Quotes

The beautiful thing about the read-through is that everyone is there: the head writer, Bevan Lee, the producers and every actor. And I know it sounds like the simplest thing in the world but god it's fabulous. Even if you're not in an episode but you're at the read-through you know what's goin' on.

Unless I'm enjoying the job, I don't care how fabulous the role is or how brilliant the series is. If I'm not enjoying myself, forget it.

The other wonderful thing, and it makes it a very cohesive ensemble, is they have read-throughs of every episode. Quite often in a series like this you never get to work with people for weeks on end. So consequently you never see them.

I'm not bullshitting, it's a lovely company of actors. It's a fabulous crew. A lot of them of course I know. But it's one of the most efficient crews I've ever worked with. Paul Moloney, the producer is so respected. But he's also a director and that makes a big difference. He was one of our directors on Prisoner, so it all comes full circle.

We thought Something in the Air would run for 10 years, and I was quite happy to be in it for 10 years and Channel 2 axed it. Family and Friends a long, long time ago, same thing. Came to work one morning, got out of the car and someone said 'Don't worry about getting out of the car, we've been axed.'