During the vibrant Red Sea Film Festival, actor Omar Miller discussed his experience in Gabriele Salvatores’ new film, “Naples to New York.” This historical drama, influenced by Federico Fellini’s early work, follows the story of two children who become stowaways on a ship bound for America in 1949 and embark on a transformational adventure.
Miller portrays George, an American cook who becomes an important part of the children’s journey. What distinguishes this film is its unique genesis; it is based on a narrative written by Fellini and his partner, Tullio Pinelli, in the 1940s, long before Fellini rose to international prominence as a filmmaker.
“This is one of the few times as an actor where you sign up for one film and end up making another film, but that other film is better than the film you thought you signed up for,” Miller said during an interview at the Deadline Studio in Jeddah.
Miller portrays George, an American cook who becomes an important part of the children’s journey. What distinguishes this film is its unique genesis; it is based on a narrative written by Fellini and his partner, Tullio Pinelli, in the 1940s, long before Fellini rose to international prominence as a filmmaker.
“This is one of the few times as an actor where you sign up for one film and end up making another film, but that other film is better than the film you thought you signed up for,” Miller said during an interview at the Deadline Studio in Jeddah.
- 12/9/2024
- by Naser Nahandian
- Gazettely
U.S. actor Omar Benson Miller who is known for roles in “8 Mile,” HBO’s Ballers, and Apple’s “The Last Days of Ptolemy Grey,” stars in Italian immigration-themed drama “Naples to York” by Oscar-winning director Gabriele Salvatores that is having its festival premiere at Saudi Arabia’s Red Sea Film Festival.
Interestingly, Federico Fellini co-wrote this tale of two Neapolitan kids who embark on a ship to New York to escape Italy’s early postwar poverty with his frequent collaborator Tullio Pinelli, a writer on the Italian maestro’s “La Dolce Vita” and “8 1/2,” as well as other titles.
In the film Benson Miller plays the ship’s cook who, during their travels, takes the kids under his wing.
He spoke to Variety about being back in Italy more than a decade after working in Tuscany with Spike Lee on “Miracle at St. Anna”; why this movie, conceived by Fellini,...
Interestingly, Federico Fellini co-wrote this tale of two Neapolitan kids who embark on a ship to New York to escape Italy’s early postwar poverty with his frequent collaborator Tullio Pinelli, a writer on the Italian maestro’s “La Dolce Vita” and “8 1/2,” as well as other titles.
In the film Benson Miller plays the ship’s cook who, during their travels, takes the kids under his wing.
He spoke to Variety about being back in Italy more than a decade after working in Tuscany with Spike Lee on “Miracle at St. Anna”; why this movie, conceived by Fellini,...
- 12/8/2024
- by Nick Vivarelli
- Variety Film + TV
Federico Fellini’s post-war immigration story “Napoli-New York,” which was penned for the big screen by the famed director but never produced, is set to become a graphic novel written by French comic book writer Jean-David Morvan.
Meanwhile, as previously announced, cameras are rolling in Naples on the movie version by Oscar-winning director Gabriele Salvatores.
Fellini co-wrote the tale with his frequent collaborator Tullio Pinelli, a writer on the Italian maestro’s “La Dolce Vita” and “8 1/2,” as well as other titles. Turin-based media company Arancia Studio has now attached the prolific Morvan – who has written more than 250 books that have sold millions of copies – for the graphic novel adaptation.
“Napoli-New York” revolves around two kids named Celestina and Carmine who, after Celestina’s house collapses in an air raid, manage to surreptitiously board a ship in the port of Naples, becoming clandestine passengers. The youngsters are on a mission to reach the U.
Meanwhile, as previously announced, cameras are rolling in Naples on the movie version by Oscar-winning director Gabriele Salvatores.
Fellini co-wrote the tale with his frequent collaborator Tullio Pinelli, a writer on the Italian maestro’s “La Dolce Vita” and “8 1/2,” as well as other titles. Turin-based media company Arancia Studio has now attached the prolific Morvan – who has written more than 250 books that have sold millions of copies – for the graphic novel adaptation.
“Napoli-New York” revolves around two kids named Celestina and Carmine who, after Celestina’s house collapses in an air raid, manage to surreptitiously board a ship in the port of Naples, becoming clandestine passengers. The youngsters are on a mission to reach the U.
- 7/13/2023
- by Nick Vivarelli
- Variety Film + TV
Exclusive: Fresh off the series finale of CBS’ True Lies, Omar Miller has entered production in Italy on Naples to New York, an indie based on a story penned in the 1940s by a young Federico Fellini, who was not yet a filmmaker, and his longtime friend and collaborator Tullio Pinelli.
Set in 1949, this is a story of two children who set off on a journey across the ocean, as stowaways on a ship, looking for a family and opportunity in America. Along the way, they encounter characters both well-meaning and nefarious, who cement their faith in humanity. Miller plays George, an American cook on an international merchant ship who befriends our two young Italian stowaways. He’s a gentle giant with great comedic timing, and a strong sense of humanity.
Gabriele Salvatores is directing from his own script, with Paco Cinematografica, Isabella Cocuzza and Arturo Paglia serving as exec producers.
Set in 1949, this is a story of two children who set off on a journey across the ocean, as stowaways on a ship, looking for a family and opportunity in America. Along the way, they encounter characters both well-meaning and nefarious, who cement their faith in humanity. Miller plays George, an American cook on an international merchant ship who befriends our two young Italian stowaways. He’s a gentle giant with great comedic timing, and a strong sense of humanity.
Gabriele Salvatores is directing from his own script, with Paco Cinematografica, Isabella Cocuzza and Arturo Paglia serving as exec producers.
- 6/8/2023
- by Matt Grobar
- Deadline Film + TV
Oscar-winning director Gabriele Salvatores (“Mediterraneo”) is back behind the camera on “Napoli – New York,” a period immigration drama based on a story written for the screen by Federico Fellini.
Fellini co-wrote the tale of two Neapolitan kids who embark on a ship to New York to escape Italy’s early postwar poverty with his frequent collaborator Tullio Pinelli, a writer on the Italian maestro’s “La Dolce Vita” and “8 1/2,” as well as other titles.
Italian A-lister Pierfrancesco Favino stars as the chief officer of the ship which the two kids, named Carmine and Celestina, manage to board surreptitiously in the port of Naples, becoming clandestine passengers. The youngsters are on a mission to reach the U.S. where they dream of living with Celestina’s sister, who emigrated to New York two years earlier. Newcomers Dea Lanzaro e Antonio Guerra play the kids. (See first-look image above of Favino with the kids and Salvatores.
Fellini co-wrote the tale of two Neapolitan kids who embark on a ship to New York to escape Italy’s early postwar poverty with his frequent collaborator Tullio Pinelli, a writer on the Italian maestro’s “La Dolce Vita” and “8 1/2,” as well as other titles.
Italian A-lister Pierfrancesco Favino stars as the chief officer of the ship which the two kids, named Carmine and Celestina, manage to board surreptitiously in the port of Naples, becoming clandestine passengers. The youngsters are on a mission to reach the U.S. where they dream of living with Celestina’s sister, who emigrated to New York two years earlier. Newcomers Dea Lanzaro e Antonio Guerra play the kids. (See first-look image above of Favino with the kids and Salvatores.
- 6/5/2023
- by Nick Vivarelli
- Variety Film + TV
It’s a pleasant thing to revisit an old favorite and discover that it’s better than you remember. The tale of Zampanò and Gelsomina is Italo neo-realism 2.0: it’s got poverty, misfortune and misery but also a bankable American star or two. The visually revamped presentation of Federico Fellini’s international breakthrough picture is a wonder — no more distorted audio and images that look as if they were filmed yesterday. Several of the extras are new, but the main charm is still provided by Giulietta Masina, Anthony Quinn and the Nino Rota music.
La Strada
Blu-ray
The Criterion Collection 219
1954 / B&w / 1:37 Academy / 98 min. / available through The Criterion Collection / Street Date November 2, 2021 / 39.95
Starring: Anthony Quinn, Giulietta Masina, Richard Basehart, Aldo Silvani, Marcella Rovena, Livia Venturini.
Cinematography: Otello Martelli, Anna Primula.
Production Designer: Mario Ravasco
Art Direction: E. Cervelli, Brunello Rondi
Film Editor: Leo Cattozzo
Original Music: Nino Rota
Written by ederico Fellini,...
La Strada
Blu-ray
The Criterion Collection 219
1954 / B&w / 1:37 Academy / 98 min. / available through The Criterion Collection / Street Date November 2, 2021 / 39.95
Starring: Anthony Quinn, Giulietta Masina, Richard Basehart, Aldo Silvani, Marcella Rovena, Livia Venturini.
Cinematography: Otello Martelli, Anna Primula.
Production Designer: Mario Ravasco
Art Direction: E. Cervelli, Brunello Rondi
Film Editor: Leo Cattozzo
Original Music: Nino Rota
Written by ederico Fellini,...
- 11/6/2021
- by Glenn Erickson
- Trailers from Hell
Next year will mark the centennial of Federico Fellini, born on January 20, 1920 in Rimini, Italy. While we imagine there will be no shortage of retrospectives and screenings celebrating the Italian master, New York City’s Film Forum is getting ahead of the pack with a presentation of a new 4K restoration of the director’s first solo directorial effort The White Sheik. We’re pleased to present the exclusive trailer debut ahead of an opening on Christmas Day.
Coming after Fellini’s 1950 debut Variety Lights, co-directed with Alberto Lattuada, this 1952 slapstick rom-com follows a honeymoon gone off the rails when the bride (Brunella Bovo) goes off in search of her titular idol. Based on an original treatment by Michelangelo Antonioni, the film also marks a number of early collaborations with future Fellini stalwarts, notably a memorable cameo by Giulietta Masina as Cabiria (five years before Nights of Cabiria) and a score by composer Nino Rota.
Coming after Fellini’s 1950 debut Variety Lights, co-directed with Alberto Lattuada, this 1952 slapstick rom-com follows a honeymoon gone off the rails when the bride (Brunella Bovo) goes off in search of her titular idol. Based on an original treatment by Michelangelo Antonioni, the film also marks a number of early collaborations with future Fellini stalwarts, notably a memorable cameo by Giulietta Masina as Cabiria (five years before Nights of Cabiria) and a score by composer Nino Rota.
- 12/9/2019
- by Jordan Raup
- The Film Stage
Fellini’s 8½ Screenings In Los Angeles with Barbara Steele In Person at Royal Screening
By Todd Garbarini
Federico Fellini’s 1963 film 8½ (Otto e Mezzo) will be shown in special 55th anniversary screenings at three of Laemmle's theatres in Los Angeles. Starring Marcello Mastroianni, Claudia Cardinale, Anouk Aimee, Sandra Milo, and Barbara Steele, the film, lauded by Roger Ebert as the greatest film ever made about filmmaking and the winner of the Best Foreign Language Oscar for that year, runs 138 minutes and is being showcased on the big screen in a rare opportunity.
The film will be shown at the following locations:
Royal, 11523 Santa Monica Boulevard, Los Angeles, CA 90025
Phone: (310) 478-0401
Wednesday, January 17, 2018 at 7:00 pm
Please Note: Actor and film historian Douglas Dunning, longtime friend of actress Barbara Steele, announces that Barbara Steele is scheduled to appear in person for a Q & A prior to the screening at the Royal theatre.
By Todd Garbarini
Federico Fellini’s 1963 film 8½ (Otto e Mezzo) will be shown in special 55th anniversary screenings at three of Laemmle's theatres in Los Angeles. Starring Marcello Mastroianni, Claudia Cardinale, Anouk Aimee, Sandra Milo, and Barbara Steele, the film, lauded by Roger Ebert as the greatest film ever made about filmmaking and the winner of the Best Foreign Language Oscar for that year, runs 138 minutes and is being showcased on the big screen in a rare opportunity.
The film will be shown at the following locations:
Royal, 11523 Santa Monica Boulevard, Los Angeles, CA 90025
Phone: (310) 478-0401
Wednesday, January 17, 2018 at 7:00 pm
Please Note: Actor and film historian Douglas Dunning, longtime friend of actress Barbara Steele, announces that Barbara Steele is scheduled to appear in person for a Q & A prior to the screening at the Royal theatre.
- 1/11/2018
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Madeleine Lebeau, the French actress best known as Yvonne in Oscar-winning 1942 film Casablanca, died on May 1 in Estepona, Spain, following a hip injury, her stepson told The Hollywood Reporter. She was 92. Lebeau, who played Rick's girlfriend and performed "Le Marseillaise," was the last surviving actress from the iconic film, preceded in death by all of her co-stars, including leads Humphrey Bogart and Ingrid Bergman. Other roles included that of an actress in Fellini's 8 1/2, Gentleman Jim and in French cinema like Angélique". Lebeau stopped acting by the end of the 1960s, however. Born in 1923 near Paris, Lebeau later fled the...
- 5/15/2016
- by Lindsay Kimble, @lekimble
- PEOPLE.com
Madeleine Lebeau, the French actress best known as Yvonne in Oscar-winning 1942 film Casablanca, died on May 1 in Estepona, Spain, following a hip injury, her stepson told The Hollywood Reporter. She was 92. Lebeau, who played Rick's girlfriend and performed "Le Marseillaise," was the last surviving actress from the iconic film, preceded in death by all of her co-stars, including leads Humphrey Bogart and Ingrid Bergman. Other roles included that of an actress in Fellini's 8 1/2, Gentleman Jim and in French cinema like Angélique". Lebeau stopped acting by the end of the 1960s, however. Born in 1923 near Paris, Lebeau later fled the...
- 5/15/2016
- by Lindsay Kimble, @lekimble
- PEOPLE.com
La Dolce Vita
Directed by Federico Fellini
Written by Federico Fellini, Ennio Flaiano, Tullio Pinelli, Brunello Rondi
Italy, 1960
Right from the start of Federico Fellini’s 1960 film La Dolce Vita, we know we’re in for something different, something exciting, something audacious. Fellini’s choice of initial imagery announces immediately that this is a film about the contradictions of modern life. First, we get a helicopter carrying a large statue of Christ over Rome. It’s a powerful image with extensive connotations. This holy figure stands as the traditional and the sacred, and is slightly vulgarized in its absurdity here. But it moves on, and what follows further illustrates that things have changed: out with Christ, in with Marcello (Rubini in the film, Mastroianni in real life). He and his “photo reporters,” now known because of this film as paparazzi, take time away from their coverage of the transport to...
Directed by Federico Fellini
Written by Federico Fellini, Ennio Flaiano, Tullio Pinelli, Brunello Rondi
Italy, 1960
Right from the start of Federico Fellini’s 1960 film La Dolce Vita, we know we’re in for something different, something exciting, something audacious. Fellini’s choice of initial imagery announces immediately that this is a film about the contradictions of modern life. First, we get a helicopter carrying a large statue of Christ over Rome. It’s a powerful image with extensive connotations. This holy figure stands as the traditional and the sacred, and is slightly vulgarized in its absurdity here. But it moves on, and what follows further illustrates that things have changed: out with Christ, in with Marcello (Rubini in the film, Mastroianni in real life). He and his “photo reporters,” now known because of this film as paparazzi, take time away from their coverage of the transport to...
- 10/28/2014
- by Jeremy Carr
- SoundOnSight
The top 20. The scripts by which all others are defined and to which all others are compared. Brilliant scripts can be wordy. Brilliant scripts can be confusing. Brilliant scripts can be sweeping or intimate. This section runs the gamut, ranging from first time writers to established writing vets. It only gets better from here.
courtesy of wikipedia.org
20. Easy Rider (1969)
Written by Dennis Hopper, Peter Fonda, and Terry Southern
They’ll talk to ya and talk to ya and talk to ya about individual freedom. But they see a free individual, it’s gonna scare ‘em.
This portion’s “anybody can write a film” segment comes from 1969, with a landmark film that truly doesn’t have much weight. A road movie if there ever was one, Easy Rider follows Wyatt (Peter Fonda) and Billy (Dennis Hopper) as they ride their motorcycles across the country to New Orleans for Mardi Gras.
courtesy of wikipedia.org
20. Easy Rider (1969)
Written by Dennis Hopper, Peter Fonda, and Terry Southern
They’ll talk to ya and talk to ya and talk to ya about individual freedom. But they see a free individual, it’s gonna scare ‘em.
This portion’s “anybody can write a film” segment comes from 1969, with a landmark film that truly doesn’t have much weight. A road movie if there ever was one, Easy Rider follows Wyatt (Peter Fonda) and Billy (Dennis Hopper) as they ride their motorcycles across the country to New Orleans for Mardi Gras.
- 3/12/2014
- by Joshua Gaul
- SoundOnSight
Now it’s gettin’ good, right? This section of the list begins to get into the portion where “you’ve heard it before.” A number of the films below have been universally acclaimed for one reason or another, but the focus here is on the writing. Some are innovative, some are unexpected, and some completed changed the way films were written, creating a new style or sub-genre. After all, isn’t that what makes for good writing?
30. Reservoir Dogs (1992)
Written by Quentin Tarantino and Roger Avary
I don’t wanna kill anybody. But if I gotta get out that door, and you’re standing in my way, one way or the other, you’re gettin’ outta my way.
Before he was one of the more recognizable directors in Hollywood, Quentin Tarantino was a screenwriter just trying to make enough money to get the films he wanted to make off the ground.
30. Reservoir Dogs (1992)
Written by Quentin Tarantino and Roger Avary
I don’t wanna kill anybody. But if I gotta get out that door, and you’re standing in my way, one way or the other, you’re gettin’ outta my way.
Before he was one of the more recognizable directors in Hollywood, Quentin Tarantino was a screenwriter just trying to make enough money to get the films he wanted to make off the ground.
- 3/3/2014
- by Joshua Gaul
- SoundOnSight
Days of Mary casts Juliette Lewis in remaining of Federic Fellini's Nights of Cabiria The film which is based on the original script by Ennio Flaino, Tullio Pinelli and Fellini, follows a girl who's seeking a romantic interest to escape her life in Reno, Neva and starts principal photography in Reno some time this fall, reports Variety. Constellation Entertainment picked up rights to the 1957 winner of the Best Foreign Language Oscar winner from the Fellini estate. Brad Michael Gilbert is set to helm from the script her wrote with Meg McGarry while Mike S. Ryan produces alongside Gilbert. Robbie Little's Little Film Co., is handling international sales for The Days of Mary, introducing the film to buyers in Cannes at first.
- 5/8/2012
- Upcoming-Movies.com
Days of Mary casts Juliette Lewis in remaining of Federic Fellini's Nights of Cabiria The film which is based on the original script by Ennio Flaino, Tullio Pinelli and Fellini, follows a girl who's seeking a romantic interest to escape her life in Reno, Neva and starts principal photography in Reno some time this fall, reports Variety. Constellation Entertainment picked up rights to the 1957 winner of the Best Foreign Language Oscar winner from the Fellini estate. Brad Michael Gilbert is set to helm from the script her wrote with Meg McGarry while Mike S. Ryan produces alongside Gilbert. Robbie Little's Little Film Co., is handling international sales for The Days of Mary, introducing the film to buyers in Cannes at first.
- 5/8/2012
- Upcoming-Movies.com
Federico Fellini’s Nights of Cabiria is getting a contemporary re-imagining, one that will star Juliette Lewis and be titled The Days of Mary. The original movie, written by Federico Fellini, Ennio Flaiano and Tullio Pinelli, followed a prostitute looking for love in Rome but finding only heartache. It won the 1958 Oscar for best foreign-language film. The movie was remade in 1969 as a Bob Fosse musical starring Shirley MacLaine titled Sweet Charity. The new movie, being directed by Brad Michael Gilbert (The Loss of a Teardrop Diamond), moves the action to Reno, Nev. Gilbert also wrote the
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- 5/7/2012
- by Borys Kit
- The Hollywood Reporter - Movie News
Academy Award nominee Juliette Lewis and Academy Award winner Federico Fellini unite for …wait a minute, what? Lewis, an Academy Award nominee for her turn in “Natural Born Killers,” will star in “The Days of Mary,” a remake of Fellini’s “Nights of Cabiria,” which won the Oscar for Best Foreign Language Film in 1957. Meg McGarry and Brad Michael Gilbert will adapt Fellini’s original screenplay, which he wrote with Ennio Flaino and Tullio Pinelli. Bob Fosse attempted this before, staging a 1966 Broadway musical and then adapting it into a 1969 film...
- 5/7/2012
- by Lucas Shaw
- The Wrap
Oh, lord. In a story about Precious director Lee Daniels moving to CAA, I expected to find some indication of whether his next film would indeed be The Butler for Sony, or if he might actually make Selma, the film he worked to get off the ground for much of this year. It's still looking like The Butler will be his next. But there's another tidbit in there, too: the director is attached to remake Frederico Fellini's Nights of Cabiria. What? Deadline [1] doesn't offer much more than a single note about the attachment, so we don't know if he might write a new version of the screenplay or if someone else is on board. (The original film had Fellini, Ennio Flaiano and Tullio Pinelli as writers, but Pier Paolo Pasolini also worked on the script. And Nino Rota did the score. Beat that lineup.) The 1957 film starred Fellini's...
- 12/7/2010
- by Russ Fischer
- Slash Film
Rome -- Famed Italian screenwriting legend Tullio Pinelli, best known for co-writing Federico Fellini's "La Dolce Vita" and "8 1/2" died over the weekend in Rome. He was 100.
Even though Pinelli worked with other Italian masters such as Roberto Rossellini and Mario Monicelli, it was his work with Fellini that netted him four Oscar nominations. Pinelli wrote more than a dozen of Fellini's films, starting with the master's first and last films.
Even though Pinelli worked with other Italian masters such as Roberto Rossellini and Mario Monicelli, it was his work with Fellini that netted him four Oscar nominations. Pinelli wrote more than a dozen of Fellini's films, starting with the master's first and last films.
Scriptwriter Pinelli Dies
Oscar-nominated screenwriter Tullio Pinelli has died at the age of 100.
The Italian stage and film scribe passed away on 7 March in Rome.
Beginning his career in the 1940s, Pinelli was best known for his collaborations with director Federico Fellini.
Together, they earned recognition for movies like 1953's I Vitelloni, 1954's La Strada, 1960's La Dolce vita and 1963's 8 1/2 - all of which were nominated for Best Writing, Story and Screenplay Academy Awards.
Pinelli was also noted for his work on Pietro Germi's 1951 crime film Four Ways Out, starring Gina Lollobrigida, and Fellini's La voce della luna in 1990.
The star is also widely acknowledged for his contributions to Italian cinema's golden age with Monicelli comedies like 1975's Amici miel and 1981's Il Marchese del Grillo.
He is survived by four children, including his director son, Carlo Alberto Pinelli.
The Italian stage and film scribe passed away on 7 March in Rome.
Beginning his career in the 1940s, Pinelli was best known for his collaborations with director Federico Fellini.
Together, they earned recognition for movies like 1953's I Vitelloni, 1954's La Strada, 1960's La Dolce vita and 1963's 8 1/2 - all of which were nominated for Best Writing, Story and Screenplay Academy Awards.
Pinelli was also noted for his work on Pietro Germi's 1951 crime film Four Ways Out, starring Gina Lollobrigida, and Fellini's La voce della luna in 1990.
The star is also widely acknowledged for his contributions to Italian cinema's golden age with Monicelli comedies like 1975's Amici miel and 1981's Il Marchese del Grillo.
He is survived by four children, including his director son, Carlo Alberto Pinelli.
- 3/9/2009
- WENN
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