A police detective falls in love with the woman whose murder he is investigating.A police detective falls in love with the woman whose murder he is investigating.A police detective falls in love with the woman whose murder he is investigating.
- Won 1 Oscar
- 5 wins & 4 nominations total
Grant Mitchell
- Lancaster Corey
- (scenes deleted)
Dorothy Adams
- Bessie Clary, Laura's Maid
- (uncredited)
Terry Adams
- Woman
- (uncredited)
John Alban
- Executive
- (uncredited)
Wally Albright
- Newsboy
- (uncredited)
Bobby Barber
- Newsboy
- (uncredited)
Edward Biby
- Party Guest
- (uncredited)
Gary Breckner
- Narrator
- (uncredited)
James Carlisle
- Party Guest
- (uncredited)
Harry Carter
- Party Guest
- (uncredited)
Lane Chandler
- Detective
- (uncredited)
Bill Chaney
- Newsboy
- (uncredited)
Dorothy Christy
- Woman
- (uncredited)
Storyline
Did you know
- TriviaAccording to Producer and Director Otto Preminger, he had to work to win the respect of the cast, who all seemed "hostile" to him when he took over, with the exception of Clifton Webb. "I learned later", he said, "that Mamoulian had called each of them individually and warned them that I did not like their acting and intended to fire them." It was not true. Dame Judith Anderson decided to confront him on the set. She said that if he wasn't happy with her performance, then he should show her how to make it better.
- GoofsIn the initial long-shot when McPherson and Lydecker are out to dinner, McPherson's chair is unoccupied (about 15:28). When the camera is at their table, McPherson has materialized.
- Quotes
Waldo Lydecker: I don't use a pen. I write with a goose quill dipped in venom.
- Alternate versionsA scene cut from the theatrical version after its initial release was restored to the film in 1990. In it, Waldo Lydecker described how he transformed Laura's appearance and introduced her to high society. The studio worried that this obsession with decadent luxury would be offensive to WWII soldiers serving overseas, so the scene was deleted.
- ConnectionsFeatured in Vicki (1953)
Featured review
"Laura" is a classic murder mystery and more. The main characters make for a fascinating psychological study, and the movie is also filled with wit and style, in addition to a murder mystery that holds plenty of interest in its own right.
The story opens with a detective (Dana Andrews) questioning suspects in the murder of popular, beautiful, and successful Laura Hunt. As he does, we learn not only about the suspects but about Laura herself, through flashbacks. We see Laura (Gene Tierney) develop the career and relationships that eventually led to danger, and we also learn that Laura meant something very different to each of the suspects: the snobbish, venomous writer who launched her career (Clifton Webb), the worthless playboy whom Laura was going to marry (Vincent Price, in a role quite different for him) and her rather desperate aunt (Judith Anderson). Even the detective quickly becomes obsessed with Laura's memory. The psychological overtones of all this add considerably to the mystery plot.
The mystery story itself is quite good, with interesting details and at least one major surprise along the way. The climax is tense and exciting, a fitting conclusion to both the mystery plot and the complex relationships among the characters. The acting and direction are all very good, and make the most of the story's possibilities.
"Laura" is a must-see not only for those who like mysteries, but for anyone who likes classic cinema made with style.
The story opens with a detective (Dana Andrews) questioning suspects in the murder of popular, beautiful, and successful Laura Hunt. As he does, we learn not only about the suspects but about Laura herself, through flashbacks. We see Laura (Gene Tierney) develop the career and relationships that eventually led to danger, and we also learn that Laura meant something very different to each of the suspects: the snobbish, venomous writer who launched her career (Clifton Webb), the worthless playboy whom Laura was going to marry (Vincent Price, in a role quite different for him) and her rather desperate aunt (Judith Anderson). Even the detective quickly becomes obsessed with Laura's memory. The psychological overtones of all this add considerably to the mystery plot.
The mystery story itself is quite good, with interesting details and at least one major surprise along the way. The climax is tense and exciting, a fitting conclusion to both the mystery plot and the complex relationships among the characters. The acting and direction are all very good, and make the most of the story's possibilities.
"Laura" is a must-see not only for those who like mysteries, but for anyone who likes classic cinema made with style.
- Snow Leopard
- Jun 13, 2001
- Permalink
Details
Box office
- Budget
- $1,020,000 (estimated)
- Gross worldwide
- $151
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.37 : 1
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