Massacre no Texas

Prequel to the legendary Texas Chainsaw Massacre, this is as much a violent road movie as it is a horror. I heard many negative things about the film beforehand but as always I watched it with an open mind. On the negative side I found this film to be somewhat unconvincing and unnecessary. Obviously it was made to make money but it really does not add anything worthy to the TCM series. On the plus side it was technically pretty good, having seen a few of the director' previous films it lived up to expectations. Acting and pace is good plus there is a lot of blood & violence to satisfy most gorehounds. I would certainly watch it again.

Went in with low expectations, and got what was expected. Gore, action and a somewhat alright climax? I love the franchise so much, especially the very first 2. The remake and prequel were excellent too, and I'm glad they didnt continue the storyline after texas chainsaw 3D. They nailed it with the practical effects and the deaths scenes. Satisfying for a gore lover, after all these toned down sequels in general lately. All 3 main characters go from one dimensional to "I'm gonna do whatever it takes to escape" and actually become.. smart? Wait... there are smart characters in a slasher?!! Yup, but the problem is once half of these characters are developed, they're either instantly killed off or vanish rate off the radar. The movie itself feels like it doesn't know what it wants to be. For a fan, you'll be satisfied with the deaths and action it had but you might be disappointed with the choice of pacing and direction. But there's one scene that just bothers me... you'll find out when you see it.

I've seen complaints that this film contributes very little to the origins of Leatherface, which is true. However if you go into this without that expectation you have a very solid slasher flick, which is surprisingly well shot might I add. A fun movie intended for lovers of the genre.

In 1955 Sheriff Hartman (Stephen Dorff) is called to the scene of his daughter, Betty's, death. The Sawyer children are at the crime scene (and not for the first time as they've been present at other deaths) and while he can't charge any of them he gets revenge on the Sawyer matriarch, Verna (Lili Taylor), by taking custody of her son, Jedidiah, away under Child Endangerment. 10 years later Jedidiah has been given a new name and has been integrated into the system at mental hospital Gorman House Youth Reformery. When Verna unsuccessfully tries to contact her son, she instigates a riot by opening several facility doors. A group of four inmates consisting of hulking mute Bud (Sam Coleman), violent psychopath Ike (James Bloor) and his equally violent girlfriend Clarice (Jessica Madsen), and Bud's subdued relatively level headed friend Jackson (Sam Strike) escape with Ike taking nurse Elizabeth White (Vanessa Grasse) hostage. Learning of the escapees and that one of them is Jedidiah Sawyer, Sheriff Hartman pursues the group intent on bringing them down rather than bringing them in.

Following the relative success of Texas Chainsaw 3D, Lionsgate and millennium opted to move forward on another installment tentatively titled Texas Chainsaw 4. Following a proposed follow-up to be filmed by Texas Chainsaw 3D director John Luessenhop being scrapped, the producers instead opted for a prequel pitch by Seth M. Sherwood described as a road thriller akin to Terrence Malik's Badlands but with gore. French New Extremity directors Julien Maury and Alexandre Bustillo who had made a name for themselves with their films such as Inside, Livid, and Among the Living that like other members of the (Alexandre Aja, Xavier Gens, etc.) were noted for their brutal intensity and violence. Leatherface is technically speaking a better film than Texas Chainsaw 3D, and it does well capturing the period with Julien Maury and Alexandre Bustillo evoking an almost neo-western vibe from the film, but it's also an exercise in redundancy as much like other prequels we know exactly where it's going and the characters and story aren't engaging enough to make us forget that.

The movie does have good elements to it. The cinematography is well done and convinces us the Bulgarian filming locations are in fact 1960s East Texas and unlike the Platinum Dunes films I actually felt like Leatherface took place in a different decade. Stephen Dorff is really good as antagonist Sheriff Hartman who plays the hellbent lawman archetype with seething intensity and hatred for the Sawyer family, in many ways it's reminiscent of Dennis Hopper's Lefty from Texas Chainsaw Massacre 2 except played straight but still good. I also liked Lili Taylor as Sawyer matriarch Verna Sawyer-Carson who conveys this almost Betty Crockerish image that barely contains the intense violence and hatred beneath the surface.

Unfortunately the principal cast whom we spend the most time with are the least interesting. Bud, Ike, Clarice, Jackson, and Elizabeth aren't all that interesting and it feels like we're focusing on the wrong people story wise. Stephen Dorff is arguably the driving force behind the story as he's Hellbent on taking down this group because he knows his daughter is dead because of them, and while his character does engage in shady or brutal acts, he's not more evil than the group we're following who we see kill without hesitation or remorse. The story isn't unworkable and all the pieces are in place, btu the movie wants us to sympathize with the group of escaped psychopaths rather than be scared by them and it just leaves the movie lacking in much of anchor point for investment. This probably explains why certain actions the hostage character Elizabeth does seem so outright perplexing because there are several opportunities where she can make a run for safety from the unstable group but just doesn't and the relationship between her and Jackson isn't strong enough to buy give credibility to her uncertainty as to whether or not she should leave. Eventually the movie leads right back to where we knew it started and because it played with the uncertainty of who is Leatherface the character's descent feels like it's on fast forward when it should've been a slow rot.

Leatherface is just kind of "meh" it's not unique enough like Texas Chainsaw Massacre 2, it's not bad enough to be funny like Texas Chainsaw Massacre: Next Generation or Texas Chainsaw 3D, and instead is content to settle for competent mediocrity. It has some good performances and a nice look, but it's in service of a movie that's just "there".

As a child, Jed Sawyer is taken from his murderous hillbilly family and put in the Gorman House Youth Reformatory, where he spends the next ten years with a new identity. When the prisoners revolt, a small group make a bid for freedom with pretty nurse Lizzy (Vanessa Grasse) and fellow inmate Jackson as their hostages.

Tobe Hooper's original The Texas Chain Saw Massacre ranks as one of the scariest films ever made, its iconic killer Leatherface its most frightening creation. With this latest film in the series, they've gone and done what Rob Zombie did with his godawful Halloween remake: give the killer a back story. In humanising the character, they have lessened his effectiveness as an object of fear. Once an emotionless, uncontrollable monster, impossible to reason with, he is now someone we can identify with and feel a level of pity for. It didn't work for Michael Myers and it doesn't work here.

The origins story-line also makes much of the film seem frustratingly unlike a Texas Chainsaw movie, at times even reminding me of a Tarantino flick (the escape from Gorman House made me think of Natural Born Killers while the BBQ stop massacre was redolent of both NBK and Pulp Fiction). Only in the film's closing moments do things actually feel like they belong to the franchise, with Lizzy trying to escape the Sawyer's charnel house, a chainsaw wielding Jed (soon to become Leatherface) hot on her heels. Directors Alexandre Bustillo and Julien Maury don't hold back on the brutality and blood, but even so, I can imagine many fans of the series being disappointed with the level of splatter (too much for some, not enough for others).

5.5 out of 10, rounded down to 5 for that really dumb scene in which three people (including one really fat guy) hide from the law by climbing inside the festering carcass of a steer. A really big steer. Also, minus half a point for the unbelievable necro sex scene. And another half point subtracted for Jed's sudden (and also completely unbelievable) transformation from rational human being to hulking homicidal maniac.