As faíscas voam quando Elizabeth Bennet conhece o solteiro, rico e orgulhoso Sr. Darcy, que acha que está se apaixonando por uma mulher abaixo de sua classe.As faíscas voam quando Elizabeth Bennet conhece o solteiro, rico e orgulhoso Sr. Darcy, que acha que está se apaixonando por uma mulher abaixo de sua classe.As faíscas voam quando Elizabeth Bennet conhece o solteiro, rico e orgulhoso Sr. Darcy, que acha que está se apaixonando por uma mulher abaixo de sua classe.
- Indicado a 4 Oscars
- 13 vitórias e 59 indicações no total
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Você sabia?
- CuriosidadesDirector Joe Wright was not initially keen on Keira Knightley playing Elizabeth, believing her to be too attractive. He changed his mind upon meeting her, deciding her tomboyish attitude would be perfect for the part. Or, as she tells it on The Graham Norton Show (2007) : "He initially thought I was too pretty, but then he met me and said 'Oh, no you're fine!'."
- Erros de gravaçãoDuring the ballroom scene, when Lizzy and Charlotte bump into Mr Darcy and he asks Lizzie to dance with him, if you turn the volume up you can hear the crew members discussing the position of the boom in the background.
- Citações
Mr. Darcy: You must know... surely, you must know it was all for you. You are too generous to trifle with me. I believe you spoke with my aunt last night, and it has taught me to hope as I'd scarcely allowed myself before. If your feelings are still what they were last April, tell me so at once. My affections and wishes have not changed, but one word from you will silence me forever. If, however, your feelings have changed, I will have to tell you: you have bewitched me, body and soul, and I love--I love--I love you. I never wish to be parted from you from this day on.
- Cenas durante ou pós-créditosThanks to ... The Dromgoole family ... all at Sands Films ... Andrew and Pippa Reis and family ... the residents and businesses of Stamford Lincolnshire.
- Versões alternativasUS version has a different ending: after Mr. Bennet and Elizabeth's conversation, a scene follows where Darcy and "Mrs. Darcy" are at Pemberly talking about their happiness.
- ConexõesFeatured in Pride and Prejudice Revisited (2005)
- Trilhas sonorasMeryton Townhall
(uncredited)
Written by Dario Marianelli
Performed by English Chamber Orchestra
[Plays during the first dance at Meryton ball]
I began my "Pride and Prejudice" attempt with the well regarded 1995 five hour classic with Colin Firth, a BBC mini-series. And it is so poorly filmed (visually) and so utterly about recreating the text (the Austen original), it ends up being awkward and sort of awful. As a movie.
I know that is sacriledge to some. But I switched after an hour to this one, which I had seen before. And in two minutes I was sucked in. I think the biggest first point is this: to be true to Austen, you must find a way to put us there, to make us feel it. It's not about the text, the facts, the truth of the translation to film. It's about the effect and the final "truth" that this movie manages in a short two hours.
So, yes, this is a filmic film. It's gorgeous and thoughtful for how it handles the scenes and the light, the movement of camera and the capturing of space. It's a wonderful film on a physical level. (There are particular scenes, in the middle especially at a party, where the camera follows the action from character to character through several rooms for a glorious long take that just fills the sensation of being there beautifully.)
You might say this is Keira Knightly's movie, since she is Elizabeth. And she's kind of great (I've always had a reservation about her sincerity on screen). The cast around her is terrific--even the somewhat troublesome casting of Matthew Macfadyen as Mr. Darcy. I know that Mr Darcy is meant to be unpleasant, but he comes off as somewhat wooden for too long here...as he does in Colin Firth's hands, too, in fact.
But I warm to him by the end, so maybe it's perfect. And the other cast, including stars like Sutherland and Dench, is great.
The director, Joe Wright, is basically unknown to me, though I see he did the more excessive Knightley vehicle, "Atonement." So the tendancy for dramatic ambiance is a given, not to mention Anna Karenina (also starring Knightley). It all works. It's a kind of dramatization that purists probably hate, but for me it makes an original take on a classic that has its own dignity and beauty.
And I'll add that Knightly is just 18 for this filming, and shows amazing depth for a young actress.
Recommended!
- secondtake
- 18 de jul. de 2020
- Link permanente
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Orgullo y prejuicio
- Locações de filme
- Chatsworth House, Edensor, Derbyshire, Inglaterra, Reino Unido(Pemberley exteriors/Pemberley's grand staircase/Pemberley's sculpture gallery)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 28.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 38.405.088
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.804.000
- 13 de nov. de 2005
- Faturamento bruto mundial
- US$ 121.616.555
- Tempo de duração2 horas 9 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1