When a visionary architect and his wife flee post-war Europe in 1947 to rebuild their legacy and witness the birth of modern United States, their lives are changed forever by a mysterious, w... Read allWhen a visionary architect and his wife flee post-war Europe in 1947 to rebuild their legacy and witness the birth of modern United States, their lives are changed forever by a mysterious, wealthy client.When a visionary architect and his wife flee post-war Europe in 1947 to rebuild their legacy and witness the birth of modern United States, their lives are changed forever by a mysterious, wealthy client.
- Won 3 Oscars
- 136 wins & 345 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThere is no Brutalist-style church in Doylestown, Pennsylvania. In terms of the building, Brady Corbet's source of inspiration is St. John's Abbey Church in Collegeville, Minnesota. Based on the plans by Hungarian-born, Bauhaus-educated modernist architect Marcel Breuer from 1953, this complex was completed in 1961 and comprises a church, library, dormitory accommodation, science department, and a center for ecumenical research. Constructed to accommodate 1,700 individuals, it is trapezoidal in shape, with a white granite altar end raised upon a circular platform. The church is naturally illuminated by low windows, the entrance, and an amber roof-light. A crucifix is suspended above the altar.
- GoofsIn a 1950s scene in Pennsylvania USA, during the card-playing, money put on the table includes US one-dollar bills with bright green ink, indicating they are Federal Reserve Notes, first issued in 1963. One-dollar Silver Certificates, having blue and black ink on the front, are appropriate for the era.
- Quotes
László Tóth: Is there a better description of a cube than that of its construction?
- Crazy creditsA recreation of the 1950s VistaVision logo is shown during the opening logos.
- ConnectionsFeatured in The Project: Episode dated 10 December 2024 (2024)
- SoundtracksOne for You, One for Me
Written by Carmelo La Bionda, Michelangelo La Bionda, & Richard Palmer-James
Performed by La Bionda
Featured review
It is the kind of movie that is so hard to rate. Is it a masterpiece? Is it great or is it just another movie that just look at itself? He has all the elements of a great story of a great film and yet to me it does not deliver.
For three and half hours long there's only one question in my mind I couldn't shake : what is it about. And I could never answer that question not even at the end if ever there was one. The whole thing left me septic.
But in all honesty, there isn't much to say about it all. To me it's like I've been handed over a homework. If watching « this kind of movie », I want to feel an experience, be engulfed in the ambiance of a whole, I want to be caught in the prospect of what the delivery will be, I want to feel like I've been outsmarted in some ways. None of it here.
Brody is magnificent, so is Pearce. Jones too, surely. Cinematography is mastered without a doubt, editing is smooth, and for three and a half hours it is enjoyable if you're able to glean the little sparks that here and there will keep you hungry for more.
If it was trying to lead me into an underlying experience, meaning or point of view, well I didn't find the path, or maybe was it just too obscure to even grasp a fragment of what the purpose of it all was.
Yes, it works whatever it is about or whatever it thinks it is about. I doubt it will be a movie that's remembered. It not particularly bold. It makes an attempt at being powerful but it never strikes. It too clean, it's too plain. It makes you believe straight from the opening shot that it will be grandiose. But it doesn't hold it promise.
I feel a bit duped by what I've watched. Just because you write a movie about an « unusual » subject, just because you try an unorthodox approach at something that's already been said before, well it seems sufficient to make praise.
That is not enough for me. This didn't prove me anything. I think it is possible and achievable and somewhat too easy to make beautiful movies that will pass for profound when it is just a very well made movie without substance.
For three and half hours long there's only one question in my mind I couldn't shake : what is it about. And I could never answer that question not even at the end if ever there was one. The whole thing left me septic.
But in all honesty, there isn't much to say about it all. To me it's like I've been handed over a homework. If watching « this kind of movie », I want to feel an experience, be engulfed in the ambiance of a whole, I want to be caught in the prospect of what the delivery will be, I want to feel like I've been outsmarted in some ways. None of it here.
Brody is magnificent, so is Pearce. Jones too, surely. Cinematography is mastered without a doubt, editing is smooth, and for three and a half hours it is enjoyable if you're able to glean the little sparks that here and there will keep you hungry for more.
If it was trying to lead me into an underlying experience, meaning or point of view, well I didn't find the path, or maybe was it just too obscure to even grasp a fragment of what the purpose of it all was.
Yes, it works whatever it is about or whatever it thinks it is about. I doubt it will be a movie that's remembered. It not particularly bold. It makes an attempt at being powerful but it never strikes. It too clean, it's too plain. It makes you believe straight from the opening shot that it will be grandiose. But it doesn't hold it promise.
I feel a bit duped by what I've watched. Just because you write a movie about an « unusual » subject, just because you try an unorthodox approach at something that's already been said before, well it seems sufficient to make praise.
That is not enough for me. This didn't prove me anything. I think it is possible and achievable and somewhat too easy to make beautiful movies that will pass for profound when it is just a very well made movie without substance.
Director Brady Corbet's Essential Watchlist
Director Brady Corbet's Essential Watchlist
The Brutalist writer/director Brady Corbet shares 5 films for challenging times.
- How long is The Brutalist?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- El Brutalista
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $15,789,248
- Opening weekend US & Canada
- $266,791
- Dec 22, 2024
- Gross worldwide
- $41,461,248
- Runtime3 hours 34 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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