AVALIAÇÃO DA IMDb
3,5/10
1,8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA group of people at a bar witness the unfolding events of a Soviet invasion of the USA.A group of people at a bar witness the unfolding events of a Soviet invasion of the USA.A group of people at a bar witness the unfolding events of a Soviet invasion of the USA.
Jack Carr
- Plant Worker
- (não creditado)
John Crawford
- Man in Bar
- (não creditado)
Richard Eyer
- Mulfory's Son
- (não creditado)
Franklyn Farnum
- Man from Omaha
- (não creditado)
Joe Gilbert
- Tourist in Line
- (não creditado)
Enredo
Você sabia?
- CuriosidadesNoel Neill (Second Airline Ticket Agent) and Phyllis Coates (Mrs. Mulfory) both played Lois Lane: Neill in Super-Homem (1948), O Homem Atômico Contra o Super-Homem (1950) and Seasons Two to Six of As Aventuras do Super-Homem (1952) and Coates in Superman and the Mole-Men (1951) and Season One of As Aventuras do Super-Homem (1952).
- Erros de gravaçãoThe Soviet bombers shown dropping the atomic bombs are in fact American B-29 superfortresses. In fact in the American retaliation raids the same B-29 planes are shown. This reveals stock aircraft footage was used for both.
- Citações
Mr. Ohman: I think America wants new leadership.
Vince Potter: What kind of leadership do you suggest?
Mr. Ohman: I suggest a wizard.
Vince Potter: A what?
Mr. Ohman: A wizard, like Merlin, who could kill his enemies by wishing them dead. That's the way we like to beat Communism now, by wishing it dead.
- ConexõesEdited into O Robô Alienígena (1953)
Avaliação em destaque
This film is no masterpiece. But it is nowhere near as bad as often made out, perhaps by those who have never seen it.
The use of stock footage, and some cheap special effects, is not unusual for films of this vintage. For a low budget film, it actually made good use of the available resources.
I suspect most of the criticism is not based on the film itself, but its supposed political failings. However the politics of a film are not a reason to pan it. We recognise the Battleship Potemkin as a great film, despite it being communist propaganda. The same applies to Triumph of the Will as Nazi propaganda. Less successful but no less political films, such as Schindler's List, are rated on their merits, irrespective of their message.
Invasion U.S.A. adopts a narrative that is close to documentary. It does not include irrelevant romantic distractions, or complex sub-plots. It is rather more of a war film than an anti-communist work.
The enemy is not clearly identified. They look and sound rather more like Nazis than Reds. The identity of the enemy is not as important as the message that America needs to be ready to defend itself. I would have thought that the message that a country needs to be vigilant is as correct now as in 1952.
The course of the invasion, and its successful outcome, were refreshing after watching too many gung ho American films where the US heroes always prevail. This film shows the reality that the USA could have been invaded by the Soviet Union in 1952 - if they had been, the Soviets would almost certainly have won the war. Russia had a narrow window of opportunity, before the USA developed too many thermonuclear weapons, and invasion would be too costly. There were Soviet invasion plans prepared.
I wonder when we will see an American film about a successful Taliban or ISIS attack on the USA, with the message that the USA needs to be prepared.
The use of stock footage, and some cheap special effects, is not unusual for films of this vintage. For a low budget film, it actually made good use of the available resources.
I suspect most of the criticism is not based on the film itself, but its supposed political failings. However the politics of a film are not a reason to pan it. We recognise the Battleship Potemkin as a great film, despite it being communist propaganda. The same applies to Triumph of the Will as Nazi propaganda. Less successful but no less political films, such as Schindler's List, are rated on their merits, irrespective of their message.
Invasion U.S.A. adopts a narrative that is close to documentary. It does not include irrelevant romantic distractions, or complex sub-plots. It is rather more of a war film than an anti-communist work.
The enemy is not clearly identified. They look and sound rather more like Nazis than Reds. The identity of the enemy is not as important as the message that America needs to be ready to defend itself. I would have thought that the message that a country needs to be vigilant is as correct now as in 1952.
The course of the invasion, and its successful outcome, were refreshing after watching too many gung ho American films where the US heroes always prevail. This film shows the reality that the USA could have been invaded by the Soviet Union in 1952 - if they had been, the Soviets would almost certainly have won the war. Russia had a narrow window of opportunity, before the USA developed too many thermonuclear weapons, and invasion would be too costly. There were Soviet invasion plans prepared.
I wonder when we will see an American film about a successful Taliban or ISIS attack on the USA, with the message that the USA needs to be prepared.
- Royalcourtier
- 18 de set. de 2014
- Link permanente
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- How long is Invasion, U.S.A.?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 127.000 (estimativa)
- Tempo de duração1 hora 13 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Invasion, U.S.A. (1952) officially released in Canada in English?
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