Father's return from the insane asylum spells calamity for the Fairfield family.Father's return from the insane asylum spells calamity for the Fairfield family.Father's return from the insane asylum spells calamity for the Fairfield family.
May Whitty
- Aunt Hester Fairfield
- (as Dame May Whitty)
Bunny Beatty
- Susan
- (as Lauri Beatty)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAdolphe Menjou's character in this film can't stand the sound of bells. Sir C. Aubrey Smith who portrayed Dr. Alliot in this film had a real life aversion to the sound of church bells after a quarrel he had with his mother when he was younger.
- GoofsFamily name of main characters is spoken throughout film as 'Fairfield' but given in end credits as 'Fairchild.'
- Quotes
Aunt Hester Fairfield: We Ought to know more about his family, Margaret you owe it to us all.
Sydney Fairfield: Bother with family, he will only be here about two days and we shalln't have any time to waste on family.
Aunt Hester Fairfield: and What may I ask that going to keep you so occupied
Sydney Fairfield: Kissing probably!
- ConnectionsVersion of A Bill of Divorcement (1932)
Featured review
Maureen O'Hara, aka the tempestuous queen of technicolor, helpmate and sparring partner for John Wayne, (or is it John Ford?), was still finding her way tentatively after being plucked from obscurity by an astute Charles Laughton. Her introduction to worldwide audiences as the benighted gypsy girl in the masterpiece of Hollywood storytelling, "The Hunchback of Notre Dame" brought her fame for her sensitivity and astounding beauty.
Here, hampered by the unimaginative direction of John Farrow and hammy acting of Adolphe Menjou, she attempted to make audiences forget Katharine Hepburn's still moving portrayal of the same character. But then, aside from an intense talent, Hepburn also had George Cukor behind the camera to guide her and a chastened John Barrymore giving one of his better late career moments.
You can glimpse the makings of a thoughtful actress in O'Hara here, who might've shone brighter if she could've had more opportunities to display some of the inner turmoil that made her remarkably beautiful face so haunting long after the technicolor prints of more bombastic films fade. It is worth a look for that alone.
Here, hampered by the unimaginative direction of John Farrow and hammy acting of Adolphe Menjou, she attempted to make audiences forget Katharine Hepburn's still moving portrayal of the same character. But then, aside from an intense talent, Hepburn also had George Cukor behind the camera to guide her and a chastened John Barrymore giving one of his better late career moments.
You can glimpse the makings of a thoughtful actress in O'Hara here, who might've shone brighter if she could've had more opportunities to display some of the inner turmoil that made her remarkably beautiful face so haunting long after the technicolor prints of more bombastic films fade. It is worth a look for that alone.
Details
- Runtime1 hour 14 minutes
- Color
- Aspect ratio
- 1.37 : 1
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