78/52

78/52 (2017)

**** (out of 4)

The shower scene in Alfred Hitchcock's PSYCHO lasted for less than a minute yet it took seven days to shoot. This wonderfully entertaining documentary takes a look at that minute worth of footage and breaks everything down from the score, to the edits, to the violence and certain things throughout the movie that foreshadows it.

78/52 is a highly entertaining documentary that fans of PSYCHO are going to really enjoy. A lot of documentaries (like the one on THE SHINING) are a bit far-fetched in their ideas but that's not the case here as everyone interviewed is basically a fan and we break the sequence down in so many ways that you'll be seeing things for the first time. I've seen this movie countless times in my life and yet I learned a few new things here.

The people interviewed include: Peter Bogdanovich, Jamie Lee Curtis, Guillermo del Toro, Alan Barnette, Justin Benson, Danny Elfman, Bret Easton Ellis, Jeffrey Ford, Mick Garris, Neil Marshall, Bob Murawski, Elijah Wood and Richard Stanley. We also get archival interviews with Alfred Hitchcock, Janet Leigh and Joseph Stefano. Also interviewed is Marli Renfro who was Leigh's body double during the shower sequence.

The documentary does a really great job at showing how marvelous the sequence was. We get to watch it slowed down as well as getting comments on various edits, why the edits were done and countless other stories. This documentary covers a lot of ground in its running time and there's really not a weak moment to be found. If you're a fan of PSYCHO then I'm sure you've seen other documentaries on the sequence but this one here takes it to a new level.

Of course, one of the biggest highlights is having Renfro discuss how she got the part, what Hitchcock was like and how the shooting of the scene went. She was certainly a major player in this sequence so it was great getting to hear from her and get her stories.

A 91-minute analysis of the famous shower scene from Hitchcock's 'Psycho' and how it changed the course of cinema. The first of its kind, a feature length documentary on one scene. The film gets its name '78/52' from 52 shots in a 78 second sequence. It's very entertaining and incredibly rich with goodies you never considered went into the making of the famous scene. I loved the archival Hitchcock commentary they recovered. Though, as I personally feel the movie horror scene has drastically changed (you can decide for the better or for worse), to have young horror film makers (of some damn awful films) and irrelevant actors interviewed to share their thoughts in quite enthusiastic ways suggests that Hitchcock's achievement is less pioneering than the film makes it seem. That aside, I'm surprised they pulled it off, you can tell the director (who is obviously a massive Hitchcock nerd) adores the content and it really shows.

This film was really, really interesting. It felt like listening to a very knowledgeable docent dissecting and explaining a famous painting. In this case it's filmmakers sharing their admiration for "the shower scene." They take it apart frame by frame and geek out over it and give their insights. There's plenty of "Psycho" trivia (casaba melons, really?) and listening to the recollections of Janet Leigh's body double is just straight-up cool. (Anthony Perkins dropped her head on the floor!) You also get to learn about some of the themes and subtle artistic touches Hitchcock used...like the story behind the painting hanging on Norman's wall, and the rain Marion drives through portending the water in the shower. If you're a fan of Hitchcock, DEFINITELY check this out.

No it's not about any sport - if that was not included in the Box Set I bought I might not have known from the title alone what this would be about. But I reckon someone very knowledgeable about Psycho does know - if you don't or haven't seen Psycho: do not read on! And of course do not watch the documentary. Because the title of the documentary is of course something that is attached to a very special scene in Psycho.

And I'm talking about the shower scene. It may seem weird to make a documentary just about one scene in one movie (and it not even being the big twist at the end of the movie), but here it is. And it is a really good one. A lot of filmmakers and actors are in this and they talk about Psycho but also about Hitchcock in general. So you get some of his other movies mixed in here, while again primarily focussing on the shower scene. And it is a great one - still getting people excited or afraid. And when the actress from back then says she never showered again (true or not, only she knows), it's just amazing ...

Greetings again from the darkness. Does it make sense to create an entire movie about a single scene from another movie? Director Alexandre O. Philippe answers with a resounding "Yes" and proves it with thorough and varied analysis of the infamous and iconic shower scene from Alfred Hitchcock's classic PSYCHO.

"The death of a beautiful woman is, unquestionably, the most poetical topic in the world."

That quote from Edgar Allan Poe opens the film, and reminds us that the hullabaloo surrounding PSYCHO would never have been possible if Janet Leigh hadn't been a beautiful movie star … and if Hitchcock hadn't shocked us with the timing … and if so many other pieces hadn't fallen into place. It's those pieces that are the focus of Mr. Philippe's expository on the immediate and lasting impact of the scene.

The film's title comes from the 78 pieces of film and 52 cuts that make up the 3 minute sequence being adored, admired and argued here. The interviews and insight come fast and passionately from filmmakers, writers, educators, film historians, and actors. We meet the ultra-charming Marli Renfro, who was Janet Leigh's body-double for the film – and also graced the September 1960 cover of Playboy. There is also Tere Carrubba, Mr. Hitchcock's granddaughter and the daughter of Patricia Hitchcock, who has a minor role in PSYCHO. A few of the others who discuss the scene and film's influence include directors Peter Bogdanovich, Guillermo del Toro, and Karyn Kusama (JENNIFER'S BODY); and writers Leigh Whannell (SAW, INSIDIOUS) and Bret Easton Ellis (AMERICAN PSYCHO).

True technical analysis and peek behind the mysterious filmmaking curtain kicks into high gear when Walter Murch speaks. Mr. Murch is a 3-time Oscar winner and 9-time nominee for such timeless films as APOCALYPSE NOW and THE CONVERSATION. He is an expert on sound and film editing, two vital components to the shower scene, and he literally guides us through the individual cuts. Most fans of the film know of the chocolate syrup, but the casaba melon and the painting on the wall might be new territory. The film ties together, like never before, the script of Joseph Stefano, the storyboard of Saul Bass, the editing of George Tomasini, and the scene score of Bernard Hermann … all giants of the industry.

Whether you are a film lover, Hitchcock fanatic, or film theorist, you are likely to find something new here. The film represents so many "firsts" and was truly a turning point in the film industry, while also being a cultural phenomenon. When Martin Scorcese talks about the PSYCHO influence on RAGING BULL, it's the culmination of a blissful 90 minutes.