Directed by
| Gabriel Range | ||
Writing Credits (in alphabetical order)
| Christopher Bell | ... | (written by) |
| Gabriel Range | ... | (written by) |
Cast (in credits order)
Produced by
| Emilia Rose Arnò | ... | Researcher |
| Kirsty Bell | ... | co-executive producer |
| Ian Berg | ... | co-executive producer |
| Matt Code | ... | producer |
| Christopher Figg | ... | executive producer |
| Daniel Hubbard | ... | co-producer |
| Christoph Ott | ... | associate producer |
| Ashley Shields-Muir | ... | line producer |
| Julie Strifler | ... | associate producer |
| Nick Taussig | ... | producer |
| Saskia Thomas | ... | executive producer |
| Natalie Urquhart | ... | associate producer |
| Paul Van Carter | ... | producer |
| Lena Vurma | ... | associate producer |
| Fabien Westerhoff | ... | executive producer |
| Robert Whitehouse | ... | executive producer |
| Annabel Wigoder | ... | associate producer |
Music by
| Anne Nikitin | ||
Cinematography by
| Nicholas D. Knowland | ... | (as Nic Knowland) |
Editing by
| Chris Gill | ||
Casting By
| Daniel Hubbard | ... | (as Dan Hubbard) |
Production Design by
| Aidan Leroux | ||
Art Direction by
| Alder Dunlap | ||
Set Decoration by
| Jessica Jerome | ... | (as Jessica Joy Jerome) |
| Mauro de Souza | ... | (uncredited) |
Costume Design by
| Julia Patkos | ||
Makeup Department
| Punam Chhatralia | ... | contact lens technician: London (as Punam Chatralia) |
| Katarina Chovanec | ... | hair designer |
| Kat Crisp | ... | key makeup artist |
| Mark Crystal | ... | assistant hair stylist |
| Alanna Dickie | ... | contact lens technician |
| Pamela Hackvell | ... | assistant hair stylist |
| Chris Lyons | ... | teeth prosthetics |
| Laura Miles | ... | hair stylist: London / makeup artist: London |
| Steve Newburn | ... | prosthetics coordinator |
| Emily O'Quinn Code | ... | makeup designer (as Emily O'Quinn) |
| Siobhan Parr | ... | key makeup artist |
| Madaleine Russell | ... | key hair stylist |
| Alexandra Anger | ... | contact lens technician (uncredited) |
| Kevin Carter | ... | contact lens painter (uncredited) |
| Allan Cooke | ... | prosthetics sculptor (uncredited) |
| Richard Glass | ... | contact lens optician (uncredited) |
| Melissa Nicholl | ... | daily makeup artist (uncredited) |
| Heenal Patel | ... | contact lens optician (uncredited) |
Production Management
| Sophie Harmer | ... | production manager: London |
| Ashley Shields-Muir | ... | unit production manager |
Second Unit Director or Assistant Director
| Mike Cowie | ... | second assistant director (as Michael Cowie) |
| Anthony Paul Rosset | ... | third assistant director |
| Jess Smallwood | ... | fourth assistant director (as Jessica Smallwood) |
| Bob Warwick | ... | first assistant director (as Robert Warwick) |
| Giselle Selim | ... | daily second assistant director (uncredited) |
Art Department
| Aidan Blakely | ... | set dresser |
| Maria Cerrato | ... | graphic design: Fugitive |
| Michelle Challice | ... | first assistant art director / graphics |
| Patrick Charlebois-Downes | ... | property master |
| Adam Cunliffe | ... | set dresser |
| Jacob de Hoop | ... | set dresser (as Jacob De Hoop) |
| Emma Kirk | ... | set decoration buyer |
| Leah Klein | ... | first assistant props |
| Taz Madden | ... | set dresser |
| Ella Mahony | ... | art director: London |
| Malcolm McKenzie | ... | set dresser |
| Chareese McLaughlin | ... | on set dresser |
| Kerry Noonan | ... | lead set dresser |
| Rick O'Sullivan | ... | leadman: London |
| Peter Oliver | ... | driver: London |
| Stuart Pitcher | ... | graphic design: Fugitive |
| Max Walton | ... | set dresser |
| Jason Herriott | ... | key scenic (uncredited) |
Sound Department
| Matt Bainbridge | ... | adr recordist: NBUK |
| Simon Capes | ... | adr engineer: Soho Square Studios |
| Tim Cavagin | ... | additional dx editing / re-recording mixer |
| Thomas Dalton | ... | sound designer (as Tom Dalton) |
| Rob Davidson | ... | sound mix technician |
| Alisa Erlikh | ... | boom operator |
| Herwig Gayer | ... | sound mixer |
| Ivan Gayer | ... | sound utility |
| Paul James | ... | foley editor / foley recordist |
| Vivien Jordan | ... | sound post manager |
| Mike McAuliffe | ... | adr engineer: Bad Animals |
| Ehren Pfeifer | ... | adr recordist: Urban Post |
| Rory Rea | ... | boom operator: London |
| Jason Sharrow | ... | adr engineer: Marc Graue |
| Matt Snowden | ... | dialogue editor / sound designer / supervising sound editor |
| Max Walsh | ... | re-recording mixer / sound effects editor |
| Dominic Weaver | ... | sound designer |
| Jake Whitelee | ... | sound mixer: London |
| Guin-Seng Won | ... | boom operator (as Guin-Won Send) |
| Cristiano Ciccone | ... | re-recording mixer: italian (uncredited) |
| Burton Lavery | ... | playback operator (uncredited) |
Special Effects by
| Mike Scala | ... | key special effects |
| Jason Steidman | ... | liquid projections |
Visual Effects by
| Dennis Mason | ... | visual effects artist / visual effects supervisor |
| Singarajan Praveen | ... | additional visual effects |
Stunts
| Jennifer Murray | ... | stunts |
| George Tchortov | ... | stunt coordinator |
Camera and Electrical Department
| Peter Bowman | ... | playback coordinator |
| Peter Bradley | ... | genny operator |
| Mark Brennan | ... | gaffer: London |
| Sam Coyle | ... | unit stills/epk |
| Adam Cummerford | ... | second assistant camera |
| Joseph Edwards | ... | digital imaging technician: London |
| Nicholas Grguric | ... | gaffer (as Nick Grguric) |
| James Hellyer | ... | best boy |
| Edward Hernandez | ... | electric |
| Sam Horn | ... | spark: London |
| Brendan Jessamine | ... | key grip |
| Mark Kudel | ... | digital media technician |
| Vern Lumsden | ... | grip |
| Victoria Mackinnon | ... | best electric |
| Max Openshaw | ... | second assistant camera: London |
| John Perrin | ... | dolly grip |
| Tom Pittman | ... | grip: London |
| James Poremba | ... | steadicam |
| Emily-Jane Robinson | ... | first assistant camera: London |
| Paul Van Carter | ... | still photographer |
| Matthew Veen | ... | first assistant camera (as Matt Veen) |
Casting Department
| Sara Kay | ... | casting: Canada |
| Jenny Lewis | ... | casting: Canada |
| Roisin McGilly | ... | background casting |
| Kalene Osborne | ... | casting associate |
| Claire Robinson | ... | casting associate |
| Maia von Hurter | ... | casting associate |
| Lauren Jerome | ... | casting assistant (uncredited) |
| Austin Tobe | ... | casting assistant (uncredited) |
Costume and Wardrobe Department
| Nathan Black | ... | set supervisor |
| Izzy Camilleri | ... | costume maker |
| Nigel Egerton | ... | costume supervisor: London |
| Celine Floyd | ... | costume dailies |
| Bryde Gordon | ... | standby costume: London |
| Sarah Lake | ... | assistant costume designer |
| Jenni Lee | ... | costume dailies |
| Jasmine Nichols | ... | truck costume supervisor (as Jasmin Nichols-Piesik) |
| Tina Razian | ... | costume dailies |
| Emily Stranges | ... | costume background supervisor |
| Alyssa Zygarliski | ... | costume buyer |
Editorial Department
| Tom Aston | ... | colourist / online editor |
| Callum Just | ... | additional grade facility: Digital Orchard |
| Sam Margaritis | ... | additional grade facility: Digital Orchard |
| Matt Waghorne | ... | additional grade facility: Digital Orchard |
| Abi Wright | ... | assistant editor |
Location Management
| Doran Okkema | ... | location production assistant |
| Trevor Smith | ... | assistant location manager |
| Eric Vonditsianou | ... | location production assistant (as Erik Vonditsianou) |
| Farren Russell Whittaker | ... | location manager (as Darren Whittaker) |
Music Department
| Robert Ames | ... | additional composition |
| Galya Bisengalieva | ... | additional composition |
| Nikolaj Bjerre | ... | musician: drumkit and percussion |
| Goetz Botzenhardt | ... | score mixer |
| Anna Lena Bruland | ... | musician: vocals |
| Matthew Catling | ... | music special thanks |
| Tim Cavagin | ... | music editor |
| Ben Corrigan | ... | recording engineer: Hertford RoadStudio |
| Fiona Cruickshank | ... | additional score mixer |
| Adam Double | ... | additional composition / musician: guitar and bass / musician: vocals |
| David Fish | ... | music supervisor |
| Johnny Flynn | ... | additional composition / musician: acoustic guitar, harmonium and violin / musician: vocals |
| Rupert Hollier | ... | music supervisor (as Ru Hollier) |
| Steve McMellon | ... | executive music producer: score (as Steve D McMellon) |
| Anne Nikitin | ... | music producer / musician: guitar and mellotron / orchestrator |
| Amanda Street | ... | score supervisor: DNA MUsic Limited |
| Luciana Victor | ... | musician: strings |
| Amanda Street | ... | composer agent (uncredited) |
Script and Continuity Department
| Mark Jagasia | ... | script consultant |
| Sydney Kondruss | ... | script supervisor |
| Angeli Macfarlane | ... | script consultant |
Transportation Department
| Robert Arsenault | ... | picture car coordinator (as Bob Arsenault) / transportation coordinator (as Bob Arsenault) |
| Doug Cain | ... | head driver |
| Richard Evans | ... | driver |
| Dennis Proulx | ... | driver |
| Frank Riso | ... | transportation captain |
Additional Crew
| Ian Berg | ... | executive director: Salon |
| Donnie Blaise | ... | caterer/craft service |
| Claire Bonduro | ... | set production assistant |
| Gina Boulougouris | ... | first assistant accountant: ap |
| Adam Chuckryk | ... | stand-in |
| Matt Code | ... | president: Wilding |
| George Collaton | ... | first assistant accountant: payroll |
| Matt Collinson | ... | runner: London |
| Alex Cooper | ... | voiceover artist |
| Sarah Cundall | ... | production legal: Lee & Thompson |
| Jordan Delic | ... | production coordinator |
| Johan Ewing | ... | production legal: Lee & Thompson |
| Graham Galbraithe | ... | key craft server |
| Tom Harris | ... | voiceover artist |
| Laura Howard | ... | voiceover artist |
| Casey Hudecki | ... | intimacy coordinator |
| Lewis Isbell | ... | runner: London |
| Ellie Jamen | ... | assistant to producer (as Elodine Jamen) |
| Anisha Kasozi | ... | worldwide sales: Film Constellation |
| Abid Majid | ... | investment director: Salon |
| Christos Michaels | ... | production legal: Lee & Thompson |
| Marilyn Moore | ... | controller: Wilding |
| Mariyn Moore | ... | production accountant |
| Kristy Neville | ... | vice president: Wilding |
| Edward Parodi | ... | worldwide sales: Film Constellation |
| Elise Proux | ... | worldwide sales: Film Constellation |
| Nico Rice | ... | office production assistant |
| Phil Rymer | ... | legal: Piccadilly Pictures (as Philip Rymer) |
| Lewis Silkin | ... | legal: Piccadilly Pictures |
| Lindsay Somers | ... | intimacy coordinator |
| Julie Strifler | ... | production executive: Wilding |
| Chloe Tai | ... | worldwide sales: Film Constellation |
| Nick Taussig | ... | partner: Salon |
| Leo Teste | ... | International Sales Agent |
| Natalie Urquhart | ... | director of development: Wilding |
| Paul Van Carter | ... | partner: Salon |
| Fabien Westerhoff | ... | worldwide sales: Film Constellation |
| Annabel Wigoder | ... | head of development: Salon |
| Chuck Willcocks | ... | stand-in |
| Adam Yorke | ... | development coordinator: Wilding |
| Andrea Åberg | ... | runner: London (as Andrea Aberg) |
| Helen de Winter | ... | completion guarantor (uncredited) |
| Jamie Matthewman | ... | dialect coach (uncredited) |
| Michael Stark | ... | first assistant production coordinator (uncredited) |