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Starz has announced the movie and TV titles that will be available on the service in January. The Starz January 2025 schedule includes the last two episodes of Outlander Season 7, setting the stage for the upcoming final season, and the U.S. premiere of The Couple Next Door.

The month also brings a diverse selection of films, including Freedom Hair, Once in a Valentine, Trim Season, Advanced Chemistry, and several other notable titles. You can also kick off the new year with the “Day of the Dinos!” marathon on New Year’s Day, featuring Jurassic Park, The Lost World: Jurassic Park, Jurassic Park III, and Jurassic World Dominion: Extended Cut.

Outlander Season 7 Part 2 Starz Highlights

Outlander Season 7 Part 2

The land the Frasers call home is changing – and they must change with it. To protect what they’ve built, the Frasers have to navigate the perils of the Revolutionary War. They learn that sometimes,...

Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.

Reflecting on the past year in film, I find myself at an interesting crossroads where my alignment with the consensus is back off the axis. After 2022 left me feeling a bit out in the weeds regarding cinema culture, last year I was more in tune with the overall vibes––several favorites picked up Academy Awards, including Best Picture. This year is similar to 2022 for me, in that I won’t be surprised if not a single one of my top ten even gets a nomination.

But that doesn’t mean it was a poor year in my eyes; quite the contrary. From massive big swings by long-dormant auteurs or those recently bursting on the scene, to quiet dramas with volumes to say, to a bevy of formally...

The annual To Save and Project festival has unveiled its 2025 lineup. Presented by the Museum of Modern Art and Chanel, the 21st annual event is the definitive international festival of film preservation. The latest edition is dedicated to celebrating newly preserved and restored films from archives, studios, distributors, foundations, and independent filmmakers from around the world.

The 2025 To Save and Project: The 21st MoMA International Festival of Film Preservation will take place from January 9 to January 30, and include more than 25 feature films and shorts programs in newly preserved or restored versions.

Frank Borzage’s “7th Heaven” (1927) will open the festival, as presented in a new upgrade from MoMA’s previous restoration. Charlie Chaplin’s 1918 World War I comedy “Shoulder Arms” will close the festival with a reconstruction of the seldom-seen original version presented as a work-in-progress.

Highlights also range from Yevgeny Chervyakov’s long-lost Soviet film “My Son (Moy Syn...

Alexander Payne touched down at the Sarajevo Film Festival on Sunday where he shed some light on his next project – a Western which will reunite the writer-director with The Holdovers scribe David Hemingson.

Speaking at a masterclass at the Bosnian Cultural Center, Payne, whose last project The Holdovers earned five Oscar nominations, told the audience that he wanted to explore different genres from the types of films he has made so far.

“The one genre I’ve wanted to do is a Western,” said Payne. “So, right now while Jim [Taylor] and I are talking about a sequel to Election, with a different writer – the guy who wrote The Holdovers [David Hemingson], we have been conceiving a Western for years now.”

He added: “It would be nice to take a kind of realistic-slash-naturalistic approach to a Western and also using landscape. In as much as sense of place is important…part of my...

Alexander Payne teased post-The Holdovers projects to an audience at the Sarajevo Film Festival on Sunday (August 18), providing an update on the Election sequel and saying he wants to make “a car chase movie.”

“Jim Taylor and I are conceiving what the sequel would look like now,” said Payne of the Election sequel, which is in the works at Paramount+. Taylor is a regular collaborator with Payne, including as co-writer on Downsizing and Sideways.

The film will be based on the 2022 sequel novel Tracy Flick Can’t Win by Tom Perrotta, who wrote the first book Election on which...

While its often the world premieres that get the most buzz out of any major film festival, look to their restorations lineup (if they are smart enough to have one), and a treasure trove of classics sure to be better than most premieres await. Ahead of their official lineup being unveiled on July 23, the Venice Classics slate is here, featuring films by Michelangelo Antonioni, Fritz Lang, Frederick Wiseman, Howard Hawks, Nagisa Ōshima, Anthony Mann, Lina Wertmüller, and many more.

“The programme of Venice Classics includes the commemoration of several important anniversaries.” said Festival artistic director Alberto Barbera. “First and foremost, the centennial of the birth of Marcello Mastroianni, the most beloved and celebrated Italian actor in the world, whom we will see in The Night (La notte), one of Michelangelo Antonioni’s finest films. It has been fifty years since the death of Vittorio De Sica, who in The Gold of Naples...

Venice Classics will screen restorations of Michelangelo Antonioni’s The Night and Vittorio De Sica’s The Gold Of Naples as part of an 18-film programme at the 81st Venice Film Festival (August 28-Septemer 7).

The Night, a 1961 black-and-white drama depicted a day and night in the life of a disillusioned novelist and his alienated wife, will play in the 100th anniversary year of the birth of its lead actor Marcello Mastroianni.

Scroll down for the full list of titles

De Sica’s 1954 The Gold Of Naples is formed of six episodes inspired by Giovanni Marotta’s short stories, and plays...

Less bleak than Anthony Mann’s westerns with James Stewart, including Winchester ’73 and Bend of the River, The Tin Star still wastes little time sketching an unwelcoming vision of the Old West. It begins with bounty hunter Morgan Hickman (Henry Fonda) riding into a small town with his latest deceased prize in tow. The townspeople gather around him in the street like pigeons, though the open hostility and disapproval in their faces undermines the sense that they’re in any way titillated by the sight of a dead body or a grizzled gunslinger. Forced to wait for the paperwork to clear for his payout, Morgan settles in for a few days of frosty reception that the townsfolk extend to any outsider, including those within their community who violate the narrow-minded boundaries of accepted behavior.

Perhaps inevitably, Morgan becomes briefly attached to Nora (Betsy Palmer), a local woman ostracized to...

In fashion, credits are everything.

This week in Cannes, French fashion house Saint Laurent graduated beyond “who are you wearing?” to “who made that movie?” courtesy of the world premiere of Pedro Almodovar’s gay Western Strange Way of Life starring Ethan Hawke and Pedro Pascal.

Because credits are crucial, now is the time to point out that not only is the 30-minute gay Western presented by the house, Saint Laurent received associate producer credit while creative director Anthony Vaccarello served as the costume designer for the 1910-set pic.

Strange Way of Life stars Ethan Hawke and Pedro Pascal, wearing the green jacket similar to the one from Bend of the River.

There’s one more: The collaboration serves as the official debut of Saint Laurent Prods., an expansion that gives the house bragging rights as the first brand fully invested in producing films. Per official intel from Saint Laurent,...

It’s no secret that Pedro Almodóvar flirted with the idea of directing “Brokeback Mountain” in the early 2000s, the flamboyant Spanish auteur understandably convinced that Annie Proulx’s gay cowboy drama could make for an ideal English-language debut. He eventually moved on from the project (as he recently explained to IndieWire), believing that his interpretation of the material would be more carnal and unashamed than Hollywood was then prepared to accept.

Almost 20 years later, Almodóvar is still trying to break through the language barrier and make an “American” feature of some kind, but the 30-minute “Strange Way of Life” — his second English-language short — finds him desperately trying to make up for lost time.

Tantalizing to watch despite boasting all the staying power of a stray tumbleweed, this chatty little Western reflects on the repressiveness of its genre while mining a rich vein of conflict from the mutual acrimony shared by its two lead characters,...

A couple months after spotlighting the world’s greatest actress, the Criterion Channel have taken a logical next step towards America’s greatest actress. May (or: next week) will bring an eleven-film celebration of Jennifer Jason Leigh, highlights including Verhoeven’s Flesh + Blood, Miami Blues, Alan Rudolph’s Mrs. Parker, her directorial debut The Anniversary Party, and Synecdoche, New York, and a special introduction from Leigh. Another actor’s showcase localizes directorial collaborations: Jimmy Stewart’s time with Anthony Mann, an eight-title series boasting the likes of Winchester ’73 and The Man from Laramie. Two more: a survey of ’80s Asian-American cinema (Chan Is Missing being the best-known) and 14 movies by Seijun Suzuki.

That would be enough for one month (or two), but No Bears and Cette maison will have their streaming premieres, while Criterion Editions offers the Infernal Affairs trilogy (plus its packed set), Days of Heaven, and the aforementioned Chan Is Missing.

The reunion of Sofia Coppola and Bill Murray for the new A24/Apple release “On the Rocks” comes 17 years after their first collaboration on the Oscar-winning “Lost in Translation.” Such repeated pairings between directors and actors have been mainstay a in Hollywood since the earliest days of cinema. In the silent era, there were multiple films from D.W. Griffith and Lillian Gish and Charlie Chaplin and Edna Purviance.

One of the great partnerships during the Golden Age of Hollywood was John Ford and John Wayne. Ford had actually befriended Wayne when the young man was doing odd jobs as well as extra work-including in few of the director’s films-at Fox Studios in the late 1920s. Wayne made his official film debut starring in Raoul Walsh’s 1930 epic western “The Big Trail.”

The film wasn’t a hit and Wayne found himself spending the decade doing “B” westerns including 1938’s...

Lori Nelson, the 1950s starlet who was kidnapped by an amphibious monster in Revenge of the Creature and portrayed Barbara Stanwyck’s younger daughter in Douglas Sirk’s All I Desire, has died. She was 87.

Nelson had been suffering from Alzheimer’s disease for several years and died Sunday at her home in the Porter Ranch section of Los Angeles, her daughter Jennifer Mann said.

In Ma and Pa Kettle at the Fair (1952) and Ma and Pa Kettle at Waikiki (1955), Nelson played Rosie Kettle, one of the daughters of the characters played by Marjorie Main and Percy Kilbride in the Universal series of films.

Nelson also made her mark in I Died a Thousand Times (1955), a remake of the Humphrey Bogart classic High Sierra in which she portrayed the club-footed love interest of Jack Palance’s crook; Pardners (1956), working opposite Dean Martin and Jerry Lewis in their penultimate film together...

Did star James Stewart and director Anthony Mann corner the market on upscale ‘A’ ’50s westerns? This beauty sends Stewart, Ruth Roman and Corrine Calvet on a breezy trek over a Canadian glacier, with Walter Brennan as a folksy, ditsy sidekick — not very original but endearing. John McIntire saves the day as a charmingly malevolent self-appointed Judge Roy Bean-type swindler and murderer — he’s so hilariously evil, even Stewart’s character is amused. The special edition has two aspect ratio versions, a full commentary and two film history featurette-docus.

The Far Country

Blu-ray

Arrow Academy

1955 / color / 1:88 + 1:2 widescreen / 97 min. / Street Date November 12, 2019 / available through Kino Lorber / 29.95

Starring: James Stewart, Ruth Roman, Corinne Calvet, Walter Brennan, John McIntire, Jay C. Flippen, Harry Morgan, Steve Brodie, Connie Gilchrist, Robert J. Wilke, Chubby Johnson, Royal Dano, Jack Elam, Kathleen Freeman, Connie Van, Eugene Borden, John Doucette, Chuck Roberson.

Cinematography: William H. Daniels...

The second of Anthony Mann and James Stewart’s must-see westerns, Bend of the River continues the duo’s trend of character-driven yet action-packed outdoor adventures, this time set in snowy Oregon. The fine actor Arthur Kennedy plays a perfectly ambiguous villain while the auburn-haired Julie Adams and Rock Hudson – just on the cusp of stardom – round out the cast. The ravishing Technicolor photography is by Irving Glassberg.

The post Bend of the River appeared first on Trailers From Hell.

The Strange Door

Blu Ray

Kino Lorber

1951 / 1:33:1 / 81 Min.

Starring Charles Laughton, Boris Karloff, Sally Forrest

Written by Jerry Sackheim

Cinematography by Irving Glassberg

Directed by Joseph Pevney

Charles Laughton is a vengeful aristocrat with a secret in the cellar and Boris Karloff is the family servant who holds the key to The Strange Door. Released in 1951, the Universal International period piece stars Laughton as Alain de Maletroit, a bitter reprobate who lures a fugitive into his castle with the promise of sanctuary in exchange for a wedding vow.

There’s a bright side to that peculiar overture – the mystery bride is de Maletroit’s niece, the prim but pliant Blanche played by the low key seductress Sally Forrest.

Laughton’s convoluted plan is a decades-long effort to corrupt Blanche and humiliate her father, Edmond, the man who stole Blanche’s mother from Laughton years before. The fugitive, Denis de Beaulieu,...

The Anthony Mann – James Stewart crowd-pleaser now comes to Region A Blu-ray. With its bright Technicolor hues, it’s the wagon train movie fans remember first after Red River. Stewart is a good guy with a dark background who tries to atone by helping some settlers. The thorn in his side is an unreformed former outlaw played by Arthur Kennedy in high style. Also shining bright is everyone’s favorite Universal contract player, Julie (Julia) Adams.

Bend of the River

Blu-ray

Kl Studio Classics

1952 / Color / 1:37 flat Academy / 91 min. / Street Date April 16, 2019 / available through Kino Lorber / 29.95

Starring: James Stewart, Arthur Kennedy, Julia Adams, Rock Hudson, Lori Nelson, Jay C. Flippen, Stepin’ Fetchit, Henry Morgan, Royal Dano, Chubby Johnson, Frances Bavier, Howard Petrie.

Cinematography: Irving Glassberg

Film Editor: Russell Schoengarth

Original Music: Hans J. Salter

Written by Borden Chase from the novel Bend of the Snake by Bill Gulick

Produced by...

Julie Adams, the beautiful, leggy brunette with the cascading curls best remembered as the ‘Girl in the White One-Piece’ in the 1954 horror classic Creature From The Black Lagoon (1954), has died. She was 92.

Julie will always be best known as Kay Lawrence, the beauty that the Gillman falls in love with the moment he spies her swimming above him in Creature From The Black Lagoon (1954). Mimicking her movements in the water, the Creature performs a lustful underwater mating dance – he’s directly beneath her but she’s unaware of his amorous overtures in the murky depths of the river. It’s a desire most men (and monster kids) could relate to and Julie Adams is the actress who will always be fondly remembered as the ‘girl in the white one-piece’.

Born Betty May Adams and raised near Little Rock Arkansas, Julie was bit by the acting bug early and moved to California to become an actress.

The walls literally close in on those unfortunate enough to find themselves in the dungean of the Sire de Maletroit (Charles Laughton) in 1951's The Strange Door. Co-starring the legendary Boris Karloff and based on a short story by Robert Louis Stevenson, The Strange Door will be opened by Kino Lorber on Blu-ray this April.

Special features for The Strange Door (1951) Blu-ray have yet to be announced, but you can read the official announcement from Kino Lorber below, and stay tuned to Daily Dead for further updates.

From Kino Lorber Studio Classics: "Coming April 2019 on Blu-ray!

The Strange Door (1951) Starring Charles Laughton, Boris Karloff, Sally Forrest, Richard Wyler, Alan Napier and Michael Pate - Shot by Irving Glassberg - Screenplay by Jerry Sackheim (The Black Castle) - Based on the Story "" by Robert Lewis Stevenson - Directed by Joseph Pevney."

Synopsis (via Blu-ray.com): "The Sire de Maletroit (Charles...

Rock Hudson would’ve celebrated his 93rd birthday on November 17, 2018. The Oscar-nominated actor made a name for himself as a hunky leading man in romantic comedies, melodramas, and adventure flicks. In honor of his birthday, let’s take a look back at 12 of his greatest films, ranked worst to best.

Hudson spent years as a supporting player and leading man in B-pictures before shooting to stardom in Douglas Sirk‘s soap opera satire “Magnificent Obsession” (1954). Shot in glossy Technicolor with a sweeping musical score, the film was the first of many the actor made with the German-born auteur, including “All That Heaven Allows” (1955), “Written on the Wind” (1956), and “The Tarnished Angels” (1957). Trashed by critics and adored by audiences in their time, these works have found a second life as clever subversions of American values, influencing filmmakers such as Pedro Almodovar and Todd Haynes.

He received his sole Oscar nomination for...

The second Anthony Mann / James Stewart western displays excellent direction and impressive Technicolor location photography high in the high mountains of Oregon. A matinee staple, it delivers everything — Stewart’s mostly good hero and Arthur Kennedy’s mostly bad hero spar and tangle and eventually fight to the death near the timber line. Handsome Rock Hudson receives prime billing for flashing his ‘Dazzledent’ smile.

Bend of the River

All-Region Blu-ray

Explosive Media (Germany)

1952 / Color / 1:37 flat full frame / 91 min. / Meuterei am Schlangenfuss, Where the River Bends / Street Date August 10, 2017 / Amazon.de Eur 17,99

Starring: James Stewart, Arthur Kennedy, Julia Adams, Rock Hudson, Lori Nelson, Jay C. Flippen, Stepin’ Fetchit, Henry Morgan, Royal Dano, Chubby Johnson, Frances Bavier, Howard Petrie.

Cinematography: Irving Glassberg

Film Editor: Russell Schoengarth

Original Music: Hans J. Salter

Written by Borden Chase from the novel Bend of the Snake by Bill Gulick

Produced by Aaron Rosenberg

Directed by Anthony...

It feels a little bit like Christmas morning around the house this morning, even though we’ve still got a week and change to go before the actual day, and that’s undoubtedly because all the women here are rousing themselves a bit early to get ready for what amounts to Christmas 2017, Hollywood style. (The cats have been up for some time already, and they too are very excited, but you know, that’s just their way.) You see, in a couple hours we’re all piling into the car and making the pilgrimage up the hill to Universal City to see Star Wars: The Last Jedi. When it comes to buying advance tickets for a big movie for the whole family to see together my dear wife knows no restraints, and if the movie is prefixed with the words “Star Wars,” then all bets are most assuredly off.

Close-Up is a feature that spotlights films now playing on Mubi. Jean Renoir's The Crime of Monsieur Lange (1936) is playing August 31 - September 30, 2017 in the United States as part of the series Jean Renoir.From the beginning, Jean Renoir embraced dualities. One wants to say he played with them, and that’s often true, but he also took them seriously. When these two things are happening at the same time, his work is imbued with a magic that still casts a spell, just as it did over French New Wave filmmakers of the 1960s who rightly took him as a father figure. A striking example of contrasting impulses, his first film on his own, La fille de l’eau (Whirlpool of Fate, 1925) is one of his open-air works—a heroine’s journey out in the world—but at its heart is a dream sequence and very theatrical. That set Renoir’s aesthetic course.

Anthony Mann

As much as any other filmmaker who found a niche in a given genre, in the 10 Westerns Anthony Mann directed from 1950 to 1958 he carved out a place in film history as one who not only reveled in the conventions of that particular form, but also as one who imbued in it a distinct aesthetic and narrative approach. In doing so, Mann created Westerns that were simultaneously about the making of the West as a historical phenomenon, as well as about the making of its own developing cinematic genus. At the same time, he also established the traits that would define his auteur status, formal devices that lend his work the qualities of a director who enjoyed, understood, and readily exploited and manipulated a type of film's essential features.

Though he made several fine pictures outside the Western, Mann as an American auteur is most notably recognized for his work in this field,...

Above: Transformers: The Premake. A new video essay by Kevin B. Lee on the production of Michael Bay’s new Transformers film, fan viral marketing, the Chinese film market, and Hollywood as occupation. In the latest episode of the podcast The Cinephiliacs, Peter Labuza talks to Michael Koresky of Reverse Shot.

Above: a stunning trailer for the new Steven Soderbergh-directed miniseries, The Knick, starring Clive Owen. Also from Soderbergh, published on his website, a transcribed conversation with the late Gordon Willis:

"Q: How were you different when you came out of it as a cinematographer? Did you find yourself having to think in much larger strata about what you were doing?

A: Right. Well, the answer to that is, yes. I'm a minimalist in the way I think. So when I look at something, I usually start eliminating things as opposed to adding things. And not that...

Cinema is a kind of uber-art form that’s made up of a multitude of other forms of art including writing, directing, acting, drawing, design, photography and fashion. As such, film is, as all cinema aficionados know, a highly collaborative venture.

One of the most consistently fascinating collaborations in cinema is that of the director and actor.

This article will examine some of the great director & actor teams. It’s important to note that this piece is not intended as a film history survey detailing all the generally revered collaborations.

There is a wealth of information and study available on such duos as John Ford & John Wayne, Howard Hawks & John Wayne, Elia Kazan & Marlon Brando, Akira Kurosawa & Toshiro Mifune, Alfred Hitchcock & James Stewart, Ingmar Bergman & Max Von Sydow, Federico Fellini & Giulietta Masina/Marcello Mastroianni, Billy Wilder & Jack Lemmon, Francis Ford Coppola & Al Pacino, Woody Allen & Diane Keaton, Martin Scorsese & Robert DeNiro...

Gary Oldman as Jackie Flannery in State Of Grace (Phil Joanou, 1990, USA):

Long considered one of the most talented actors in cinema, it’s very strange that his outstanding acting as the younger brother of Ed Harris’ local crime boss in this underrated film doesn’t get talked about nearly enough when discussing Oldman’s body of work. This is a must-see performance for all Oldman fans. For the record, State Of Grace is a far better Irish mob film than The Departed (Martin Scorsese, 2006, USA), primarily because it contains much better acting across the board. Oldman was nominated for a Best Actor Oscar for Tinker Tailor Soldier Spy (Tomas Alfredson, 2011, UK/France).

Other notable Gary Oldman performances: Prick Up Your Ears (Stephen Frears, 1987, USA), Dracula (Francis Ford Coppola, 1992, USA), True Romance (Tony Scott, 1993, USA), Leon: The Professional (Luc Besson, 1994, France), Air Force One (Wolfgang Petersen, 1997, USA), The Contender (Rod Lurie,...

She.ll always be best known as Kay Lawrence, the beauty that the Gillman falls in love with the moment he spies her swimming above him in Creature From The Black Lagoon (1954). Mimicking her movements in the water, the Creature performs a lustful underwater mating dance . he.s directly beneath her but she’s unaware of his amorous overtures in the murky depths of the river. It.s a desire most men (and monster kids) could relate to and Julie Adams is the actress who will always be fondly remembered as the .girl in the white one-piece..

Born Betty May Adams and raised near Little Rock Arkansas, Julie was bit by the acting bug early and moved to California to become an actress. She worked as a secretary to support herself and spent her free time taking speech lessons and making the rounds at the various movie studio casting departments.