Two robbers steal an ambulance after their heist goes awry.Two robbers steal an ambulance after their heist goes awry.Two robbers steal an ambulance after their heist goes awry.
- Awards
- 12 nominations
Eiza González
- Cam Thompson
- (as Eiza Gonzalez)
Devan Chandler Long
- Mel Gibson
- (as Devan Long)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe limited space inside of the ambulance required Jake Gyllenhaal to hold the camera for a couple of takes.
- GoofsThe ambulances are supposed to have their number painted on their roof. The helicopters never mention it and they chase ambulances with different numbers without thinking about this.
- Quotes
Danny Sharp: We're not the bad guys, we're just the guys trying to get home!
Will Sharp: Well, we don't get to walk off into the sunset!
- Crazy creditsAt the end of the end credits not only director Michael Bay and producer Bradley Fisher get to say their special thanks but also the dog: "NITRO THE DOG WOULD LIKE TO THANK THE SPCA" (Society for the Prevention of Cruelty to Animals)
- ConnectionsFeatured in Teletrece: Episode dated 24 March 2022 (2022)
- SoundtracksSailing
Written by Christopher Cross
Performed by Christopher Cross
Produced by Michael Omartian
Courtesy of Christopher Cross Records
Featured review
Stylishly directed, jam-packed with chases and keeping the fun aspect alive for the most part if not all the way, Ambulance moves into top gear relatively quick and never takes the foot off the pedal once it gets going but the road it takes to reach its destination ends up being longer than what the gas in the tank can handle, thus resulting in a ride that's running on fumes way before the end is in sight.
Directed by Michael Bay, the premise is simple, setup is quick & thrills are endless even if much of the narrative elements seem underdeveloped. Bay utilises his usual unabashed over-the-top approach that provide his standard blockbuster fares an explosive, extravagant flavour and he amplifies the nonstop action some more with kinetic camerawork, chaotic vibe, frenetic editing and wicked character interplay.
The energy & passion is evident in execution and the use of drones to film the chase sequences is undoubtedly inspiring but this would've been an even better action-thriller if it was trimmed to a tight & tense 90 mins ride. Jake Gyllenhaal, Yahya Abdul-Mateen II & Eiza González remain in sync with the craziness on display. And while the interest & momentum isn't lost, one does start to feel its 136 mins runtime in the remaining half.
Overall, Ambulance is amusing, entertaining & preposterous in all the ways a Michael Bay film is expected to be but it is also a whole lot of fast fun & furious frivolity that manages to get plenty of mileage out of its barebone premise. The lack of restraint isn't an issue since it is one of the fine qualities of a Bayhem production but its overlong length does leave you feeling more exhausted than exhilarated in the end. In short, a gleeful & enjoyable delight.
Directed by Michael Bay, the premise is simple, setup is quick & thrills are endless even if much of the narrative elements seem underdeveloped. Bay utilises his usual unabashed over-the-top approach that provide his standard blockbuster fares an explosive, extravagant flavour and he amplifies the nonstop action some more with kinetic camerawork, chaotic vibe, frenetic editing and wicked character interplay.
The energy & passion is evident in execution and the use of drones to film the chase sequences is undoubtedly inspiring but this would've been an even better action-thriller if it was trimmed to a tight & tense 90 mins ride. Jake Gyllenhaal, Yahya Abdul-Mateen II & Eiza González remain in sync with the craziness on display. And while the interest & momentum isn't lost, one does start to feel its 136 mins runtime in the remaining half.
Overall, Ambulance is amusing, entertaining & preposterous in all the ways a Michael Bay film is expected to be but it is also a whole lot of fast fun & furious frivolity that manages to get plenty of mileage out of its barebone premise. The lack of restraint isn't an issue since it is one of the fine qualities of a Bayhem production but its overlong length does leave you feeling more exhausted than exhilarated in the end. In short, a gleeful & enjoyable delight.
- CinemaClown
- May 2, 2022
- Permalink
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Xe Cấp Cứu
- Filming locations
- Grand Central Market - 317 S. Broadway, Downtown, Los Angeles, California, USA(Where Cam Thompson and EMT Scott stop for enchiladas and sushi, market signs and Kobe Bryant mural can be seen behind them)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $22,781,115
- Opening weekend US & Canada
- $8,699,630
- Apr 10, 2022
- Gross worldwide
- $52,303,589
- Runtime2 hours 16 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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