Caught in the crossfires of civil war, CIA operatives must send a former U.S. diplomat to negotiate for the life of a friend he left behind.Caught in the crossfires of civil war, CIA operatives must send a former U.S. diplomat to negotiate for the life of a friend he left behind.Caught in the crossfires of civil war, CIA operatives must send a former U.S. diplomat to negotiate for the life of a friend he left behind.
- Awards
- 1 nomination
Khalid Benchagra
- Nadim
- (as Khalid Benchegra)
Yoav Sadian
- Karim (13 Years Old)
- (as Yoav Sadian Rosenberg)
Abdeslam Bounouacha
- Partygoer #3
- (as Abdesselam Abounouacha)
Youssef El Hibaqui
- Gunman
- (as Youssef El Hibaoui)
Hichame Ouraqa
- Abu Rajal
- (as Hicham Ouraqa)
Charley Broderick
- Boston Cop
- (as Charles Broderick)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe city of Tangier in Morocco proved to be especially suitable as a stand-in for Beirut because of a quirky chapter in the city's recent history. "Tangier had a building boom ten years ago and it all came from drug money," producer Monica Levinson explained. "When the government figured that out, they immediately put a stop to the construction, so you have a ton of buildings in Tangier that are just half-built shells. The government didn't want squatters to dwell in these buildings so they took sledge hammers and bulldozers and reduced the buildings to rubble. It was incredible to find all of that existing in Tangier."
- GoofsAlice returns to an apartment in which Cal has been staying that is said to be in a very unsafe area of the city. It is not realistic that a CIA operative in Beirut with responsibilities for supervising all Middle East operations would be domiciled in a very unsafe sector of any city in which his station was located.
- Quotes
Mason Skiles: You're not hallucinating. It's me Mason.
Mason Skiles: [to sandy] I don't want to be anywhere near this murdering fuck
[to Abu Rajal in Arabic]
Mason Skiles: Today is you're lucky night... YOU SON OF A WHORE!
Featured review
"I was a child during the Lebanese civil war, and I remember Israeli bombardments. So growing up, my view of Israel was completely negative. I'm not coming from a neutral place, but with time, I've had to re-examine my thinking." Ziad Doueiri (Lebanese director)
In the early '80's, Lebanon, and specifically Beirut, was a cauldron of conflicts that involved the interests of the US, the PLO, Israel, Syria, and Druze Militias. Director Brad Anderson and writer Tony Gilroy, reminding us of his fine work with Michael Clayton, carefully steer us through the city's growing rubble to chronicle the negotiations for a CIA spy to be exchanged for a rebel leader. Think The Year of Living Dangerously, Argo, and John le Carre for similar suspense.
Mason Skiles (Jon Hamm), a former US diplomat and current drunk, is called in as a skilled negotiator to bring back his friend, CIA agent Cal Riley (Mark Pellegrino), in a prisoner exchange. Hamm is particularly effective as a martini-soaked Cold War survivor whose role stateside after Lebanon as a labor negotiator has ennui written all over him.
Yet, this gig is fraught with danger because no one is a fool, and the smart players are too canny to be conned by a smooth talker like Mason. He has the good fortune to have his back guarded by cultural attaché Sandy Crowder (Rosamund Pike), an operative with multiple motives but a good bet to save the day.
Although little hope resides yet for a peace between Arabs and Israelis, the film succeeds in fleshing out the multiple points of view that have kept the Mideast a stew of ambitions and hatred. In the end, the film Beirut is an espionage thriller featuring an unBond, avowedly alcoholic hero. In that regard, it offers nothing new in this genre, just good action suspense and a modicum of insight.
The pace of this frenetic thriller set in the Lebanese Civil War is quick and smart with just enough character development to satisfy the harshest critics and enough turns in the negotiations to keep discerning audiences attentive and engaged. Be smart: see it.
In the early '80's, Lebanon, and specifically Beirut, was a cauldron of conflicts that involved the interests of the US, the PLO, Israel, Syria, and Druze Militias. Director Brad Anderson and writer Tony Gilroy, reminding us of his fine work with Michael Clayton, carefully steer us through the city's growing rubble to chronicle the negotiations for a CIA spy to be exchanged for a rebel leader. Think The Year of Living Dangerously, Argo, and John le Carre for similar suspense.
Mason Skiles (Jon Hamm), a former US diplomat and current drunk, is called in as a skilled negotiator to bring back his friend, CIA agent Cal Riley (Mark Pellegrino), in a prisoner exchange. Hamm is particularly effective as a martini-soaked Cold War survivor whose role stateside after Lebanon as a labor negotiator has ennui written all over him.
Yet, this gig is fraught with danger because no one is a fool, and the smart players are too canny to be conned by a smooth talker like Mason. He has the good fortune to have his back guarded by cultural attaché Sandy Crowder (Rosamund Pike), an operative with multiple motives but a good bet to save the day.
Although little hope resides yet for a peace between Arabs and Israelis, the film succeeds in fleshing out the multiple points of view that have kept the Mideast a stew of ambitions and hatred. In the end, the film Beirut is an espionage thriller featuring an unBond, avowedly alcoholic hero. In that regard, it offers nothing new in this genre, just good action suspense and a modicum of insight.
The pace of this frenetic thriller set in the Lebanese Civil War is quick and smart with just enough character development to satisfy the harshest critics and enough turns in the negotiations to keep discerning audiences attentive and engaged. Be smart: see it.
- JohnDeSando
- Apr 16, 2018
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Beirut
- Filming locations
- Tangier, Morocco(city: Beirut, environs: desert regions)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $5,019,226
- Opening weekend US & Canada
- $1,734,497
- Apr 15, 2018
- Gross worldwide
- $7,509,436
- Runtime1 hour 49 minutes
- Color
- Aspect ratio
- 2.39 : 1
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