An American fugitive flees to Rome and tries to elude capture by masquerading as a priest.An American fugitive flees to Rome and tries to elude capture by masquerading as a priest.An American fugitive flees to Rome and tries to elude capture by masquerading as a priest.
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaPaul Douglas comments that St. Peter's is bigger than Yankee Stadium. In fact, the Yankee Stadium of 1952 could fit into just the central aisle of St. Peter's.
- GoofsA priest tells Brewster St. Peter's Basilica holds 100,000 people. It actually can only hold 60,000.
- Quotes
Father John X. Halligan: Holiness often disappears with the daylight.
- Crazy creditsOpening card: "1950 was a holy year. Three million pilgrims from every part of the world thronged to Rome, the Eternal City. Our story is about two men who journeyed to Rome that year. One was Father John X. Halligan, a young priest from Coaltown, Pennsylvania, whose mission was a holy one; the other was Joe Brewster, late of Sing Sing, San Quentin, Joliet, and Atlanta, whose mission was not so holy...
If our story has a moral, it's a simple one: God may move in mysterious ways, but He gets there just the same. "
- SoundtracksHymn 'Panis Angelicus'
by César Franck
Featured review
In order to celebrate the "Holy Year" of 1950, Pennsylvania priest Van Johnson (as John X. Halligan) decides to sail on a sabbatical to Italy. Aboard ship, Mr. Johnson befriends likable, gruff bunkmate Paul Douglas (as Joe Brewster). Johnson doesn't know it (yet), but Mr. Douglas is a swindler who just escaped from San Quentin. Douglas correctly realizes authorities will be looking to arrest him after the ship docks. He dons Johnson's priestly clothing and makes a quick getaway. Johnson is left to wear Douglas checkered green jacket and hat. Johnson is falsely arrested. Douglas is accepted by other priests in Rome. After the polizia sort things out, they want Johnson to assist in Douglas' capture...
However, Johnson becomes more interested in Douglas' soul...
One of MGM's most winning teams, director Clarence Brown and cinematographer William Daniels, make "When in Rome" very attractive. After arriving on location, the picture approaches art. A highlight in storytelling occurs when Douglas looks at cold, stark church-like walls and realizes they look very much like his former prison. The picture morphs into a prison, then fades back to a monastery look. This calls later events into question, but Douglas ends in a more tranquil setting; possibly, it shows the character "questioning" a transformation. Although he is billed second, the story is clearly about Douglas's character. The bigger "box office" name, Johnson is commendable and supportive in the less stellar role.
******* When in Rome (1952-05-11) Clarence Brown ~ Paul Douglas, Van Johnson, Joseph Calleia, Carlo Rizzo
However, Johnson becomes more interested in Douglas' soul...
One of MGM's most winning teams, director Clarence Brown and cinematographer William Daniels, make "When in Rome" very attractive. After arriving on location, the picture approaches art. A highlight in storytelling occurs when Douglas looks at cold, stark church-like walls and realizes they look very much like his former prison. The picture morphs into a prison, then fades back to a monastery look. This calls later events into question, but Douglas ends in a more tranquil setting; possibly, it shows the character "questioning" a transformation. Although he is billed second, the story is clearly about Douglas's character. The bigger "box office" name, Johnson is commendable and supportive in the less stellar role.
******* When in Rome (1952-05-11) Clarence Brown ~ Paul Douglas, Van Johnson, Joseph Calleia, Carlo Rizzo
- wes-connors
- May 18, 2015
- Permalink
Details
Box office
- Budget
- $1,313,000 (estimated)
- Runtime1 hour 18 minutes
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content