O Milionário Gaiato

"For Heaven's Sake" was double-billed with "Grandma's Boy" on Turner Classic Movies' Silent Sunday, 12 July 2015, and it was a glorious pairing.

Harold Lloyd was working with Hal Roach for "GB" and was independent "For Heaven's Sake."

The first was, and was intended to be, more of a character study, as the alleged experts call it, while the second was more of a purely gag-filled romp.

"Sake" also had Lloyd's loveliest -- in my opinion -- co-star in the Tennessee girl, Jobyna Ralston, of South Pittsburg. (Some of her family is still there. I've tried, unsuccessfully, to talk the lifeless chamber of commerce into having a Jobyna Ralston film festival. It's a sad town but in a beautiful part of the country, not too far from Chattanooga. South Pittsburg is the home of the Cornbread Festival, featuring the Lodge iron skillets.)

"For Heaven's Sake" also has some wonderful stunts, with Lloyd's frequent foil Noah Young performing yeoman work, as do several excellent stunt performers.

It is, after all, Harold Lloyd, so you know there will be athletic performances and great sight gags, but the directing is quite an eye-opener, too, with that moving camera referred to in this review's title.

Both these films intrigued and delighted me with the moving camera, visually quite fascinating and very inventive and clever.

There is more story here than some supposed experts and even some reviewers here admit to and, combined with the sight humor, they make this a great movie, one I highly recommend.