During World War II, an American expatriate helps transport a French Resistance leader and his wife to Martinique while romancing a lounge singer.During World War II, an American expatriate helps transport a French Resistance leader and his wife to Martinique while romancing a lounge singer.During World War II, an American expatriate helps transport a French Resistance leader and his wife to Martinique while romancing a lounge singer.
- Awards
- 3 wins
Walter Szurovy
- Paul de Bursac
- (as Walter Molnar)
Nestor Amaral
- Band member with Hoagy Carmichael
- (uncredited)
Audrey Armstrong
- Dancer
- (uncredited)
Juliette Ball
- Black Woman
- (uncredited)
Joy Barlow
- Madame de Bursac
- (uncredited)
Eugene Borden
- Quartermaster
- (uncredited)
James Burross
- Bit Part
- (uncredited)
Jack Chefe
- Guide
- (uncredited)
Storyline
Did you know
- TriviaLauren Bacall was terrified on the set of her first film. Fortunately, Humphrey Bogart was able to put her at ease with humor and acting tips. Bacall had nervous shakes in her first scenes and quickly learned that keeping her chin down and her eyes up kept her head from trembling. It developed into a trademark sultry look.
- GoofsWhen Morgan throws water at Eddie, the bucket is obviously empty - noticeable both in the way it's handled and in a momentary glimpse of the insides before the camera cuts to Eddie.
- ConnectionsEdited into Catalogue of Ships (2008)
- SoundtracksHow Little We Know
(1944)
Music by Hoagy Carmichael
Lyrics by Johnny Mercer
Performed by Lauren Bacall (uncredited), Hoagy Carmichael (uncredited) and others
Played occasionally in the score and at the end
Featured review
Harry Morgan owns a fishing boat for hire on the small island of Martinique. France has fallen and tensions are high, although Harry is happy to stay out of it and just earn his money. However an offer to carry some revolutionaries off the island sees him caught up in police suspicions when the deal comes to light. This, combined with his attraction to fellow American "Slim" Browning forces Harry to re-evaluate his "out for himself" values.
Although the continued success of this film owes a lot to the pairing of Bogart and Bacall, there is enough going for the rest of the film to make it stand up down the years. The plot is very interesting in Hawks look at a man who tries to take a distanced approach to the problem of others before standing up to be counted; I don't know enough about the period to really know what context he was putting this forward in but it is still interesting enough and does make the character of Steve/Harry a lot more complex. The plot goes down a standard road of wartime thriller but it is still very engaging and well told. The direction is top notch and has a real sense of atmosphere despite the production being limited to soundstages.
Of course a major reason the film works is the cast. Bogart does "downbeat but ultimately heroic" better than many others and he does it well here tough, smart and morally challenged. Bacall has less of a character to speak of but she makes up for that by sheer force of personality; personally I don't find her that attractive but she fair sparks across the screen and her delivery is very sexual throughout. The two fell in love during the film and it does show on screen, with a great chemistry and real sexual tension between them a heavy amount of classic scenes and hot moments also helps. Support is good from Brennan and Seymour but the "Free French" are not that well developed and are not as interesting as they should have been.
Overall this is a classic film with an interesting plot, interesting characters, a tough and heavy atmosphere, good performances and a central duo that really spark off each other. It may be a standard wartime thriller on the surface but everything seems to come together really well and produce a film that is memorable for a collection of reasons.
Although the continued success of this film owes a lot to the pairing of Bogart and Bacall, there is enough going for the rest of the film to make it stand up down the years. The plot is very interesting in Hawks look at a man who tries to take a distanced approach to the problem of others before standing up to be counted; I don't know enough about the period to really know what context he was putting this forward in but it is still interesting enough and does make the character of Steve/Harry a lot more complex. The plot goes down a standard road of wartime thriller but it is still very engaging and well told. The direction is top notch and has a real sense of atmosphere despite the production being limited to soundstages.
Of course a major reason the film works is the cast. Bogart does "downbeat but ultimately heroic" better than many others and he does it well here tough, smart and morally challenged. Bacall has less of a character to speak of but she makes up for that by sheer force of personality; personally I don't find her that attractive but she fair sparks across the screen and her delivery is very sexual throughout. The two fell in love during the film and it does show on screen, with a great chemistry and real sexual tension between them a heavy amount of classic scenes and hot moments also helps. Support is good from Brennan and Seymour but the "Free French" are not that well developed and are not as interesting as they should have been.
Overall this is a classic film with an interesting plot, interesting characters, a tough and heavy atmosphere, good performances and a central duo that really spark off each other. It may be a standard wartime thriller on the surface but everything seems to come together really well and produce a film that is memorable for a collection of reasons.
- bob the moo
- Jan 2, 2005
- Permalink
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Ernest Hemingway's To Have and Have Not
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $12,459
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content