Chicago

2002
12
1 h 53 min

AVALIAÇÃO DA IMDb

7,2/10

247 mil

SUA AVALIAÇÃO

POPULARIDADE

1.240

Richard Gere, Renée Zellweger, and Catherine Zeta-Jones in Chicago (2002)

Reproduzir trailer1:55

5 vídeos

99+ fotos

True Crime Comedy Crime Musical

Duas assassinas no corredor da morte desenvolvem uma rivalidade feroz enquanto competem por publicidade, celebridade e a atenção de um advogado de má qualidade.Duas assassinas no corredor da morte desenvolvem uma rivalidade feroz enquanto competem por publicidade, celebridade e a atenção de um advogado de má qualidade.Duas assassinas no corredor da morte desenvolvem uma rivalidade feroz enquanto competem por publicidade, celebridade e a atenção de um advogado de má qualidade.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,2/10

247 mil

SUA AVALIAÇÃO

POPULARIDADE

1.240

Veja as informações de produção no IMDbPro

Ganhou 6 Oscars
- 59 vitórias e 129 indicações no total

Vídeos5

Trailer 1:48

Chicago

Video 6:12

Hollywood's Shared History with Broadway

Clip 3:37

Cate Blanchett Almost Played Clarice Starling?

Video 3:19

Jenna Dewan's Favorite Dance Movie Scenes

Fotos191

+ 185

Best Picture Winners by Year

See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.

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Curiosidades
In the beginning of the scene introducing Matron Mama Morton (Queen Latifah) to the new inmates, Roxie Hart (Renée Zellweger) has a brief conversation with a woman smoking a cigarette. That character is played by long-time Broadway actress Chita Rivera, who portrayed Velma Kelly in the original 1975 production of "Chicago."

Erros de gravação
There are 50 stars on the US flag in the courtroom (should be 48).

Citações
June: I'm standin' in the kitchen, carving up a chicken for dinner, minding my own business, when in storms my husband, Wilbur, in a jealous rage. "You've been screwing the milkman," he said. He was crazy, and he kept on screaming, "You've been screwing the milkman." And then he ran into my knife... he ran into my knife ten times.

Cenas durante ou pós-créditos
Near the end of the credits, just so there are no doubts: Catherine Zeta-Jones' singing and dancing performed by Catherine Zeta-Jones Renée Zellweger's singing and dancing performed by Renée Zellweger Richard Gere's singing and dancing performed by Richard Gere

Versões alternativas
The musical number "Class," featuring Queen Latifah and Catherine Zeta-Jones, was deleted from the final version of the film. However, it was recut into the movie for a brief, extremely limited theatrical re-release in the summer of 2003. It then appeared on DVD as a bonus feature, but was NOT intercut there.

Conexões
Featured in Siskel & Ebert & the Movies: The Lord of the Rings: The Two Towers/Chicago/Two Weeks Notice/The Wild Thornberrys Movie (2002)

Trilhas sonoras
Overture/And All That Jazz
Music by John Kander
Lyrics by Fred Ebb
Performed by Catherine Zeta-Jones, Renée Zellweger, and Taye Diggs
Published by Unichappell Music, Inc. (BMI)

Avaliações de usuários1.1K

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Avaliação em destaque

8/10

Well worth seeing.

In 1924, Cook County (Chicago) had two trials of women who killed their lovers. Both Beaulah Annan and Belva Gaertner inexplicably were found innocent--and the media loved it. As a result, in 1927, a silent fictionalized movie called "Chicago" debuted. Then, in 1942, Ginger Rogers starred in a remake called "Roxie Hart". In the mid-1970s, a musical version of "Roxie Hart" debuted on Broadway. And, in 2002, the filmed version of the 70s musical was released. Now that is a long and interesting pedigree! As for the film, it's an interesting melange. The songs are great and the film is very impressive...yet it's so incredibly anachronistic that it made my brain hurt. Now some of this I could understand--it was more like a filmed version of the play than most musicals. But why they chose to have ridiculously modern outfits and backup dancers confused me. Why did Catherine Zeta-Jones, Renée Zellweger and Richard Gere dress and look like they were from the 1920s--yet the rest of the dancers look right off the stage of Broadway circa 2002?! The fishnet stockings, 2002 hairstyles and the like really confused the crap out of me--especially since I am a history teacher.

Still, I must point out the singing and songs were great and the story was a huge improvement over the Ginger Rogers film (which was wretched). It was well made and I was particularly impressed by Zeta-Jones (who won the Best Supporting Actress Oscar for it), Gere and John C. Reilly. They really worked their butts off and impressed me. So, because so much was right about this film I certainly recommend it. It's just too bad they didn't get the details right or even try when it came to all the minor characters and costumes. Oh well, you can't win 'em all.