Il figlio minore di un pugile alcoolizzato ritorna a casa e viene addestrato dal padre per affrontare un torneo di arti marziali nel quale dovrà combattere con il proprio fratello.Il figlio minore di un pugile alcoolizzato ritorna a casa e viene addestrato dal padre per affrontare un torneo di arti marziali nel quale dovrà combattere con il proprio fratello.Il figlio minore di un pugile alcoolizzato ritorna a casa e viene addestrato dal padre per affrontare un torneo di arti marziali nel quale dovrà combattere con il proprio fratello.
- Candidato a 1 Oscar
- 6 vittorie e 22 candidature totali
- Colt Boyd
- (as Maximiliano Hernandez)
- Fenroy
- (as Fernando Funan Chien)
- KC
- (as Laura Kenley)
Trama
Lo sapevi?
- QuizJoel Edgerton tore his MCL in the cage during production, halting fight scenes for six weeks. Tom Hardy suffered a broken toe, broken ribs, and a broken finger.
- BlooperWhen Paddy tells Tommy that he'll leave the coffee out until 0500 hours (5:00am), a digital alarm clock in the background reveals that the time is already 5:23am. Paddy may have been speaking in reference to future awakenings but this doesn't sound like the case. However, Paddy says that climbing the stairs hurts his knees and so it's likely he doesn't go up there often, which means the clock may still be set on summertime.
- Citazioni
[last lines]
Brendan Conlon: Tommy, what are you doing?
Tom Conlon: Shut Up! Come on
Brendan Conlon: Come on? What are you that crazy?
Referee Josh Rosenthal: Lets Go To War!
Brendan Conlon: What are you doing? It's over Tommy! Tommy You don't have to do this! Don't make me do this Tommy! I don't want to do this!
Tom Conlon: Whats the matter?
Brendan Conlon: [pinning him] I'm sorry Tommy! I'm sorry... Tap out Tom! It's OK! It's OK! I Love You! I Love You Tommy!
- ConnessioniFeatured in Hollywood's Top Ten: Alive and Kicking (2011)
- Colonne sonoreStart a War
Written by Matt Berninger (as Matthew Berninger) and Aaron Dessner
Performed by The National
Courtesy of 4AD Records
For both Tom Hardy and especially Joel Edgerton, this film was their big breakthrough. Since then, Hollywood has been hot on their heels for almost everything. After seeing this flick, one has to honestly say that this is totally fine. Although I don't think too much of Edgerton's rather stoic and monotonous acting, he fits the role of Brendan perfectly. A "reasonable" family man with clear principles, but who has never lost his passion for fighting from his younger years. Even more on the nail, however, is Hardy's embodiment of his character Tommy. Although he is actually sullen and taciturn for the entire 130 minutes of running time (just a typical Hardy), you always have the feeling that there is so much more to this loveless-looking person. When you learn more about his background in the second half of the film, the other character traits clearly come into play. In that respect, Hardy was of course given the more interesting and diverse character, but his rousing performance never really makes you dislike this fundamentally unlikable person after all. The acting masterpiece of the film, however, goes to the account of a gentleman who had long been considered an icon in Hollywood at that time: Nick Nolte. After he had disappeared into oblivion for some time before, Nolte returns here in absolute top form. The role of the recovering alcoholic is tailor-made for Nolte. He plays everything from totally grumpy and distant to empathetic and highly emotional, and in the final part he provides one of the most memorable individual scenes in recent memory, at least in my opinion. You understand this man, want to hug him for his crumbling relationship with his sons, but can still understand why they want to avoid him.
At first glance, the film's unwinding seems generic and genre-oriented. However, if you venture beneath the surface and get involved with the not-uncomplex plot, you are completely caught off guard and left wondering. If I weren't a cold hearted person when it comes to crying at movies, I probably would have shed enough water for ten. Warrior gives you so much more than just half-naked men beating the crap out of each other in a pointless martial art. It's about passion, revenge and reconciliation. These elements are conveyed by O'Connor and the cast in such an incredibly authentic and profound way that you almost can't believe that the declared genre of this film is "sports movie". Rather, it is a breathtaking roller coaster of emotions with a lot of heart with an admittedly slightly exaggerated ending.
- severindringel
- 26 lug 2021
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- La última pelea
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 13.657.115 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.242.107 USD
- 11 set 2011
- Lordo in tutto il mondo
- 23.308.615 USD
- Tempo di esecuzione2 ore 20 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1