Una ragazza risoluta che vive sull'Altopiano d'Ozark si inoltra in un pericoloso terreno sociale alla ricerca del padre spacciatore, mentre cerca di mantenere la famiglia unita.Una ragazza risoluta che vive sull'Altopiano d'Ozark si inoltra in un pericoloso terreno sociale alla ricerca del padre spacciatore, mentre cerca di mantenere la famiglia unita.Una ragazza risoluta che vive sull'Altopiano d'Ozark si inoltra in un pericoloso terreno sociale alla ricerca del padre spacciatore, mentre cerca di mantenere la famiglia unita.
- Candidato a 4 Oscar
- 63 vittorie e 131 candidature totali
Philip Burnley
- Baby Ned
- (as Phillip Burnley)
Trama
Lo sapevi?
- QuizJennifer Lawrence was originally turned down for the role of Ree for being "too pretty." She flew overnight into New York City, walked 13 blocks in the sleet to the casting office, and auditioned with a runny nose and hair she hadn't washed in a week. Lawrence won the role, and ultimately, her first Academy Award nomination (for Best Actress) at 20 years old.
- BlooperFLIPPED SHOT: When the sheriff first talks to Ree, the neighbor walks past a truck to eavesdrop. The truck's logo and license plate are reversed, as if in a mirror.
- ConnessioniFeatured in The Rotten Tomatoes Show: The A-Team/The Karate Kid/Winter's Bone (2010)
- Colonne sonoreThe Missouri Waltz
(1914)
Words by J.R. Shannon
Music by John Valentine Eppel
a.k.a. "Hush-a'bye, Ma Baby"
Performed a capella by Marideth Sisco
Recensione in evidenza
Just back from seeing this at the Edinburgh Film Festival, and at the Q&A afterwards, the director, Debra Granik (refreshingly eloquent and well beyond the usual wanting to thank the world and his wife for being here at EIFF) described her film's subject matter as 'hard scrabble'. Although she wasn't referring to a Russian Roulette version of the popular literacy board game (now there's an idea for a film...), it was an evocative description of the tough slice of backwater American life served up here. The basic storyline – a teenagers plight to save her dependent family from imminent homelessness because of the actions of an errant and now-absent father – felt both authentic and compelling, as did the way the local community closed in around her, meting out both violence and support in equal measure.
Using grey and oppressive colour tones, the entire film is shot in a bleak wooded landscape, where the grizzle-bearded men all look like they've just left the set of 'Southern Comfort', and the straggle-haired, world-weary lined faces of the women add to the unspoken sense of the harsh reality of life here. I doubt they see many tourists in this neck of the woods, and at the same time, the film steers well clear of the 'and if they did, they'd probably eat them' stereotype. I liked the sparse and effective use of bluegrass-folky-type music, which cut through, and gave some relief to, an otherwise fairly unremitting sense of hopelessness.
Although the subject matter is an uncompromising reality-check to much of the superficial Hollywood drivel that fills our multiplexes, this is not a hard watch. At its' heart, it's a good story, well-told, with excellent central performances (particularly John Hawkes and Jennifer Lawrence) and an open-hearted sense of the local community here, in spite of their bread-line existence. 7/10.
Using grey and oppressive colour tones, the entire film is shot in a bleak wooded landscape, where the grizzle-bearded men all look like they've just left the set of 'Southern Comfort', and the straggle-haired, world-weary lined faces of the women add to the unspoken sense of the harsh reality of life here. I doubt they see many tourists in this neck of the woods, and at the same time, the film steers well clear of the 'and if they did, they'd probably eat them' stereotype. I liked the sparse and effective use of bluegrass-folky-type music, which cut through, and gave some relief to, an otherwise fairly unremitting sense of hopelessness.
Although the subject matter is an uncompromising reality-check to much of the superficial Hollywood drivel that fills our multiplexes, this is not a hard watch. At its' heart, it's a good story, well-told, with excellent central performances (particularly John Hawkes and Jennifer Lawrence) and an open-hearted sense of the local community here, in spite of their bread-line existence. 7/10.
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Dettagli
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 6.531.503 USD
- Fine settimana di apertura Stati Uniti e Canada
- 84.797 USD
- 13 giu 2010
- Lordo in tutto il mondo
- 13.796.834 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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What is the streaming release date of Un gelido inverno (2010) in Australia?
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