54
Metascore
9 reviews · Provided by Metacritic.com
- 80The GuardianAdrian HortonThe GuardianAdrian HortonIt accomplished what few of its peers have been able to do: make me believe in a teenage romance, actually remember the confusion of growing up and feel satisfied with an ending that points to an open-book future.
- 66Paste MagazineAurora AmidonPaste MagazineAurora AmidonWhile Hello, Goodbye, and Everything in Between boasts a solid premise (Who doesn’t want to see two charismatic teens embark on a breakup date?) there is no way in hell anyone could sit down and not predict how the thing is going to play out.
- 63Chicago Sun-TimesRichard RoeperChicago Sun-TimesRichard RoeperEvery character in the Netflix teenage rom-com “Hello, Goodbye and Everything in Between” is just so nice that we wish them all well, but we’re not fully convinced there’s enough here for an actual movie.
- 60The New York TimesLisa KennedyThe New York TimesLisa KennedyFor those viewers aged out of the movie’s intended demographic, that quandary isn’t as compelling as the evidence of its lead actors’ talents, as well as that of the nimble actors who play their besties, Stella (Ayo Edebiri) and Scotty (Nico Hiraga).
- 50Screen RantFerdosa AbdiScreen RantFerdosa AbdiWhile the film is romantic and poignant in parts, the whole thing falls apart when it relies on the central couple, who lack intense chemistry and substance.
- 42The A.V. ClubMark KeizerThe A.V. ClubMark KeizerThe issues the movie attempts to tackle—parental expectations, heartbreak, anxiety over choosing the right path—have all been addressed better in other films.
- 42IndieWireJude DryIndieWireJude DryThe fast-paced dialogue and mature-but-wholesome humor creates a general aura of clever high school rapport, aided by a lively supporting performance from comedian Ayo Edebiri (“Big Mouth”). But in trying to be everything in between, the movie ends up being not much of anything.
- 40NMENick LevineNMENick LevineIt’s hampered by an execution that’s flat, fussy and self-conscious. Only the most hopeless romantic will be able to invest in these characters for very long.
- 40VarietyCourtney HowardVarietyCourtney HowardEven though this Netflix original doesn’t condescend to its targeted teen audience, it fails to surmount basic issues dealing with narrative credulity and the outcome’s predictability.