Could have been a great film, but it cannot decide which way to go. It feels like standing beore a signpost with a dozen possible directions, but the author director could not really make up her mind which one to pursue.
Since the story revolves around Ingmar Bergman, who used to life and film on this island, we get a lot of references, movie clips, talks, sights, and quips about him, his films and his life. Praise and critique about Bergman is woven into the story of a couple of filmmakers, Chris and Tony, coming to Fårö, to write scripts and learn more on Bergman. Their different work styles, subjects and attitude have quite some Bergmanesque quality, though none of the straits are followed to the end. The Bergman worshipping and bashing does not offer any new insights and sounds like remnants from an abandoned documentary project. The film tends to remain on the lighter side until we get to hear and see Chris' script evolve as she tells it to her partner.
Here begins the strongest plot line, blending fiction with the reality. I only wish the director had focussed more on this development. It would have been an ultimately more compelling film.
