Clyde Cook(1891-1984)
- Actor
- Director
- Writer
Diminutive Australian-born silent comic, the son of an engine driver.
Clyde Cook earned his sobriquet, 'The Kangaroo Boy', because of his
rubber-limbed elasticity. He had been on stage from the age of six,
trained as an acrobatic dancer and performed on the Tivoli circuit in
his native country, and, later, with the Folies Bergere in Paris. He
was back in Australia with
J.C. Williamson in 1916, appearing in
musical comedy and revues. Three years later, he made his American
debut in the Ziegfeld Follies on Broadway and then became the star
comic at the New York Hippodrome. Noted for his abilities as a
contortionist, he was billed as the Australian "Inja Rubber Idiot".
Within a year, he was spotted by Fox talent scouts and signed to appear
in the 'Sunshine Comedy' series.
After moving to California, Clyde developed his own unique screen image, which included a huge paintbrush moustache (a prototype of which he had sported since 1917) and a completely deadpan expression. Not as distinctive in his comic style as Charles Chaplin or Buster Keaton, he never quite made the first rank as a star, though he was immensely popular as a key supporting player in two-reel comedies. In 1925, he joined Hal Roach, where he did some of his best work, which included the Stan Laurel-directed Enough to Do (1926). In this, he played the cook for a railroad construction crew, with Oliver Hardy as a tough foreman. In the late 20's, Cook appeared in Roach's 'Taxi Boys' series and, with Warner Brothers, as comic relief in several features, often opposite Louise Fazenda.
His Australian accent proved popular enough to facilitate a smooth transition to talking pictures. This allowed Clyde to continue his career, albeit mainly in dramatic feature films, such as The Docks of New York (1928), Taming of the Shrew (1929) and The Dawn Patrol (1930). He even got to play an Australian in The Man from Down Under (1943), but, by then, his parts had become little more than walk-ons and bits. He retired after his one-day effort in the John Wayne starrer Donovan's Reef (1963), and died twenty-one years later, in 1984, of arteriosclerosis.
After moving to California, Clyde developed his own unique screen image, which included a huge paintbrush moustache (a prototype of which he had sported since 1917) and a completely deadpan expression. Not as distinctive in his comic style as Charles Chaplin or Buster Keaton, he never quite made the first rank as a star, though he was immensely popular as a key supporting player in two-reel comedies. In 1925, he joined Hal Roach, where he did some of his best work, which included the Stan Laurel-directed Enough to Do (1926). In this, he played the cook for a railroad construction crew, with Oliver Hardy as a tough foreman. In the late 20's, Cook appeared in Roach's 'Taxi Boys' series and, with Warner Brothers, as comic relief in several features, often opposite Louise Fazenda.
His Australian accent proved popular enough to facilitate a smooth transition to talking pictures. This allowed Clyde to continue his career, albeit mainly in dramatic feature films, such as The Docks of New York (1928), Taming of the Shrew (1929) and The Dawn Patrol (1930). He even got to play an Australian in The Man from Down Under (1943), but, by then, his parts had become little more than walk-ons and bits. He retired after his one-day effort in the John Wayne starrer Donovan's Reef (1963), and died twenty-one years later, in 1984, of arteriosclerosis.
