VALUTAZIONE IMDb
5,6/10
20.326
LA TUA VALUTAZIONE
Voluto dalla mafia Cinese, un messaggero di biciclette di New York City scappa nel mondo del parkour dopo aver incontrato un bellissimo sconosciuto.Voluto dalla mafia Cinese, un messaggero di biciclette di New York City scappa nel mondo del parkour dopo aver incontrato un bellissimo sconosciuto.Voluto dalla mafia Cinese, un messaggero di biciclette di New York City scappa nel mondo del parkour dopo aver incontrato un bellissimo sconosciuto.
- Premi
- 2 candidature
Johnny M. Wu
- Jerry
- (as Johnny Wu)
Christian Steel
- Joey
- (as Christian Steele)
Teddy Cañez
- Tough Detective
- (as Teddy Canez)
Trama
Lo sapevi?
- Quiz"Traceur", English translation 'tracer', is the French name for a practitioner of parkour.
- BlooperWhen Cam starts his car for the first time in the garage and then proceeds to throw it into reverse. The car dies. He tries cranking the engine again. Auto cars cannot turn over unless in Park or Neutral.
- ConnessioniFeatured in Parkour Expert Rates 9 Parkour Stunts in Movies and TV (2022)
- Colonne sonoreBackdraft
Written by Gary Robinson (as Gary James Robinson)
Performed by The Death Beats
Courtesy of Crucial Music Corporation
Recensione in evidenza
The two young stars, Canadian beauty Marie Avgeropoulos and Taylor Lautner, are both considerably better than the material.
Which is a back-handed compliment since the material is pretty terrible.
What you have here is a targeted-to-young-audience "street drama" with pretensions of being an action thriller because of the backdrop of Free-Jumping. In fact the closest antecedents would be the "crime dramas" of the 1940s. Sort of.
That is a lot of ambition here and very little in the way of delivery.
There are problems galore. The script is all over the place. Sometimes it thinks it is a rom-com. Sometimes it thinks it is a Van Damme knockoff. And sometimes it thinks it is West Side Story.
The free-jumping scenes are over-directed. What that means is that while the film tries to maintain a "street cred" sort of realism, the action scenes are so well choreographed you might think you were watching a music video. This creates dissonance, which does not help the viewer experience.
And the action climax, the last 10 minutes which is where most films get to shine, is actually weaker than the first 10 minutes, where the romance starts. Which is hardly a great recommendation.
Bottom line: the two stars deserve better. Much better.
Which is a back-handed compliment since the material is pretty terrible.
What you have here is a targeted-to-young-audience "street drama" with pretensions of being an action thriller because of the backdrop of Free-Jumping. In fact the closest antecedents would be the "crime dramas" of the 1940s. Sort of.
That is a lot of ambition here and very little in the way of delivery.
There are problems galore. The script is all over the place. Sometimes it thinks it is a rom-com. Sometimes it thinks it is a Van Damme knockoff. And sometimes it thinks it is West Side Story.
The free-jumping scenes are over-directed. What that means is that while the film tries to maintain a "street cred" sort of realism, the action scenes are so well choreographed you might think you were watching a music video. This creates dissonance, which does not help the viewer experience.
And the action climax, the last 10 minutes which is where most films get to shine, is actually weaker than the first 10 minutes, where the romance starts. Which is hardly a great recommendation.
Bottom line: the two stars deserve better. Much better.
- A_Different_Drummer
- 21 feb 2015
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Tracers Al límite
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 11.000.000 USD (previsto)
- Lordo in tutto il mondo
- 3.340.503 USD
- Tempo di esecuzione1 ora 34 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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