An innocent man sentenced to death gets caught up in a prison riot.An innocent man sentenced to death gets caught up in a prison riot.An innocent man sentenced to death gets caught up in a prison riot.
Preston Foster
- John 'Killer' Mears - Cell 4
- (as Preston S. Foster)
Alec B. Francis
- Father O'Connor
- (uncredited)
Gladden James
- Warden's Secretary
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe Broadway play of the same name upon which this film is based opened at the Sam H. Harris Theatre, 226 W. 42nd St. on February 13, 1930 and ran for 289 performances until October. Spencer Tracy played the lead role of John Mears. Clark Gable also played the role in later productions. Both actors were brought to the attention of Hollywood because of their involvement with this play.
- GoofsAs Joe Berg is saying goodbye to "Killer" Mears, a moving shadow of the boom microphone is visible on the wall of Mears' cell.
- Quotes
John 'Killer' Mears, Cell 4: [at the end of the prison break, walking into the guards' machine guns] I think I'll go get a little air.
- ConnectionsFeatured in Rush: A Show of Hands (1989)
Featured review
Prison films have been a staple of film since the early years. "Up the River" (1930) with Hmphrey Bogart and Spencer Tracy and "Manslaughter" (1930) with Frederich March and Claudette Colbert were some early ones. "The Big House" (1930) was the first of the prison films to capture an audience, and as such, it is the archetype for almost every prison movie to follow, apart from the "chain gang" films that have their origins in Paul Muni's excellent 1932 "I am a Fugitive from a Chain Gang." The Big House was so popular that Laurel and Hardy produced a spoof called "Pardon Us" in 1931. It was their first feature film. That same year "The Criminal Code" (1931) with Walter Huston and Boris Karloff came out.
Interest in prison spawned the Broadway play "The Last Mile" from which this film came. The play launched the careers of Spencer Tracy and Clark Gable. The same year this film came out we also had "20,000 years in Sing Sing" (1932)
Other prisons films from the 1930s include "I am a Fugitive from a Chain Gang" (1932), "The Mayor of Hell" (1933), "Prisoner of Shark Island" (1936), "San Quentin" (1937), "Devil's Island" (1939) and " Each Dawn I Die" (1939).
Among all the films of this genre, "The Last Mile" has the least production values, probably due to its origins as a play. It also has the least star power, with Preston Foster (1900-70) playing the lead role as the psychopathic killed. This was Foster's first big break and only his fifth film. I remember him best from the TV series "Waterfront" (1954-5) and "Northwest Mounted Police" (1940).
Also present is Paul Fix (1901-83) who is best remembered as the Marshall from "The Rifleman" (1958-63) and who was one of the busiest actors on TV.
The director is Sam Bischoff (1890-1975) who got his start working in the "Poverty Row" studios. He moved to Warners where he specialized in crime films ("The Roaring Twenties", "The Phenix City Story", "Angels with Dirty Faces").
The film is preachy and heavy handed. It reflects some negative attitudes about capital punishment, caused by an increase in capital punishment beginning in the 1920s where criminality was considered genetic and the eugenics movement was strong. In the 1930s capital punishment reached its peak, averaging 167 per year, and the methods included electricity and gas.
It's hard to recommend the film. "The Big House" is far superior.
Interest in prison spawned the Broadway play "The Last Mile" from which this film came. The play launched the careers of Spencer Tracy and Clark Gable. The same year this film came out we also had "20,000 years in Sing Sing" (1932)
Other prisons films from the 1930s include "I am a Fugitive from a Chain Gang" (1932), "The Mayor of Hell" (1933), "Prisoner of Shark Island" (1936), "San Quentin" (1937), "Devil's Island" (1939) and " Each Dawn I Die" (1939).
Among all the films of this genre, "The Last Mile" has the least production values, probably due to its origins as a play. It also has the least star power, with Preston Foster (1900-70) playing the lead role as the psychopathic killed. This was Foster's first big break and only his fifth film. I remember him best from the TV series "Waterfront" (1954-5) and "Northwest Mounted Police" (1940).
Also present is Paul Fix (1901-83) who is best remembered as the Marshall from "The Rifleman" (1958-63) and who was one of the busiest actors on TV.
The director is Sam Bischoff (1890-1975) who got his start working in the "Poverty Row" studios. He moved to Warners where he specialized in crime films ("The Roaring Twenties", "The Phenix City Story", "Angels with Dirty Faces").
The film is preachy and heavy handed. It reflects some negative attitudes about capital punishment, caused by an increase in capital punishment beginning in the 1920s where criminality was considered genetic and the eugenics movement was strong. In the 1930s capital punishment reached its peak, averaging 167 per year, and the methods included electricity and gas.
It's hard to recommend the film. "The Big House" is far superior.
- drjgardner
- Feb 9, 2017
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Numbers in Hell
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 15 minutes
- Color
- Aspect ratio
- 1.37 : 1
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