A Última Noite de Bóris Grushenko

Título original: Love and Death

1975
12
1 h 25 min

AVALIAÇÃO DA IMDb

7,6/10

42 mil

SUA AVALIAÇÃO

A Última Noite de Bóris Grushenko (1975)

In czarist Russia, a neurotic soldier and his distant cousin formulate a plot to assassinate Napoleon.

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Parody Slapstick Comedy War

Na Rússia czarista, um soldado neurótico e seu primo distante formulam uma trama para assassinar Napoleão.Na Rússia czarista, um soldado neurótico e seu primo distante formulam uma trama para assassinar Napoleão.Na Rússia czarista, um soldado neurótico e seu primo distante formulam uma trama para assassinar Napoleão.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,6/10

42 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Prêmios
- 1 vitória e 1 indicação no total

Mikhail
(as Feodor Atkine)

Albert Augier

Waiter

Yves Barsacq

Rimsky
(as Yves Barsaco)

Lloyd Battista

Don Francisco

Jack Berard

General Lecoq

Eva Betrand

Woman Hygiene Class

George Birt

Doctor

Yves Brainville

Andre

Gérard Buhr

Servant
(as Gerard Buhr)

Brian Coburn

Dimitri

Henri Coutet

Minskov

Patricia Crown

Cheerleader

Henri Czarniak

Ivan
(as Henry Czarniak)

Direção
- Woody Allen
Roteirista
- Woody Allen
Elenco e equipe completos
Produção, bilheteria e muito mais no IMDbPro

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Curiosidades
In an interview with 'Esquire' magazine, Woody Allen once said of the making of this movie: "When good weather was needed, it rained. When rain was needed, it was sunny. The cameraman was Belgian, his crew French. The underlings were Hungarian, the extras were Russian. I speak only English - and not really that well. Each shot was chaos. By the time my directions were translated, what should have been a battle scene ended up as a dance marathon. In scenes where Keaton and I were supposed to stroll as lovers, Budapest suffered its worst weather in twenty-five years".

Erros de gravação
The young Boris has blue eyes, but the adult Boris has brown eyes.

Citações
Sonja: To love is to suffer. To avoid suffering one must not love. But then one suffers from not loving. Therefore, to love is to suffer; not to love is to suffer; to suffer is to suffer. To be happy is to love. To be happy, then, is to suffer, but suffering makes one unhappy. Therefore, to be unhappy, one must love or love to suffer or suffer from too much happiness. I hope you're getting this down.

Cenas durante ou pós-créditos
Russian composer Sergei Prokofiev is listed in the credits as "S. Prokofiev," just the way he would have been listed in the credits of a Russian film.

Versões alternativas
The MGM DVD release deletes the pre-title Prokofiev overture.

Conexões
Featured in V.I.P.-Schaukel: Episode #7.3 (1977)

Trilhas sonoras
The Magic Flute Overture K. 620
(1791) (uncredited)
Written by Wolfgang Amadeus Mozart

Avaliações de usuários137

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Avaliação em destaque

8/10

Tolstoy Takes A Beating

Watching Love And Death today I had the feeling that back when Woody Allen was going to Midwood High School in Brooklyn, a few years before I did, he was forced to do a book report on War And Peace and hated it. He vowed to get even with Tolstoy and all the rest of those heavy Russian dramatists and in Love And Death I do believe he succeeded.

And if you ever were forced to sit through all that turgid prose and heavy dramatics than Love And Death is the film you've longed for. The time is the Napoleonic Wars and the flower of Russian manhood is answering the colors. But Woody comes from a different patch than the other flowers bloomed in and he's not that crazy about sacrificing for old mother Russia.

The overall tone of Love And Death is a homage to Groucho Marx and years earlier I could have seen the Marx Brothers doing something like Love And Death with a bit more creative control, just like what Woody Allen has with his movies. But the military scenes were out of the Bob Hope school of cowardice playbook.

Lest anyone think that only Russian literature got a good satire, Allen includes a take off on Eugene O'Neill's Strange Interlude as Allen and Diane Keaton both go into those stage soliloquys about what the future holds for them as a couple.

Love And Death a must for Woody Allen and a missionary film for those looking to convert someone to being a Woody Allen fan.