IMDb RATING
7.1/10
2.4K
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The adventures of an egoistic con man and his glamorous accomplice.The adventures of an egoistic con man and his glamorous accomplice.The adventures of an egoistic con man and his glamorous accomplice.
Wade Boteler
- Detective
- (uncredited)
Ray Cooke
- Jimmy - Bellhop
- (uncredited)
Richard Cramer
- Cabbie
- (uncredited)
Bill Elliott
- Nightclub Patron under Title Credits
- (uncredited)
Peter Erkelenz
- Kansas City Dutch
- (uncredited)
Dick Gordon
- Nightclub Patron
- (uncredited)
Sherry Hall
- Tobacco Counterman
- (uncredited)
Lew Harvey
- Driver
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaLate in the movie when Jerry (Russell Hopton) shows Cagney his money-making scam of selling "swastika charms" there is an abrupt edit, probably a close-up of what the charm looked like. Swastikas had been considered good-luck charms until the advent of the Nazis two years after this movie was released, and the edit almost certainly took place between then and 1941 when other war-related edits took place in Hollywood (e.g., anything relating to Italy in The Marx Brothers A Night at the Opera (1935).
- GoofsWhen Bert is in the car chase, they pass a Three Owl drug store, which was a West Coast chain, despite the scene being set in New York City. Other advertising also points to California: a See's candy store and a neon sign for Motorite motor oil from the Union Oil Co.
- Quotes
Bert Harris: Oh, that dirty, double-crossin' rat! I'd like to get my hooks on him. I'd tear him to pieces!
- ConnectionsFeatured in Hollywood and the Stars: How to Succeed as a Gangster (1963)
- SoundtracksWhen Your Lover Has Gone
(1931) (uncredited)
Written by E.A. Swan
Played and sung during the credits by an uncredited tenor
Played by an orchestra at a nightclub
Played as background music when Bert proposes to Anne
Played as background music at the end
Featured review
Bellhop James Cagney and hotel maid Joan Blondell have a lot of ambitions during Depression Era America. They've seen the American dream go belly up on Wall Street, seen lots of people lose everything they have to crooks and chiselers and have decided if you can't beat 'em, join 'em. And Cagney has entitled what he considers the Depression to be, the age of chiselry.
These two are obviously so suited for each other. But for what each considers practical reasons they hook up with other people. Cagney hero worships noted confidence man Louis Calhern and Blondell takes a shine to polished and dapper Ray Milland, a wall street broker. Each becomes quite disillusioned.
This is a good piece of historic Americana, depression era. People like Cagney and Blondell lost a lot of ideals in that period and it rings true even today. Later on Preston Sturges would take some of the same themes in Blonde Crazy and use them in a more comedic way. But this film is still pretty good on its own merits.
These two are obviously so suited for each other. But for what each considers practical reasons they hook up with other people. Cagney hero worships noted confidence man Louis Calhern and Blondell takes a shine to polished and dapper Ray Milland, a wall street broker. Each becomes quite disillusioned.
This is a good piece of historic Americana, depression era. People like Cagney and Blondell lost a lot of ideals in that period and it rings true even today. Later on Preston Sturges would take some of the same themes in Blonde Crazy and use them in a more comedic way. But this film is still pretty good on its own merits.
- bkoganbing
- Jun 12, 2005
- Permalink
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Details
- Runtime1 hour 19 minutes
- Color
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