Baxter is the "one left out," who can't experience the war, and she gives an excellent portrayal of a woman who loves her husband but doesn't know what to expect from him when he comes home. "I know he's changed," she laments, "but why couldn't we have changed together?" Her real-life husband, John Hodiak, looks quite handsome but doesn't have much to do as a family friend - his brief brush with stardom was a few years away.
A very nice movie that shows that homecoming can be uncomfortable and bittersweet.
World War II has been romanticized often in films and in music - somehow, it is perceived by people who lived through Vietnam, Desert Storm, and our current conflicts as being somehow a cleaner war. But no war is clean, and there were some homecomings that were difficult as well. This was touched upon in "The Best Years of Our Lives," and very well here.
The story is brought to life by its players. The role of Snapshot the nurse is a different one for the glamorous and beautiful Turner than what she was normally handed - the curse of the beautiful in Hollywood. She was capable of much more, and she gives a strong performance as an outspoken soldier who finally lets her vulnerability show. The stalwart Gable gives us a man who realizes the detached attitude he had toward his patients at home will no longer work, and he has to rethink himself and his life. Baxter is the "one left out," who can't experience the war, and she gives an excellent portrayal of a woman who loves her husband but doesn't know what to expect from him when he comes home. "I know he's changed," she laments, "but why couldn't we have changed together?" Her real-life husband, John Hodiak, looks quite handsome but doesn't have much to do as a family friend - his brief brush with stardom was a few years away.
A very nice movie that shows that homecoming can be uncomfortable and bittersweet.
Details
- Release date
- Country of origin
- Language
- Also known as
- The Homecoming of Ulysses
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,654,000 (estimated)
- Runtime1 hour 53 minutes
- Color
- Aspect ratio
- 1.37 : 1
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