Um homem moribundo de quarenta anos lembra-se do seu passado. Sua infância, sua mãe, a guerra, momentos pessoais e coisas que contam a história recente de toda a nação russa.Um homem moribundo de quarenta anos lembra-se do seu passado. Sua infância, sua mãe, a guerra, momentos pessoais e coisas que contam a história recente de toda a nação russa.Um homem moribundo de quarenta anos lembra-se do seu passado. Sua infância, sua mãe, a guerra, momentos pessoais e coisas que contam a história recente de toda a nação russa.
- Prêmios
- 1 indicação
- Aleksei
- (narração)
- Father
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesTo create the effect of the wind making waves through the crops in the field outside the cabin in the woods, Tarkovsky had two helicopters land behind the camera and switch on the rotors when he wanted the wind to start.
- Erros de gravaçãoIn the first scene, in which stutterer Yuri Zhary is being hypnotized, a shadow of the boom mic is prominently visible on the wall behind him. However, because this is clearly supposed to be a recreation of a TV broadcast, it appears to be a intentional error.
- Citações
Father: It seems to make me return to the place, poignantly dear to my heart, where my grandfather's house used to be in which I was born 40 years ago right on the dinner table. Each time I try to enter it, something prevents me from doing that. I see this dream again and again. And when I see those walls made of logs and the dark entrance, even in my dream I become aware that I'm only dreaming it. And the overwhelming joy is clouded by anticipation of awakening. At times something happens and I stop dreaming of the house and the pine trees of my childhood around it. Then I get depressed. And I can't wait to see this dream in which I'l be a child again and feel happy again because everything will still be ahead, everything will be possible...
- ConexõesEdited into Melancolia de Moscou (1990)
To try to follow it as an ordinary narrative is to lose its poetic ambience...I let it wash over me like glorious music. We are so accustomed to "and then...and then" that our minds can follow as logic, that we tend to dismiss the affect that the visual image itself can have on our minds, hearts and souls. Tarkovsky is a poet...and for me this is his richest, most satisfying film of all. Included are film clips from WW 2, the Spanish Civil War, poetry by the director's father.
It does help to know that the same actress (Margarita Terekhova) plays the dying man's wife and his mother...as he allows his memory to shift over his life.
The only other director I can think of who understands the visual language of film and its significance as beautifully as Tarkovsky is Terence Malick.
Zerkalo is haunting and uplifting even as we know the "hero" is dying. Death, after all, is an intrinsic part of life.
- Peegee-3
- 12 de fev. de 2003
- Link permanente
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Detalhes
Bilheteria
- Orçamento
- RUR 622.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 22.168
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.537
- 15 de set. de 2002
- Faturamento bruto mundial
- US$ 124.367
- Tempo de duração1 hora 47 minutos
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1